This shot of Marilyn with director Joshua Logan, on location filming for Bus Stop in 1956, is the personal favourite of photographer Zinn Arthur. In another preview of the Newsweek special – Marilyn Monroe: The Lost Scrapbook – Douglas Kirkland, Elliott Erwitt and Lawrence Schiller share their own selections, while Joshua Greene picks one of his father’s shining moments. Read more here.
It isn’t yet available elsewhere, but I would advise fans to be patient rather than paying vast prices on Ebay. The magazine will be on sale until March 14, and speaking as a UK resident, I’ve found it’s normal for American magazines to arrive up to a month after publication. (And as I’ve mentioned before, previous Newsweek specials have been sold at WH Smith.)
Over on the Marilyn Monroe Collection Blog today, Scott Fortner gives us a preview – including several pages dedicated to Marilyn’s personal property, now owned by himself, and others by Greg Schreiner.
As to the rest of the magazine, Scott tells us that it ‘includes an introduction written by Joshua Greene, and has many photos of Marilyn along with comments from photographers Douglas Kirkland, Lawrence Schiller and Elliott Erwitt. Other information on Marilyn is also included in glossy, full color spreads.’
Despite the rather distasteful rumour-mongering about Marilyn’s relationship with Sam Shaw that has dominated media coverage of this issue, I remain confident it will be a must-have for fans.
A Newsweek special issue, Marilyn Monroe: The Lost Scrapbook, is due to be published in the US next Tuesday, January 14th. The 98pp magazine showcases a scrapbook made by Marilyn herself for her friend, Sam Shaw, featuring his photos of the star with her handwritten, often witty captions.
Shaw gave the scrapbook to another of Marilyn’s photographers, Lawrence Schiller, in 1973, and some of the photos were featured in Norman Mailer’s Marilyn, published the same year. Schiller claims that Shaw confessed to having had an affair with Marilyn, though neither Shaw or Monroe ever said this publicly.
The scrapbook was profiled today on ABC News’ Good Morning America, and the magazine is sure to become a collector’s item. No news of other releases yet, but copies are already being sold on Ebay. (If you’re in the UK, keep your eyes peeled over the coming weeks – Newsweek‘s special editions are often sold at WHS Smith.)
Lawrence Schiller‘s ‘A Splash of Marilyn’ exhibition – featuring photos from Marilyn’s last, unfinished movie, Something’s Got to Give – is coming to Berlin’s Galerie Mellili Mancinet on October 4th, through to November 9th.
While I’ve said here before that I’m not Hugh Hefner’s greatest fan, we do share a liking for a certain iconic blonde. In recent years, it has become something of a tradition for Marilyn to feature in Playboy‘s Christmas issue.
‘The Nude Marilyn’ graces the December issue, due out on November 20th in the US and elsewhere thereafter. A selection of (mostly familiar) nudes and semi-nudes from Earl Moran, Tom Kelley, Lawrence Schiller and Bert Stern are included, as well as tributes by the late novelist John Updike, film critic Roger Ebert and blogger Kim Morgan (aka Sunset Gun.)
You can check out the photos on Playboy‘s website, while the article can now be viewed in its entirety at Everlasting Star (thanks to Megan.)
My review of Lawrence Schiller’s Marilyn & Me: A Memoir in Words and Photographs has been published in Issue 25 of the Mad About Marilyn fanzine, which also includes an in-depth profile of photographer Earl Thiesen and ‘I Dress for Men’, an article penned by Marilyn herself in 1953.
You can read my review in full here. For more details on Mad About Marilyn, contact firstname.lastname@example.org
The Reelz Channel in the US has just announced a new documentary, Reel Life: Marilyn Monroe, to premiere on Friday, August 3rd.
“Hosted by television personality Dayna Devon, Reel Life: Marilyn Monroe explores the continued and unrelenting popularity of the woman who wanted nothing more than to be taken seriously as an actress. We’ll talk to the stars of the hit television series Smash, Katharine McPhee and Megan Hilty, whose characters are vying to be the lead in a Broadway musical based on Monroe’s life as well as Oscar-nominee Michelle Williams, who played Monroe in My Week With Marilyn about Monroe’s enduring legacy.
Fellow Hollywood icons George Hamilton and Mitzi Gaynor – Monroe’s co-star in There’s No Business Like Show Business – reveal the personal side of the woman they knew. Reel Life: Marilyn Monroe also takes a look at Monroe’s rise to sex symbol, including candid interviews with Playboy magazine founder Hugh Hefner, who discusses how Monroe’s nude photos helped launch his empire and catapult Monroe to superstar status. Also featured are interviews with photographers Lawrence Schiller and George Barris who share their personal stories of working with Monroe, including the story behind her last ever photo shoot.”
Jeff Simon’s review of Lois Banner’s Marilyn: The Passion and the Paradox – due out in the US later this month – suggests that this will be a controversial book.
(Now personally, I’m all in favour of opening up the debate – and books which make me re-evaluate my preconceptions, whether or not I agree. So I won’t be adding my own opinions here until I’ve read the book in full.)
What interested me most in this review was the contrast between Banner’s portrayal of Marilyn and Lawrence Schiller’s in his recent book, Marilyn & Me.
“While Banner’s guess is that Monroe might have gone on to have a career like Barbara Loden’s – the actress who was married to Elia Kazan and who portrayed the Monroe figure in Arthur Miller’s ‘After the Fall’ – it is also more than possible that the rebel generation coming up in Hollywood would have seen a sympathetic soul at the very least and might have figured out whole new masterpieces for her and whole new ways of filming her quite different than the routine humiliations of even some of her greatest films. (Think of what Scorsese or Altman or Hal Ashby or Francis Ford Coppola might have invented for Monroe in her 40s as feminism changed completely the savage spotlight that followed her – and demeaned her – everywhere.)
…Lawrence Schiller took the famous, unique late-period nudes in which she revealed herself to be the greatest genius of all in the art of exploiting Marilyn Monroe. Quite possibly she was cognizant even then of what would become her true immortality – not completely as a film actress, where she was erotic and radiantly beautiful but often painful to watch in a post-feminist era, but a photographer’s model. It’s there where she can be captured to perfection – frozen in time, all exterior, a flesh and blood masterpiece of white on white, suitable for any and all gallery walls.”