A Jewish daily prayer-book acquired by Marilyn at the time of her 1956 marriage to Arthur Miller will be auctioned at William Doyle Galleries of New York as part of their Rare Books, Autographs & Maps sale on Tuesday, November 7. The book, which numbers some 648 pages, is described as ‘quite worn’ and includes a few notations in pencil, apparently by Marilyn herself. It was originally sold at Christie’s in 1999. The estimated price this time around is $4,000-$6,000. For more information on Marilyn’s conversion, read this excellent article by Simone Esther.
In a fascinating blog post, MM fan Simone Esther looks at Marilyn’s conversion to Judaism in 1956 in the context of a lifelong spiritual journey.
“Norma Jeane’s interest in [Christian Science] drastically subsided when Aunt Ana tragically died of heart failure in 1948, but with her natural intellect and eager curiosity it did not take long for an interest in psychoanalysis and philosophy to develop; an interest which would stay with her until her death.
Perhaps this is one thing that Marilyn found attractive in the Jews that she came to be surrounded by in the 1950s – the tradition’s affirmation of critical thinking, rationalism and natural embrace of philosophical ideals (see The Haskalah).
Already Marilyn’s closest associates were Jews – including photographer Milton Greene, his wife Amy, poet Norman Rosten and her former acting coach Natasha Lytess – and she held a deep admiration for Jewish physicist Albert Einstein; But it was when she moved to New York to become a ‘serious actress’ at The Actor’s Studio in 1955, that the Jewish home of Lee Strasberg and his wife Paula became her second dwelling. There, she became Paula’s third child and she took comfort in the strong family values instilled by the tradition, something she never had the pleasure of enjoying in her youth. Susan Strasberg once recounted how Marilyn had told her, ‘I can identify with the Jews. Everybody’s always out to get them, no matter what they do, like me.’
So when Marilyn became engaged to Arthur Miller, whom she had known since 1951, it seemed natural for her to approach him and inquire about joining the faith of his forefathers; Arthur found the entire thing wholly unnecessary, but supported his bride’s decision nonetheless.
Truth be told, Judaism played little role besides providing community in Marilyn’s life once her initial enthusiasm faded – she even later described herself as a ‘Jewish atheist’. Yet in the brief time of her observance, no matter how valid we consider her conversion to be, she provided a platform to other Jews-By-Choice and paved a path for many of her contemporaries to soon, perhaps more stringently, venture for themselves.”
A large sculpture of Marilyn, currently on display outside the Cairo Opera House, has stirred up controversy, reports Egypt Independent. Recreating the famous ‘subway scene’ from The Seven Year Itch, Ehab al-Asyuti’s sculpture seems derivative of Seward Johnson’s ‘Forever Marilyn’, and some observers have deemed her likeness less than flattering. But while she probably won’t be replacing the Sphinx anytime soon, Marilyn has made quite the comeback – her films were banned in Egypt after she married Arthur Miller and converted to Judaism in 1956.
In daily life, Marilyn often went unrecognised. This rare photo shows her wearing a black wig. When travelling ‘incognito‘, she sometimes used false names (including ‘Zelda Zonk’.)
In the summer of 1953, Joe DiMaggio joined Marilyn in Canada, where she was filming River of No Return. She took these snapshots of Joe during his visit. Also pictured is Jean Negulesco, who had directed Marilyn in How to Marry a Millionaire. Although his work on River was uncredited, Negulesco may have helped to smooth the differences between Marilyn and the somewhat tyrannical Otto Preminger.
Shortly before her third marriage to Arthur Miller, Marilyn converted to Judaism. This Jewish prayer book was probably a gift from Rabbi Robert E. Goldburg.
Some photos of Arthur Miller, including one taken with Marilyn in 1959.
Marilyn’s Minolta 16mm camera. This model was introduced in 1957.
These photos are of the farmhouse at Roxbury, Connecticut, bought by the Millers after their marriage. It is incorrectly identified in the Julien’s catalogue as Marilyn’s Los Angeles abode. The Millers’ country home required extensive renovations. After their marriage ended, Marilyn kept their city apartment while Arthur lived at Roxbury until his death in 2005.
Marilyn with her friend, actor Eli Wallach, in 1957. They would later co-star in The Misfits (1961.)
Correspondence with Xenia Chekhov, widow of Marilyn’s acting teacher, Michael Chekhov.
