All About Eve and Some Like It Hot are among the 53 films selected for this month’s ‘Glamour’ season at the Forum Des Images in Paris. (Although the striking poster art features Marilyn in Gentlemen Prefer Blondes, the 1953 musical comedy is not included – which is a pity, as it is partly set in a Hollywoodised version of Paris.)
Thanks to Eric
As usual, there is a vast array of Marilyn-themed calendars on sale for the coming year. Unfortunately, some publishers have succumbed to the lamentable trend for Photoshopped images and unsourced quotes. Here are some of the better items on offer.
This year’s offering from the French company, Hugo Image Calendars – known for their high quality products – includes twenty images in large format.
In association with Twentieth Century-Fox, Brown Trout has produced their third ‘Films of Marilyn‘ calendar this year.
A number of Marilyn-themed diaries have also been released, including Day Dream’s spiral-bound planner – ideal for jotting down future engagements.
For personal diarists, TeNeues remains the best choice. Marilyn graces the cover of next year’s Magneto diary – complementing their annual Glamour calendar. Heiner Meyer’s Marilyn- themed artwork also features inside, as well as portraits of other vintage stars, including Brigitte Bardot and Elizabeth Taylor.
Extract from Glamour: Women, History, Feminism by Carol Dyhouse
“As the 1950s gave way to the 1960s, film stars still inspired emulation – especially those stars who seemed to offer a new kind of fresh, youthful sexuality, less worldly than traditional glamour, but more intriguing than a femme-fleur. Marilyn Monroe, Brigitte Bardot and Audrey Hepburn were the icons of the time.
The most prominent screen glamour girl of the period, Marilyn Monroe, had a childlike, vulnerable quality, described by Diana Vreeland as ‘fluffy zaniness’. But Monroe herself embodied many of the contradictions of the era. In the early days of her career, photographed by Tom Kelley nude and stretched out on red satin, she came close to being labelled as ‘cheesecake’. She appeared to lack the self-possession that had distinguished many of the screen goddesses of the 1930s, and she seemed more innocent than other pin-up girls. Monroe was never the girl next door however, and could be capable of a sharp realism. ‘I guess I’ve always had too much fantasy to be only a housewife,’ she confessed on one occasion, adding, ‘Well, I also had to eat. I was never kept, to be blunt about it. I always kept myself. I have always had a pride in the fact that I was on my own.’
Perhaps one of the last high moments in the classic Hollywood celebration of glamour was when Marilyn Monroe, in a memorable public performance, sang ‘Happy Birthday’ to John F. Kennedy in Madison Square Garden in May 1962. She wore a gown by Jean Louis in nude marquisette covered with rhinestones, described by Adlai Stevenson as ‘skin and beads’. In 1999 the gown sold at auction by Christie’s for $1.2 million.”