Also included are Marilyn’s first offer on her Brentwood home from 1962, and a letter from Arthur Miller to director George Cukor, thanking him for his kindness to Marilyn during filming of Let’s Make Love in 1960.
“I just wanted to thank you for the way you have behaved toward Marilyn. The picture, of course, is important to her and to you, but immeasurably more important are the precious days and weeks of her life which your patience and skill and understanding have made humanly meaningful for her. I have never known her so happy at work, so hopeful for herself, so prepared to cast away the worst of her doubts. You must know now some of the reasons why she is so precious to me and will understand the sincerity of my respect for you. / I am at work here, but I don’t know how long I’ll be able to bear this bachelorhood…”
“Marilyn Monroe’s great achievement has been the making of herself and the imposition of her will and her dream upon a whole world. Joseph Conrad wrote that when we are born we fall into a dream. Norma Jeane Mortenson, called Norma Jean Baker, fell into the most extravagant of dreams. She made it come true. She made it come true by making herself. She made herself beautiful. She made herself an artist. She triumphed in that arena where the loveliest women in the world contend fiercely for the prizes.
In one sense, then, her life is completed, because her spirit is formed and has achieved itself. No matter what unpredictable events may lie in her future, they cannot change what she is and what she has become. And there will be many surprises and alterations in her life ahead; there will be, in Hart Crane’s phrase, ‘new thresholds, new anatomies’.
In her heart is a questing fever that will give her no peace, that drives her on ‘to strive, to seek, to find,’ and then to strive and seek again. Her soul was always be restless, unquiet.”
Zolotow’s biography, considered a definitive early work on Monroe, was reissued in 1990 with a further chapter on The Misfits, and an intriguing prologue where Zolotow describes his first meeting with the actress, at a Hollywood party in 1952, when she was still on the cusp of stardom. They would meet again ten years later, at the Actor’s Studio in New York, after Zolotow’s book was published.
While filming Let’s Make Lovein 1960, Marilyn Monroe lived with husband Arthur Miller in a bungalow at the Beverly Hills Hotel. Monroe’s co-star, Yves Montand, stayed next door with his wife, the French actress Simone Signoret.
The Millers and the Montands were good friends, but their lives were shattered when Marilyn and Yves had a very public affair.
But Signoret never blamed Marilyn for the ensuing scandal, and the dynamic between these two women is now the subject of a play, Marilyn, by Scottish dramatist Sue Glover, to be performed at the Citizens’ Theatre, Glasgow, next February, and at the Lyceum Theatre, Edinburgh, in March.
“Nobody ever said Lady Macbeth was a brunette…
Holding a mirror up to the notion of stardom, the myth of the blonde bombshell and the pressure of fame, Marilyn offers a glimpse into the private life of one of popular culture’s most iconic women.
1960. Marilyn Monroe is staying in the Beverly Hills Hotel with her husband, Arthur Miller, while preparing to film Let’s Make Love.
In the apartment opposite, the great French actress Simone Signoret waits for her husband Yves Montand, to return from the studio.
Both successful actresses in their own right, the women form an uneasy friendship under the watchful eye of Patti, hairdresser to the stars. But it will become a friendship that will test their deepest beliefs and will threaten to destroy them both.
This new play by Sue Glover, best known for the Scottish classic Bondagers, is an intimate portrait of the life of one of the 20th century’s most enigmatic film stars.”
After Bonnie Greer’s Marilyn and Ella, Sunny Thompson’s one-woman show Marilyn: Forever Blonde, and with a new movie, My Week With Marilyn, now in the works, using episodes of Monroe’s life as a basis for drama is currently more popular than ever.
As with all MM-related fiction, the quality of this play will depend on the depth of Glover’s research and sensitivity towards the subject, and the subtlety of its production.
To get a flavour of Glover’s Marilyn, read an interview with director Howard Miller in the Herald Scotlandtoday.
This was the front page of the Los Angeles Mirrorfifty years ago, on November 14, 1960. The other two clippings were extracts from Maurice Zolotow‘s just-published Marilyn Monroe, ranging from her difficult childhood to the scandal of her affair with Yves Montand.
Rare photographs of Marilyn Monroe in a 1948 stage show, Strictly For Kicks, will be sold in a Bonham’s and Butterfield auction of entertainment memorabilia, to be held in Los Angeles next month. Marilyn wore the same floral bikini and platform sandals in her first movie, Scudda Hoo! Scudda Hay! (1947)
In 1948, Marilyn signed a 6-month contract with Columbia. However, she had previously worked at Twentieth Century Fox, and in March she appeared in a studio talent showcase at the Fox Studio Club Little Theater. An outside arena was built instead of using the stage on the lot, as studio boss Darryl F. Zanuck would be attending.
Marilyn appeared in two brief scenes, and the script included directions such as ‘Miss Monroe butts onto the stage…’
Marilyn appears to be wearing a costume from Ladies of the Chorus, which she filmed at Columbia in April.
In other pictures from the event Marilyn wears a light-coloured dress, which could be the same gown which she would wear in Love Happy (1949.)
Other items on offer at Bonhams’ include contractual papers for Bus Stop; a signed photo; personally-owned scripts for Let’s Make Love and Something’s Got to Give; a handwritten note by Marilyn, reminding herself to call poet Carl Sandburg; a mortgage agreement signed by Monroe and third husband Arthur Miller; a receipt for a gas payment, dated to Marilyn’s last birthday; and some airline tickets.
“I churned out after work last night. Marilyn’s image used to be stressful and overwhelming to work with. Finally, working with her image has become a soothing practice…now that it’s been a few years, and I’ve read more books than I can count on the dame.”