“A single-page typed, unsigned file copy of a letter dated December 19, 1958, to ‘Mrs. Chekhov’ reading ‘My husband and I were so happy with the pictures you sent us of Mr. Chekhov. We will treasure them forever. I am not able to shop for Christmas, as you may already know I have lost the baby, so I would like you to use this check as my Christmas greetings with all my most affectionate good wishes. My husband sends you his warmest regards.’ The letter is accompanied by Xenia Chekhov’s response written on a notecard dated January 10, 1959, reading in part, ‘[Y]our personal sad news affected me very much and I could not find the courage to write you sooner. All my warmest feelings of sympathy go out to you and Mr. Miller.’ This is a deeply personal note with an acknowledgement of a miscarriage in Monroe’s own words.”
“An assortment of receipts from seven different bookstores: including: Doubleday Book Shop, Beekman Place Bookshop, and E. Weyhe Inc., all of New York City, and Wepplo’s Book Store, Lee Freeson, Martindale’s Book Stores and Hunter’s Books, all of Los Angeles. Titles include The Great Gatsby; Van Gogh’s Great Period; I , Rachel; An Encyclopedia of Gardening; Hi – Lo’s – Love Nest; a book listed simply as ‘Yves Montand’, among others. The receipts are dated 1958 and 1960.”
A Royal Quiet de Luxe model typewriter owned by Marilyn.
Various letters from Marilyn to her stepdaughter, Jane Miller.
“A 1957 letter is written to Janie at summer camp and recounts a number of amusing stories about Hugo the Bassett Hound reading in part, ‘He got kicked by that donkey. Remember him? His nose swelled up with a big lump on top and it really wrecked his profile. I put an ice pack on it and it took several days for it to go down but the last time I saw him it was pretty well healed. Bernice is taking care of him and the house while I am at the hospital.We are going home tomorrow and then I will write you by hand. Listen, I had better stop now because I want to get off a note to Bobby today. Don’t worry about me in the hospital. I am feeling much better now and I have the funniest Scotch nurse.’ (Marilyn had recently been taken to hospital after suffering an ectopic pregnancy.)
The 1958 letter is typed on the back of a piece of stationery from the Hotel Bel-Air and is addressed, ‘Dear Janie-bean.’ The letter, written as Marilyn prepared for Some Like It Hot, reads in part, ‘Thanks for helping me into my white skirt. I almost didn’t make it -but now that I’m busier I’ll start losing weight – you know where. Along with ukulele lessons I have to take I’m learning three songs from the 1920 period. … I don’t know how my costumes in the picture will be yet. I’ll let you know.'”
Three colour slides from the estate of Frieda Hull, showing the Millers leaving New York for Los Angeles in November 1959. Marilyn’s parakeet, Butch, travelled with them. He was a noisy passenger, constantly squawking, “I’m Marilyn’s bird!”
An electroplate ice bucket, made in England, and a receipt for 12 splits of Piper Heidsieck champagne, delivered to the Millers’ bungalow at the Beverly Hills Hotel during filming of Let’s Make Love in December 1959.
Address books from 1955 and 1962. The first includes a handwritten ‘to-do list’, with entries such as “as often as possible to observe Strassberg’s [sic.] other private classes”; “never miss my actors studio sessions”; “must make strong effort to work on current problems and phobias that out of my past has arisen.”
Perhaps the biggest surprise in the Julien’s sale is that Marilyn was planning to buy a home in New York, even commissioning a series of architectural drawings for a property on East 61st Street in November 1961. In addition to her rented Manhattan apartment, she bought a small bungalow in Los Angeles in 1962, but clearly hadn’t given up her dream of a permanent East Coast base.
“An original letter from John E. Holland of the Charles F. Noyes Real Estate Company dated October 18, 1961, addressed to Miss Marilyn Monroe, 444 East 57th Street, New York, “Attention: Miss Marjorie Stengel” (Monroe’s secretary). The letter reads in part, ‘L]ast summer Mr. Ballard of our office, and I showed you the house at the corner of 57th Street and Sutton Place and Mr. Arthur Krim’s house on Riverview Terrace. I spoke to Miss Stengel yesterday and told her of a house which we have just gotten listed for sale at 241 East 61st Street. She asked me to send you the particulars on this house as she thought you might be interested in it. I am enclosing our setup. … The garden duplex apartment is now occupied by the owner and would be available to a purchaser for occupancy. You may possibly have been in this apartment as Miss Kim Novak … just moved out in September. Before that it was occupied by Prince Aly Khan.’
