Any longtime Marilyn fan will know the challenges we face in preserving her true legacy, and two recent news stories suggest our troubles are only beginning. Toby Walsh, a professor of Artificial Intelligence (AI), believes that by 2050 – a century after she first found fame – Marilyn will be ‘starring in movies via an avatar program that talks and acts like her, with machines having learned her speech and mannerisms from her films,’ reports The Australian.
Even more alarming is an article in The Sun about the burgeoning popularity of sex robots. ‘Marilyn comes up quite often,’ says engineer Douglas Hines, of the public requests for celebrity lookalike dolls. ‘The caveat is we need the approval of the person or family. If you wanted a robot that looked like Marilyn Monroe, you would have to have her estate approve it.’ (The idea of a ‘Marilyn Monroebot‘ was first mooted – albeit in jest – on a 2001 episode of the animated series, Futurama.)
Fortunately, Marilyn’s estate has not granted permission for a robot MM, and hopefully they never will. But how long will it take until ‘bootleg’ sex dolls hit the market? And meanwhile, CGI ‘hologram‘ Marilyns have already been seen in TV ads, with her estate planning digitalised ‘live’ shows starring Marilyn and other dead icons. They can replicate her body, but not her soul, and Monroe fans of the future will have to be ever more vigilant against degrading misrepresentations.
One of the world’s leading authors, Margaret Atwood, has referenced Marilyn in her latest sci-fi novel, The Heart Goes Last. “Elvis really put it out there,” she told Toronto Metro. “I was also a Marilyn fan. It’s my little homage to the Elvises and the Marilyns.”
Atwood, who is Canadian, begins the chapter entitled ‘Black Suit’ with a reference to MM’s sultry performance in Niagara. In another chapter, ‘Dressups’, a character transforms into a Marilyn-style robot. (A ‘Monroebot’ previously featured in a 2001 episode of the animated series, Futurama.)
“Black flatters me, thinks Charmaine, checking herself in the powder room mirror. Aurora had known where to take her shopping, and though black has never been her colour, Charmaine’s not negative about the results. The black suit, the black hat, the blond hair – it’s like a white chocolate truffle with dark chocolate truffles all around it; or like, who was that? Marilyn Monroe in Niagara, in the scene right before she gets strangled, with the white scarf she never should have worn, because women in danger of being strangled should avoid any fashion accessories that tie around the neck. They’ve shown that movie a bunch of times on Positron TV and Charmaine watched it every time. Sex in the movies used to be so much more sexy than it became after you could actually have sex in the movies. It was languorous and melting, with sighing and surrender and half-closed eyes. Not just a lot of bouncy athletics.
Of course, she thinks, Marilyn’s mouth was fuller than her own, and you could use very thick red lipstick back then. Does she herself have that innocence, that surprised look? Oh! Goodness me! Big doll eyes. Not that Marilyn’s innocence was much in evidence in Niagara. But it was, later.”