Marilyn ‘Kissed’ in Coca Cola Ad

Marilyn is one of several vintage stars featured in a new ad campaign marking the centenary of the iconic Coca Cola bottle. The original photo was taken by Edward Clark on the set of Gentlemen Prefer Blondes with co-star Jane Russell, as the two women took a break from filming the ‘Two Little Girls From Little Rock’ number which opens the 1953 movie.

Elvis Presley and Ray Charles also feature in the new campaign. Marilyn’s ad has already been spotted on a giant billboard just across the street from Coca Cola’s offices in downtown Toronto, Canada.

Marilyn was seen sipping Coca Cola on a few other occasions:

Some of these may have been promotional shots, and it’s uncertain whether Marilyn regularly drank Coke. However, this photo of an off-duty Marilyn sipping Coca Cola through a straw seems more like ‘the real thing!’

With Milton Greene and Arthur Miller, NYC (1956)

A boxed set of books, Coca Cola: Film/Music/Sports, was published by Assouline last year – with Edward Clark’s photo of Marilyn featured on Coca Cola: Film‘s cover.

 

Remembering Charles Coburn

Charles Coburn celebrates his 83rd birthday with Marilyn and Jane Russell, 1953

Charles Coburn – Marilyn’s venerable co-star in Monkey Business and Gentleman Prefer Blondes – is profiled today at Immortal Ephemera. The article mentions an interview Coburn gave to columnist Bob Thomas – published in December 1952, while Blondes was in production.

“In the early fifties Coburn supported Cary Grant from the same office as Marilyn Monroe in Monkey Business (1952). A year later Coburn found himself supporting Marilyn in the classic Gentlemen Prefer Blondes (1953), also starring Jane Russell. ‘I can’t think of any more pleasant work than watching Miss Monroe and Miss Russell,’ Coburn told Bob Thomas late in 1952. ‘Each possesses sex appeal to a remarkable degree. That is a kind of animal magnetism which is rare in human beings.’ Then, showing his age, Coburn added, ‘Some of the great figures of the theatre had it—women like Anna Held and Lillian Russell.’ Coburn also appreciated their sense of humor and how down to earth each of the younger actresses were. ‘Neither of them has let fame go to her head; they are regular and don’t put on airs.'”

In 1957, Marilyn would impersonate Lillian Russell – one of the most famous actresses of the late 19th and early 20th century, when Coburn’s long career was just beginning – for her ‘Fabled Enchantresses’ photo shoot with Richard Avedon, published in Life magazine.

Marilyn as Lillian Russell, 1957

Best Female Duos: Marilyn and Jane Russell

Marilyn’s partnership with Jane Russell in Gentlemen Prefer Blondes (1953) features in Jose Gallegos’s list of the 25 Best Female Duos today, over at Taste of Film.

“Lorelei (Marilyn Monroe) and Dorothy (Jane Russell) are two singers who meet gentlemen admirers along their way to Paris. The iconic pairing of Monroe and Russell became an instant classic, as the women sing to a room full of shirtless gymnasts and later boast that ‘Diamonds Are a Girl’s Best Friend.’ Yet beneath their homosocial friendship is a subtext of homosexual desire (many queer theorists and viewers like to believe that Dorothy is Lorelei’s protective butch admirer).”

Marilyn: More Than a Bombshell

While Marilyn never won an Oscar (she’s pictured here accepting a Golden Globe in 1962), her films are among the most enduringly popular of all time, and this is largely due to her presence in them. Over at Wall St Cheat Sheet this weekend, Jacqueline Sahagian nominates MM’s 6 greatest performances; while on IndieWire, Bethany Jones cites Marilyn’s pairing with Jane Russell in Gentlemen Prefer Blondes in a list of 6 Onscreen Duos Who Should Have Been Queer.

Marilyn’s Directors: Howard Hawks

Another extract from Peter Bogdanovich’s essay on Marilyn, published in Who the Hell’s In It? (2004)

“Monroe was frightened to come on the stage – she had such an inferiority complex – and I felt sorry for her. I’ve seen other people like that. I did the best I could and wasn’t bothered by it too much. In ‘Monkey Business’, she only had a small part – that didn’t frighten her so much – but when she got into a big part…For instance, when she started her singing (for ‘Gentlemen Prefer Blondes’), she tried to run out of the recording studio two or three times. We had to grab her and hold her to keep her there…I got a great deal of help from Jane Russell. Without her I couldn’t have made the picture. Jane gave Marilyn that ‘You can do it’ pep-talk to get her out there. She was just frightened, that’s all – frightened she couldn’t do it.”

Hawks thought Marilyn worked best in light comedy, and was sceptical of Method acting:

“Monroe was never any good playing the reality. She always played in a sort of fairy tale. And when she did that she was great…She was trying, for example, at the Actor’s Studio, to formularize her approach: She didn’t want to squander her energies. I’m not convinced it helped her at all. But that was her aim – to make it even more real.”

Bruno Bernard’s ‘Marilyn: Intimate Exposures’

Marilyn: Intimate Exposures, showcasing the work of the late Bruno Bernard and authored by his daughter, Susan Bernard, will be published in October by Sterling Signature.

Two previous books on this subject have already published: the now rare Requiem for Marilyn (1986) and Bernard of Hollywood’s Marilyn (1993.)

Intimate Exposures includes essays by Jane Russell and Lindsay Lohan, and can be pre-ordered from various retailers, including The Book Depository

Product Description

Includes frameable print!
2012 is the 50th anniversary of Marilyn Monroe’s death, and this lavishly illustrated volume celebrates her enduring beauty through photographs by legendary Hollywood photographer Bruno Bernard. Bernard’s iconic photograph of Marilyn standing over the subway grate in a billowing white dress is synonymous with Hollywood glamour and sex appeal, and many of the images here have never before been published. They cover key moments in Marilyn’s life, including her first professional sitting in 1946, all enlivened by fascinating excerpts from Bruno’s journal.
Fans of the blonde bombshell will also treasure the stunning, frameable print included with this keepsake book.