An original letter from John E. Holland of the Charles F. Noyes Real Estate Company dated November 15, 1961, addressed to Miss Marjorie Stengel, stating, ‘I am enclosing herewith Photostats which I had made of the drawings adding a stairway which would include all or half of the third floor with the duplex garden apartments. These sketches may be somewhat confusing, but I could easily explain them if you would like to have me do so,’ together with six Photostat copies of original architectural drawings for the redesign of an apartment located at 241 East 61st Street in New York. The drawings go into great detail as to the redesign of the apartment, with space for an art studio and specific notes stating, ‘This could be another bedroom or boudoir, or health studio with massage table, chaise lounge, private living room…or…with numerous closets.'”
This grey pony handbag may have been bought by Marilyn during her February 1962 trip to Mexico. She was also a keen gardener, and a Horticulture magazine subscriber.
“An extraordinary, blue cloth over board, ‘project management‘ three-ring binder kept by one of Monroe’s assistants chronicling the purchase and ongoing renovation and decoration of her home located at 12305 Fifth Helena Drive in Brentwood, California. The notebook begins with an information sheet and lot diagram as well as a typed renovation and additions budget for the property totaling $34,877.36 against a purchase price of $57,609.95. The book also contains approximately 28 pages of notes on various renovation projects and to-do lists; a page with notes regarding terracing and planting the hillside; seven drawings of exterior floor plan for possible apartment above the garage for a cook; three renderings of options for a table and another decorative element for the home; and a listing of bills due as of August 16, 1962. The last page of the book lists ‘Moet – Champagne vintage 1952/ et Chandon a Epernay/ Cuvee Dom Perignon – 13.88.’ The book lists dates that furniture is due to be delivered from various suppliers, many after Monroe’s death, as well as dimensions of each room of the home for the purpose of ordering ‘white India’ carpet. It also has estimates to have the pool resurfaced, water heater moved, fountain built, and laundry room and shower expanded for people using the pool as well as notes about decoration of a ‘play room,’ fabrication of a new gate, bars for windows, and shelving to be built, among many other things.
A group of invoices dating to February 28, 1962, from various Mexican boutiques listing the purchase of a great number of pieces of furniture and home furnishings, purchased in Mexico for Monroe’s Fifth Helena Drive residence. Together with a two-page typed signed letter dated July 26, 1962, signed ‘Mura’, giving a full report to Monroe’s secretary Eunice Murray regarding her buying trip in Mexico. The letter demonstrates the fact that Monroe was still quite actively working on her home at the time of her death.”
In January, Marilyn was named as the ‘new face’ of Max Factor cosmetics. Also this month, Joe Franklin (Marilyn’s first biographer) and Anita Ekberg, a fellow blonde bombshell of the fifties, both passed away.
In February, New York Fashion Week included a Fall 2015 collection from Max Mara, inspired by Marilyn’s 1960s style. A hologram of multiple Marilyns appeared in the Oscars opening ceremony. Also this month, Richard Meryman – the last person to interview Marilyn – passed away.
In March, Marilyn was featured in a vintage-inspired ad campaign for Coca Cola. In book news, the long-awaited first volume of Holding A Good Thought For Marilyn, a two-part biography by Stacy Eubank, was published.
On June 1 – Marilyn’s 89th birthday – the British Film Institute launched a month-long retrospective of Marilyn’s movies, and a nationwide reissue of The Misfits. Menswear designer Dries Van Noten used iconic images of Marilyn in his Spring 2016 collection. A benefit performance of Bombshell (the Marilyn-inspired musical subject of TV’s Smash) spurred plans for a full Broadway run. And Marilyn Monroe: Missing Moments, a summer-long exhibit, opened at the Hollywood Museum.
On June 29, Julien’s Auctions held a Hollywood Legends sale dedicated to Marilyn, and her floral dress from Something’s Got to Givesold for over $300,000. Sadly, it was also reported that the ‘Dougherty House’ in North Hollywood, where Marilyn lived from 1944-45, has been demolished – despite protests from local residents. And George Winslow, the former child actor who appeared in Gentlemen Prefer Blondes, passed away.
In August, the Marilyn Remembered fan club’s annual memorial service was held at Westwood Memorial Park, marking the 53rd anniversary of Marilyn’s death. It was reported that hip hop producer Timbaland would sample ‘Down Boy’, a ‘lost’ song recorded by Marilyn for Gentlemen Prefer Blondes. And the Daily Express published rare photos of a young Marilyn in Salinas.
