Marilyn and Simone in Scotland

Bruce Davidson, 1960

While filming Let’s Make Love in 1960, Marilyn Monroe lived with husband Arthur Miller in a bungalow at the Beverly Hills Hotel. Monroe’s co-star, Yves Montand, stayed next door with his wife, the French actress Simone Signoret.

The Millers and the Montands were good friends, but their lives soon shattered when Marilyn and Yves had a very public affair.

But Signoret never blamed Marilyn for the ensuing scandal, and the dynamic between these two women is now the subject of a play, Marilyn, by Scottish dramatist Sue Glover, to be performed at the Citizens’ Theatre, Glasgow, next February, and at the Lyceum Theatre, Edinburgh, in March.

Nobody ever said Lady Macbeth was a brunette…

Holding a mirror up to the notion of stardom, the myth of the blonde bombshell and the pressure of fame, Marilyn offers a glimpse into the private life of one of popular culture’s most iconic women.

1960. Marilyn Monroe is staying in the Beverly Hills Hotel with her husband, Arthur Miller, while preparing to film Let’s Make Love.

In the apartment opposite, the great French actress Simone Signoret waits for her husband Yves Montand, to return from the studio.

Both successful actresses in their own right, the women form an uneasy friendship under the watchful eye of Patti, hairdresser to the stars. But it will become a friendship that will test their deepest beliefs and will threaten to destroy them both.

This new play by Sue Glover, best known for the Scottish classic Bondagers, is an intimate portrait of the life of one of the 20th century’s most enigmatic film stars.

After Bonnie Greer’s Marilyn and Ella, Sunny Thompson’s one-woman show Marilyn: Forever Blonde, and with a new movie, My Week With Marilyn, now in the works, using episodes of Monroe’s life as a basis for drama is currently more popular than ever.

As with all MM-related fiction, the quality of this play will depend on the depth of Glover’s research and sensitivity towards the subject, and the subtlety of its production.

To get a flavour of Glover’s Marilyn, read an interview with director Howard Miller in the Herald Scotland today.

‘Strictly For Kicks’ at Bonham’s

Rare photographs of Marilyn Monroe in a 1948 stage show, Strictly For Kicks, will be sold in a Bonham’s and Butterfield auction of entertainment memorabilia, to be held in Los Angeles next month.

This colour photo from the previous year shows Marilyn in the same floral bikini and platform sandals – she wore them in her first movie, Scudda Hoo! Scudda Hay! (1947)

In 1948, Marilyn signed a 6-month contract with Columbia. However, she had previously worked at Twentieth Century Fox, and in March she appeared in a studio talent showcase at the Fox Studio Club Little Theater. An outside arena was built instead of using the stage on the lot, as studio boss Darryl F. Zanuck would be attending.

Marilyn appeared in two brief scenes, and the script included directions such as ‘Miss Monroe butts onto the stage…’

Marilyn appears to be wearing a costume from Ladies of the Chorus, which she filmed at Columbia in April.

'Ladies of the Chorus'

In these pictures Marilyn wears a light-coloured dress, which could be the dress which she would wear in Love Happy (1949.)

Other items on offer at Bonhams’ include contractual papers for Bus Stop; a signed photo; personally-owned scripts for Let’s Make Love and Something’s Got to Give; a handwritten note by Marilyn, reminding herself to call poet Carl Sandburg; a mortgage agreement signed by Monroe and third husband Arthur Miller; a receipt for a gas payment, dated to Marilyn’s last birthday; and some airline tickets.

More details at Faded Tribune and Jezebel

Thanks to Megan at Everlasting Star

Only the Lonely: Candid Profile

“I churned out after work last night.  Marilyn’s image used to be stressful and overwhelming to work with.  Finally, working with her image has become a soothing practice…now that it’s been a few years, and I’ve read more books than I can count on the dame.”

Liz Grammaticas

After a 1960 photo by John Bryson, taken on the set of Let’s Make Love


Marilyn’s Cable-Knit Sweater

‘You fellows are always talking about sweater girls. I don’t know what the fuss is about. Take away their sweaters and what have they got?’ – Marilyn Monroe, 1952

French designer Gerard Darel, who acquired Marilyn’s famous cable-knit sweater in the Christies’ auction of 1999, has used it as the inspiration for his autumn collection – though as you can probably tell, his model isn’t blessed with Marilyn’s sumptuous curves.

Marilyn finally whipped off her sweater to reveal a sheer black leotard, after singing ‘My Heart Belongs to Daddy’ in the 1960 musical, Let’s Make Love, co-starring the French-Italian singer and actor, Yves Montand.

Celebrating Jack Cole

'My Heart Belongs to Daddy', from 'Let's Make Love' (1960)

“The Jazz/Musical Theatre Dance Program of the School at Jacob’s Pillow (Becket, MA) is presenting works that Chet Walker has created in the Jack Cole tradition in two final performances: a free presentation on the Inside/Out Stage on Saturday, Aug. 21, at 6:15 and a sold-out benefit concert in the Ted Shawn Theatre on Sunday, Aug. 22, at 8pm.”

Jack Cole was Marilyn’s choreographer and trusted friend, working with her on Gentlemen Prefer Blondes (1953) and throughout her dazzling career.

Among their most memorable collaborations are Diamonds are a Girl’s Best Friend and My Heart Belongs to Daddy.

Debra Levine profiles Cole in today’s Huffington Post

Read her Los Angeles Times article from 2009, examining Cole’s fruitful partnership with Marilyn.

Gaga for Marilyn

This month’s Vanity Fair interview with singer Lady Gaga took place close to one of Marilyn Monroe’s old haunts….

“Bungalow 9, the Beverly Hills Hotel…the pink stucco bungalow stands between No. 10 – where Marilyn Monroe had a torrid affair in 1960 with her ‘Let’s Make Love’ co-star Yves Montand – and No. 8, home at one time to Elizabeth Taylor and Richard Burton.”

Photo by Bruce Davidson, Beverly Hills Hotel, 1960

During the interview, Gaga referenced MM while discussing her controversial ‘Paparazzi’ video of 2009.

“And while my fascination with celebrity has almost left the building, I had this incredible fascination with how people love watching celebrities fall apart, or when celebrities die; I wanted to know, what did they look like when they died? Marilyn Monroe, Princess Diana, JonBenet Ramsey…I think about all those dead girls, all those dead blonde icons. What did they look like when they died? So then I thought, well maybe if I show what I look like when I die, people won’t wonder. Maybe that’s what I want people to think I’ll look like when I die.”