An exhibition dedicated to Marilyn – featuring the collections of Greg Schreiner and Scott Fortner, plus photos by George Barris – will open at the Hollywood Museum on May 30, through to August.
CMG Worldwide – who managed licensing rights for Marilyn’s image until 2010 – are at loggerheads with her estate, according to the Hollywood Reporter.
“When the Monroe estate terminated its relationship with CMG, the parties allegedly reached a deal whereby CMG would return certain assets, including the Monroe website and Facebook page, for a cash payout.
The following year, CMG sued the estate to enforce the terms of the termination agreement. The case settled.
Neither the termination deal nor the settlement agreement is said to have addressed CMG’s representation of One-West Publishing (regarding the copyright ownership of photos by Andre de Dienes and George Barris.) CMG believes that it is permitted to carry on its work there so as to recoup its expenses to settle the One-West litigation.
This month, CMG got a cease-and-desist letter from the Monroe estate over its licensing and display of Marilyn Monroe products and services.
On Wednesday, in a very odd twist, CMG filed a new lawsuit against the Monroe estate in New York federal court, seeking a ruling that it hasn’t done anything wrong with Monroe’s likeness.”
One of Marilyn’s last photographers, George Barris, has launched a new website.
The British artist, Richard Hamilton, has died aged 89. One of his most famous works was ‘My Marilyn’ (1966), one of the few pop art pieces that succeeds in showing Marilyn as a human being as well as an icon.
“In ‘My Marilyn’, Hamilton takes as his source material George Barris’ colour photographs of Marilyn Monroe published after her death. Hamilton wrote: ‘M.M. demanded that the results of the photographic sessions be submitted to her for vetting before publication. She made indications, brutally and beautifully in conflict with the image, or on proofs and transparencies to give approval or reject, or suggestions for retouching that might make it acceptable.’ From these photographs Hamilton produced a series of black and white enlargements in three formats which he arranged as a collage for the first photographic screen for the print. This was used as the basis of a series of further manipulations for different versions. Hamilton preserved Marilyn’s own marks of approval or rejection, commenting that ‘The aggressive obliteration of her own image has a self-destructive implication that her death made all the more poignant: there is also a fortuitous narcissism, for the negating cross is also the childish symbol for a kiss.’ “
George Barris, one of Marilyn’s last photographers, will appear at the opening night of ‘Happy Birthday Marilyn’ at the Andrew Weiss Gallery, Los Angeles, on June 1st.
“These photographs are very dear and personal to me. Marilyn was much more than a photography subject, she was a friend. She had an inner light that comes through in her images, even many years later, and I am pleased to work with the Andrew Weiss Gallery to share my experience of Marilyn with her fans and the public.”
The album was recorded in Santa Monica, so perhaps Marilyn represents euphoria: and the man in the picture, heartbreak…
“Turning pain into joy is the stuff that dreams are made of for an album as thrillingly ambitious as it is enigmatic…” Emily Mackay, NME
Four photographs of Marilyn, taken by George Barris, were sold at the Vision 21 auction at Bonham’s today.
“Portraits of the iconic blonde by photographer George Barris exceeded pre-auction estimates, bringing in £1,320/$2,113 (1962’s “Marilyn in the Garden” and 1954’s “Marilyn at the Window,” each), £780/$1,249 (1962’s “Marilyn on the Beach”), and £840/$1,345 (1962’s “Marilyn on the Sofa”), respectively.”
Marilyn Today is the magazine for members of ‘Some Like it Hot’, a postal fan club based in Germany. September’s issue includes an interview with photographer George Barris.
Thanks to Chris