“The exhibition features soundless footage of Monroe as a glowing bride in a relatively informal white dress and short veil enjoying a small reception at the home of Miller’s agent, Kay Brown, in Katonah, New York, hours after that ceremony.
The exhibition is rather small, a single room that takes no more than 30 to 40 minutes to fully explore. But the space fosters a sense of intimacy, enhancing the deeply personal revelations about two of the most famous and photographed women in American history.
While the exhibition includes clips of Miller and Monroe arm-in-arm at press conferences and plenty of photos of them, it doesn’t capture the same sense of gushing affection that is so apparent between [Mike] Todd and Taylor.
Fewer markers of Monroe’s connection to Judaism are on display, though the ones present are quite special.
One that particular stands out is Monroe’s beautiful, simple musical menorah, which played the Israeli national anthem, ‘Hatikvah.’
There is less information or, for that matter, evidence of Monroe’s connection to Judaism after her marriage to Miller ended in 1961—though that may very well be a sad consequence of the little life she had left to live.
Nevertheless, according to letters from Rabbi Robert E. Goldburg, who oversaw Monroe’s conversion, the blond bombshell told him she had no intention of renouncing Judaism after the divorce.
She also, apparently, remained very close to Miller’s children and father until her passing.
Becoming Jewish features two detailed letters from Goldburg: one from September 7, 1962, barely a month after Monroe was found dead, and another from August 6, 1986. His descriptions of Monroe provide a new perspective on one of the most iconic and enduring celebrities.
Goldburg wrote about his first time meeting Monroe at her apartment on Sutton Place after Miller invited him and how he was ‘struck by her personal sweetness and charm.’
Unlike Taylor’s draw to Judaism, Monroe’s does not necessarily seem driven by a romantic-related desire.
Goldburg’s letters describe how Marilyn expressed her respect for Jewish individuals. Albert Einstein and his book of essays, Out of My Later Years, were especially significant to her.
Goldburg also wrote that she felt no connection to the ‘Fundamentalist’ Christianity she was raised with in her foster home. Instead, she was attracted to Judaism’s ‘concept of close family life.’
Perhaps most eerily poignant to those of us who have poured of the tragic details of Monroe’s short life—from her tattered childhood to her struggles to be taken seriously as an actress to her failure to conceive the children she so wanted—is Goldburg’s line that Monroe sought Judaism because she ‘often identified with the underdog.’
‘I have always felt that she was an extremely lovely person who was not able to overcome the terrible emotional burdens, which were a part of her childhood and which were aggravated by her tremendous fame,’ Goldburg wrote.”
Becoming Jewish: Warhol’s Liz and Marilyn, a new exhibition at New York’s Jewish Museum, explores the parallels between Marilyn and Elizabeth Taylor, who both converted to Judaism, and Andy Warhol’s fascination with the cult of celebrity.
As Flavorpill reports, the exhibition (opening on September 25, through to February 7, 2016) is divided into three sections – Celebrity, Conversion, and Myth & Legend.
The New York Observer reveals that Marilyn’s Menorah will be on display, alongside two 1962 paintings by Warhol, ‘Mint Marilyn’ and ‘Blue Liz’, as well as two print portraits of the women, and assorted photographs, letters, and ephemera.
My Lunches With Orsonis a new book featuring filmmaker Henry Jaglom‘s conversations with the maverick Hollywood actor-director, Orson Welles. In it, Welles mentions dating Marilyn before she was famous, during a discussion about Darryl F. Zanuck, reports the Huffington Post:
The way Welles depicts Zanuck is quite believable, as he never really respected Marilyn (even after she became his biggest star.) Another story linking Welles to MM is mentioned in a Guardianarticle from 2003, so their alleged affair pre-dates this book.
Made The Lady from Shanghai with Hayworth. A brief fling with unknown starlet Marilyn Monroe ended with an angry husband (not hers), wrongly convinced that Welles was with his wife, bursting in on Welles and Monroe and thumping the filmmaker in the jaw.
What is strange, though, is that The Guardian places Welles’s encounter with Marilyn in 1947. Success, for her, didn’t come ‘six months later’ – it took several years. And even in 1955, when she was a worldwide star, she had to fight for better pay. So I don’t know where his figure of $400,000, as told to Jaglom, comes from.