About the Author

Susan Bernard, daughter of Bruno Bernard, is an author, producer, and president of Bernard of Hollywood Publishing/Renaissance Road, Inc. She preserves and internationally exhibits, publishes, and licenses her late father’s work, generating feature articles in The New York TimesTime,NewsweekVanity FairAmerican PhotoEntertainment Weekly, and other journals. Bernard of Hollywood’s famous “Marilyn in White” photograph was chosen as the photographic Symbol of the Century in 1999 by the Museum of Modern Art, New York, in its Fame After Photography exhibition.
  • Hardcover: 208 pages
  • Publisher: Sterling Signature (October 4, 2011)
  • Language: English
  • ISBN-10: 140278001X
  • ISBN-13: 978-1402780011

Details from Amazon

Thanks to Chris at Club Passion Marilyn

Marilyn’s Hollywood: Dinner at Chasen’s

Marilyn dined at Chasen’s Restaurant, Hollywood, on June 26, 1953, after her foot and handprints were immortalised in cement outside Grauman’s Chinese Theatre. Her companions were Joe DiMaggio, Sidney Skolsky, Jane Russell, and Jane’s husband, soccer star Bob Waterfield.

Marilyn’s booth at Chasen’s

Marilyn had first visited Chasen’s with agent Johnny Hyde. The restaurant closed in 1995, and was the subject of a documentary, Off the Menu: The Last Days of Chasen’s.

Chasen’s is featured as a classic Hollywood location in today’s Los Angeles Times.

Marilyn in the Age of the Hourglass

Marilyn on the set of ‘Let’s Make Love’, 1960 (photo by Richard C. Miller)

The recent passing of both Jane Russell and Elizabeth Taylor has stirred up nostalgia for the voluptuous sirens of the fifties – none more celebrated, of course, than Marilyn Monroe…

“In the hip, the bosom, the hair: More was more. Two curves were an hourglass. The arms carried a little flesh…

Lots of women, lots of movie stars were built like Taylor, full-figured, untoned, and uninhibited, with Marilyn Monroe, Sophia Loren, and Gina Lollobrigida completing an unmatched Trinity of mid-20th-century bodaciousness. From France, in the 1960s, there were Brigitte Bardot and Catherine Deneuve.

Jane Russell died on the last day of February, meaning that, in less than a month, the movies lost two of its last legendarily heavenly bodies. In 1953, Russell and Monroe, the strapping brunette and the iconic blonde, left their footprints, handprints, and signatures alongside each other at Grauman’s Chinese Theatre. Russell and the Trinity embodied male sex fantasies while appearing to play shrewd roles in their own objectification. The gaze only made them stronger, which is what some exotic entertainers mention when talking about the thrill of their work…

It’s not just our feelings about stardom that have changed in the last 50 years. It’s our idea of the body. One of the joys of watching AMC’s Mad Men’ is the arch pleasure it takes in the archetypal body of the 1960s woman. The camera doesn’t ogle the hourglasses and pear shapes. It seems to study them with a kind of documentary care…”

Wesley Morris, Boston Globe

Marilyn: The Norma Jeane Years

This DVD was released in 2010, but it is actually a reissue of a 1991 documentary, The Discovery of Marilyn Monroe. As the titles suggest, this 50-minute film focusses on Marilyn’s early career, including Norma Jeane’s ‘discovery’ by photographer David Conover while she was working at the Radio Plane munitions plant in Los Angeles in 1945, while her first husband, Jim Dougherty, was serving in the Navy during World War II.

This meeting, which inspired the 19 year-old Norma Jeane to pursue a modelling career, is reconstructed by actors. This early period is also touched upon in interviews with her foster sister, Eleanor ‘Bebe’ Goddard. Sketches that she and Norma Jeane made in their teens, including their own fashion designs, are shown here.

Dougherty, who became a policeman after divorcing Norma Jeane in 1946, is also interviewed. He is filmed arriving in Los Angeles, and driving a Ford Dodge car similar to the one he owned during their four-year marriage. He is reunited with two more famous names from his past, Jane Russell (whom he once dated while at high school, and later met at a dance with Norma Jeane) and Robert Mitchum (with whom Dougherty worked with at Lockheed, another munitions plant, soon after his wedding to Norma Jeane.)

Of these interviewees, it is Russell who seems the most realistic and empathetic with Monroe, with whom she would co-star in 1953’s Gentlemen Prefer Blondes. Of all the main interviewees, Russell is now the only one still living. Mitchum (who once visited the Dougherty home) was paired with Marilyn later the same year, in River of No Return.

Their memories of Norma Jeane/Marilyn suggest a sweet, shy young woman who was undone by her own vulnerability. It is interesting to observe the dynamic between the three old friends, as Dougherty had not seen either Mitchum or Russell for almost fifty years. Dougherty seemed upset that Mitchum had not replied to his letters.

Robert Slatzer, the Hollywood journalist who claimed to have secretly married Marilyn in 1952, also appears briefly. In recent years his claims have been much disputed by biographers like Donald Spoto. But Bebe Goddard calls him a friend in her footage, though they would not have known Marilyn at the same time. It’s more likely that Slatzer befriended Goddard after Monroe’s death.

Overall this is a slight but pleasant enough documentary, and the footage of Goddard and Russell is worth seeing. I was a little disappointed to realise that this is not a new documentary, and might not have bought it had I known. However this was not a film I have seen before so despite being rather misled, it was still quite an enjoyable experience.

You can also watch this documentary on Youtube