The legendary Moon of Baroda diamond – valued by its current owner at between $500,000 and $750,000 – is now on display at Christie’s in Los Angeles until October 20, and will be auctioned in Hong Kong on November 27 alongside a signed photo of Marilyn wearing it, as Jordan Riefe writes for the Hollywood Reporter.
“‘It’s gorgeous,’ said Marilyn Monroe when first gazing upon the Moon of Baroda; not a heavenly body to match her own, but a diamond, a rare 24.04-carat canary yellow gem pulled from the legendary Golconda mine, outside Hyderabad, in 16th-century India.
Monroe was on a publicity tour for her breakout 1953 comedy Gentleman Prefer Blondes with its unforgettable song, ‘Diamonds are a Girl’s Best Friend’ when the Moon of Baroda became her best friend, on loan from Meyer Jewelry Company in Detroit.
Meyer Rosenbaum loaned it to the legendary actor for publicity purposes surrounding Howard Hawks’ classic comedy, Gentlemen Prefer Blondes, co-starring Jane Russell, and photos of Monroe wearing it went viral.
What won’t add to its price is a rumored curse alleging that if the gem travels overseas, bad luck will come to its owner. Its 19th century stint in Austria ended with the death of Maria Theresa, and others claim that Monroe’s fortunes took a southward turn after wearing it in 1953, when Gentlemen Prefer Blondes launched her to stardom.”
UPDATE: The Moon of Baroda diamond has been sold at auction in China for $1.3 million – more than double its low estimate, as Christie’s reports.
Today’s obituary page in the Daily Mail includes an interesting anecdote from Timothy Goss, son-in-law of Derek Bishop who died recently, aged 85. Apparently, Derek met Marilyn at the former Kai Tak airport in Hong Kong one freezing night, while on guard duty as part of his national service in the British Royal Air Force.
Although the story is dated as from 1952, Marilyn didn’t travel to the Far East until 1954. National service usually lasted for 1 year, sometimes more. And I haven’t heard of her visiting Hong Kong before, but it’s possible she passed through while returning to husband Joe DiMaggio in Japan after entertaining US troops in Korea.
However, as April VeVea points out over at Marilyn Remembered, “That seems really far out of the way when Hong Kong is roughly 2000 miles [from South Korea] and Kobe, Japan is 800.” So did Derek really meet Marilyn, or another blonde starlet that night?
“When his shift came to an end at 9pm, Derek and another solider were asked if they would stay on because a delayed flight was expected and there was a ‘celebrity’ on board.
They agreed and when the plane landed at 11pm, the famous passenger who stepped out was none other than the woman who would become the ultimate screen goddess.
Derek said she was dressed in ‘everyday’ clothes and wore very little make-up. She insisted on thanking him and his pal personally for working late and took them for a drink in the Nissen Hut that served as the mess.
He had half a lager and his only comment was that ‘she had no side to her.'”
Chinese artist Chen Ke has mapped the different stages of Marilyn’s life in her debut gallery show, ‘Dream-Dew’, at Hong Kong’s Galerie Perrotin until June 25, Samuel Spencer reports for BlouinArtInfo.
“Whereas previous artists have focused on Monroe as an image or icon of a certain era of Hollywood glamour, Chen’s paintings focus on Monroe as person, a woman with hopes, history, and dreams.
For example, in ‘1932 Los Angeles 6 Years Old,’ 2016, Chen shows a young Monroe in the flower garden of a house straight out of an early 20th century American landscape painting. The image is put into question, however, by Monroe’s shadow, which seems to suggest she is posing against a backdrop rather than a real landscape, and by the fact the image is totally removed from the reality of 1930s America, with young Monroe’s blonde hair and clean blue dress at odds with our images of the Great Depression.
Chen’s idea to paint Monroe’s dreams and real life came from the Chinese character translation of ‘Monroe’, which literally means ‘dream of dew.’ As the artist puts it in a statement, ‘Dream refers to Marilyn’s dreams, also the American Dream, the Hollywood Dream…the large paintings represent dreams of Marilyn’s childhood, youth, adulthood and an imaginary old age,’ while ‘dew is the real, as opposed to dreams.'”
And finally, here’s part of a personal statement from the artist, Chen Ke:
“A Marilyn Monroe in her teens catches my eyes right away. Innocent and alive, slightly withdrawn and shy, with brightness and darkness like shadows in the sun, the girl was none of the sexy icon she would later be…
In Marilyn’s case, the success of dream pursuit and its attendant life force in the end, are no match for the dark influences planted deep in her unfortunate childhood, making her sad ending a kind of fatalism. In watching her strivings all along, we as knowing viewers can’t help feeling tragic for her, just as we would for Sisyphus who endlessly pushes the rock to the mountain top.”
Canadian artist Sandra Chevier’s Cages, currently on display in Hong Kong, blends images of Marilyn and other iconic women with comic strip superheroes, reports Time Out. (The portrait above is based on Richard Avedon’s 1957 photo, while the image below draws on a 1953 studio shot by Frank Powolny.)
“Cages is about women trying to find freedom from society’s twisted preconceptions of what a woman should or shouldn’t be. The women encased in these cages of brash imposing paint or comic books that mask their very person symbolise the struggles that women go through [facing] false expectations of beauty and perfection, as well as the limitations society places on women, corrupting what truly is beautiful by placing women in these prisons of identity. By doing so, society is asking them to become superheroes.”
’15 Minutes Eternal’, an exhibition devoted to the work of Andy Warhol – including a 1967 screenprint of Marilyn – will tour Asia over the next 27 months, reports Art Daily. Opening in Singapore, the retrospective will also visit Hong Kong, Shanghai, Beijing and Tokyo.