Exaggerations aside, though, his story may be true – Marilyn was certainly attracted to strong, intellectual men. And Welles was a well-known ladies’ man, on the rebound from his marriage to another beautiful actress, Rita Hayworth.
While Marilyn never mentioned an affair with Welles publicly, this is not all that surprising, as she was generally a very discreet person. It may not even have been a very long, or significant relationship for her, despite Welles’s fame. During her single days, and like many other pretty starlets, Marilyn would often be dating several men at any given time – but this is not to imply that she slept with every man she went out with.
In If This Was Happiness, Barbara Leaming‘s 1989 biography of Rita Hayworth, the Welles-Monroe rumour is also firmly placed in 1947. Leaming interviewed Welles; she had published a biography of Welles in 1988, and of course, would later write about MM.
“When Rita returned home to California that September, there was one last matter to be taken care of before she went back to work at Columbia: in October she officially filed for divorce. Not a word of protest came from Welles, who, meanwhile, had been hurriedly shooting a low-budget Macbeth at Republic Studios, enjoying a fling with Marilyn Monroe, and preparing to decamp for Italy to star in a film about Cagliostro. By the time of the divorce hearing in November, he was already out of the country.”
1947 was a shadowy year in Marilyn’s life, and it remains little-documented. The Cursum Perficio website notes that Marilyn’s contract with Twentieth Century Fox (Zanuck’s studio) lapsed in July. From September to November – the most likely time-span of the alleged fling with Welles – Marilyn was also in Los Angeles, playing a role in a stage production called Glamour Preferred, at the Bliss-Hayden Theatre.
The only known photo of Welles with Marilyn was taken eight years later, in January 1956, when she received the award from the ‘Women’s Division of the Jewish Philanthropies of New York City.’ Since her arrival in New York a year before, Marilyn had done a great deal of charitable work; and she would convert to Judaism a few months later, just before marrying Arthur Miller.
Welles also won an award that day; behind them is Victor Borge, the comedian, conductor and pianist dubbed ‘the Clown prince of Denmark.’
Nearly all of these are genuine, in my opinion – meaning, they can be traced back to reputable biographies and interviews with MM herself. The only one I’m not sure about is the second one, regarding James Joyce’s Ulysses, which comes from the disputed Miner transcripts. (However, we do at least have Eve Arnold’s 1955 photo as evidence that Marilyn read the book – and, indeed, she later performed Molly Bloom’s closing soliloquy as an exercise for her dramatic coach, Lee Strasberg.)
“Here is [James] Joyce writing what a woman thinks to herself. Can he, does he really know her innermost thoughts? But after I read the whole book, I could better understand that Joyce is an artist who could penetrate the souls of people, male or female. It really doesn’t matter that Joyce doesn’t have… or never felt a menstrual cramp. To me Leopold Bloom is a central character. He is the despised Irish Jew, married to an Irish Catholic woman. It is through them Joyce develops much of what he wants to say.”
“While she didn’t have the cocksure winking swagger of a Mae West, or the sharp natural beauty of an Ava Gardner, she somehow fell somewhere in the middle of both of those ladies…In a strange way, she is old Hollywood and still remains fresh in new Hollywood.”
And finally, Kim Morgan reposts her wonderful Playboy tribute from last year over at her Sunset Gun blog.
“Because through it all, no matter what was happening in her life, Marilyn gave us that gift: pleasure. Pleasure in happiness and pleasure in pain and the pleasure of looking at her. And great artist that she was, looking at her provoked whatever you desired to interpret from her. Her beauty was transcendent. For that, we should do as Dylan instructs: ‘Bow down to her on Sunday, salute her when her birthday comes.'”
Writing for the Associated Press, Anthony McCartney reports that previously redacted FBI files relating to Marilyn have been released in full by the FBI after a request was made under the Freedom of Information Act.
The new information refers mostly to the FBI’s monitoring of Marilyn’s allegedly left-wing colleagues in her production company, her Jewish wedding to Arthur Miller, and her friendship with Fred Vanderbilt Field, the expatriate communist whom she met on a trip to Mexico.
“For all the focus on Monroe’s closeness to suspected communists, the bureau never found any proof she was a member of the party.
‘Subject’s views are very positively and concisely leftist; however, if she is being actively used by the Communist Party, it is not general knowledge among those working with the movement in Los Angeles,’ a July 1962 entry in Monroe’s file states.”