Marilyn’s Little Black Book, and More

The annual Hollywood Legends auction at Julien’s, set for April 29, features a number of Marilyn-related items, including a 1961 check  book which, as UK tabloid The Mirror reports, shows she was overdrawn at the time.

Here are some of the more unusual lots…

“A Marilyn Monroe novelty game night set. The Brown & Bigelow set contains two decks of playing cards, one showing Monroe in the ‘A New Wrinkle’ pose and one of Monroe in the ‘Golden Dreams’ pose from her 1949 Red Velvet photo session with Tom Kelley, and a set of four tin coasters showing Monroe in the ‘Golden Dreams’ pose and ‘Marilyn Monroe’ printed on each. Contained in a black flocked presentation box, stamped with an image of Monroe and branded text that reads ‘Always First/ with the Best Figures/ T D F CO.’ at lower right.”

Rare photos taken by Bruce Davidson during filming of Let’s Make Love.

A number of items related to photographer John Florea, including this contact sheet from the ‘Heat Wave’ number in There’s No Business Like Show Business.

A personal note from photographer Zinn Arthur to Marilyn and Milton Greene, probably penned during filming of Bus Stop.

And an invitation to the 1961 Berlin Film Festival

Marilyn at Julien’s: High Prices for a Hollywood Legend

11010004_10153496554385929_2390631461050398092_nItems from ‘the lost archive of Marilyn Monroe’ were sold at predictably high prices in the Hollywood Legends sale at Julien’s Auctions this weekend, reports Fox8.com. IM staffer Jackie Craig took several photographs at the Beverly Hills preview.

“Marilyn Monroe’s grave marker sold for 212,500 dollars.
The item was originally estimated to sell between 2,000-4,000 dollars.

A dress worn by her from the movie Something’s Got to Give was sold for over $300 K.

A copy of Playboy magazine with Monroe on the cover and signed by Hugh Hefner, sold for 87,500 dollars.”

A chaise longue, used in Let’s Make Love, sold for $56,250; and the Mexican rug Marilyn bought for her final home reached $16,640. However, while some of the most iconic – and occasionally ghoulish – items attracted large bids, other more intimate pieces failed to sell – perhaps because so many dedicated fans can’t afford to meet the reserves?

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Marilyn’s a ‘Hollywood Legend’ in June

legends8n-7-webThe latest Hollywood Legends sale will take place at Julien’s Auctions on June 26-27, reports the New York Daily News. As reported previously on ES Updates, Marilyn graces the catalogue cover in the floral print dress she wore in Something’s Got to Give – one of many Monroe-related items on offer.

1) An employment card dated June 8, 1950 (when Marilyn was filming All About Eve at Twentieth Century-Fox); and a change of rate card from the same studio dated November 5, 1953, noting her salary increase from $750 to $1,250 weekly (she was by then starring in Gentlemen Prefer Blondes.) Another letter from Fox’s casting director, Lew Schreiber advises Marilyn that filming of Time and Tide will commence on April 14, 1959. (Her role was ultimately played by Lee Remick in the renamed Wild River.)

2) A ‘Golden Dreams’ calendar from 1953; a ‘New Wrinkle’ lithograph by Tom Kelley; and the first issue of Playboy, signed by Hugh Hefner.

Marilyn in Korea, 1954
Marilyn in Korea, 1954

3) Candid photos of Marilyn dining with troops in Korea, 1954; and behind the scenes of Let’s Make Love (1960.) Also, a photo of Marilyn with Manfred Kreiner on location for The Misfits, and 3 photographs taken by Gene Daniels at the Golden Globes ceremony, 1962.

Marilyn with photographer Manfred 'Linus' Kreiner, 1960
Marilyn with photographer Manfred ‘Linus’ Kreiner, 1960
Marilyn by Gene Daniels, 1962
Marilyn by Gene Daniels, 1962

4) A scrapbook commemorating the 40th anniversary of the Princess Cafe, Iowa Falls, in November 1955. A telegram from Marilyn to actress Margery ‘Madge’ Meredith (once a waitress at the cafe, she gained notoriety in Hollywood after being jailed for complicity in an assault on her former manager – but was freed in 1951 after the court concluded she had been framed) and referring to the cafe’s owners, Harry Pergakis and Ernie Karrys, reads, “AM JEALOUS YOU INVITED INSTEAD OF ME. I STRUCK OUT WITH JOE AND CAN’T EVEN GET TO FIRST BASE WITH HARRY AND ERNIE =MARILYN MONROE=”

Nude drawing by Marilyn
Nude drawing by Marilyn

5) A drawing of a nude woman signed by Marilyn, who inscribed and gifted the drawing to Broadway set designer Boris Aronson. Sanguine on paper, inscribed in blue ink “For Boris -/ Waiting – Wondering -/ Woman – Marilyn Monroe Miller” mounted to matteboard and undated. The drawing has been referred to as ‘an erotic self-portrait.’

Arthur Miller worked with Aronson on A View From the Bridge around the time of Miller’s divorce and budding relationship with Monroe. Aronson, when he first met Monroe, is quoted by Elia Kazan as having said, ‘That’s a wife?’ Kazan shared that quote and evidently its sentiment by answering the question in his autobiography as, ‘Hell no!’

6) Marilyn’s own copies of Doctor Pygmalion by Maxwell Maltz, and The Unfinished Country by Max Lerner. A copy of John Huston’s 1930 script, Frankie and Johnny, with the inscription, “Marilyn dear/ All those years ago/ when you were hardly/ born I wrote this for/ you – the perfect Frankie/ Johnny (himself)/ Huston.” (So much for my theory that it was connected to the Elvis Presley movie!)

7) Personal letters to Marilyn from Jean Negulesco, Inez Melson and William Inge; documents regarding Marilyn moving to Milton Greene’s Connecticut home in 1954;

8) A lidded Wedgwood Jasperware trinket box owned by Marilyn, and assorted hair and make-up items, including a container of Erno Laszlo face powder.

9) The chaise longue featured in the title song from Let’s Make Love.

10) Limited edition etchings of Marilyn by Al Hirshfeld.

11) An expense form from Marilyn Monroe’s public relations agency, Arthur P. Jacobs Company Inc., dated June 11, 1962, for costs incurred through long-distance calls made to Monroe by Pat Newcomb in April 1962. Accompanied by a black and white photograph of Newcomb with Monroe at John F. Kennedy’s birthday gala held in May 1962.

12) A Mexican tapestry purchased by Marilyn for her final home in Brentwood, Los Angeles; her script for Something’s Got to Give, marked ‘revised screenplay’, from February 1962; a letter from Westwood Memorial Park to Marjorie Plecher (future wife of Allan ‘Whitey’ Snyder), thanking Plecher for helping to dress Marilyn for her funeral; and the original grave marker, which has been replaced.

Phil Burchman, 1951
Phil Burchman, 1951

13) Photos by Joseph Jasgur, Andre de Dienes, Phil Burchman, George Barris, Bruno Bernard, Milton Greene, Philippe Halsman, John Bryson, Sam Shaw, Jack Cardiff, Lawrence Schiller.

Rare Photos From Snyder Estate

Photos taken on the set of various Monroe movies – including NiagaraRiver of No Return, and The Prince and the Showgirl – are being sold by the estate of Marilyn’s make-up artist and friend, Allan ‘Whitey’ Snyder.

The colour slides are part of Julien’s Hollywood Legends 2012 auction, set for March 31. The gold cigarette lighter that Marilyn gave to Whitey, engraved with ‘Dear Whitey, while I’m still warm, Marilyn’, is also up for sale.