MM Estate’s Publishing Plans

Following the success of Fragments, Marilyn’s estate have approved two new books to be published later this year, reports Canoe.ca:

“The first book Girl Waiting, to be published in May, brings together drawings of Marilyn Monroe, unreleased, and a series of photographs where the blonde icon appears in front of paintings by great masters. These photos were taken by Joshua Logan shortly after the filming of Bus Stop.

The other book, edited by Bernard Comment, features the entire personal archive of Marilyn Monroe kept partly in New York and partly in Los Angeles. Some 500 documents were selected from the archives, to a large volume to be published in November 2012.”

The Writing of Marilyn Monroe

An insightful look at Marilyn’s writing (as collected in Fragments) from Aylon Ewing:

“Her library was a deep one, she was well read, a woman of deep intelligence.  The dumb blonde gave testament to her great acting ability.  This gives us the clues to the woman within, and it this deep womanly soul that I seek to meet within the fragmentary writing.”

 

St Vincent: Marilyn’s Words Into Music

New York-based singer-songwriter St. Vincent has spoken to The Guardian about Marilyn, whose writing inspired ‘Surgeon’, a track on the new album, Strange Mercy:

‘Strange Mercy, she says, is very much about anaesthetising pain, and searching for ways to transform, “to be a whole person”, a sentiment expressed in a line Clark lifted from Monroe’s diaries for the song Surgeon: “Best finest surgeon, come cut me open.” “Marilyn was this relic of the 60s, and not particularly compelling when I was younger, but when I started reading about her, I really sympathised,” she says. “For all the Hollywood glitz, it was a pretty dark life. That line was just the strangest, most poignant line. I wonder how she’d feel about it being put into a pop song.”

The Monroe story, of course, ended badly: she was found dead in her bedroom by her psychoanalyst, her blood filled with nembutal and chloral hydrate. It was ruled to be suicide, though conspiracy theories abound. For Clark, though, there is something somehow redeeming in having been able to look back at Monroe’s troubles and find a spark that could give life to new art. “Creating something out of something unfortunate feels productive,” she says. She gives a small, satisfied nod.’

‘Fragments’ Documentary Planned

Fragments, the 2010 collection of Marilyn’s personal writings, is to be the subject of a documentary, to be released on the 50th anniversary of Monroe’s death, in August 2012.

StudioCanal has acquired worldwide rights to upcoming documentary “Fragments,” based on the eponymous book of Marilyn Monroe’s writings, diaries, poems and letters.

Liz Garbus, producer and director of Sundance 2011 hit “Bobby Fisher Against the World,” will direct. Stanley Buchtal, also a producer on “Bobby Fisher,” produces.

Exploring a “magical, unknown Marilyn,” Garbus said, “Fragments” went into production July 5…

…Some of the world’s best-known actresses will read Monroe’s poems and letters. The movie will fuse documentary interviews, archive material — including never-seen photos and footage — live action, graphics, 3D creations and scripted elements.

Also, Studiocanal’s muscle as one of the Europe’s strongest sales agents can help “Fragments” reach far wider audiences.

“I am personally a big fan of Liz’s immense gift as a director and we are very excited about the involvement of so many talented people in making this movie a big theatrical event for us in 2012,” said Harold Van Lier, Studiocanal exec veep, of international sales.’

Variety

St Vincent on Marilyn and Music

On the American Songwriter website today, New York-based musician St Vincent explains how Marilyn’s writing inspired ‘Surgeon’, a track from her upcoming album, Strange Mercy:

‘Inspiration can come from unlikely places. Annie Clark, the Dallas-raised, Brooklyn-based musician who records as St. Vincent, was reading Marilyn Monroe’s recently published diaries when she came across a sentence that stood out to her: “Best finest surgeon,” the actress writes, “Strasberg waits to cut me open.”

“I thought that was an incredibly poetic line and a strange sentiment – wanting someone to come in and make that adjustment that will heal you,” says Clark, who adds that the troubled actress “was a highly intelligent woman and doesn’t get enough credit for being very powerful.” Clark pondered the line as she finished Monroe’s Fragments: Poems, Intimate Notes, Letters, and eventually she used it as the chorus for “Surgeon,” a stand-out on Strange Mercy, her third album as St. Vincent. It begins at a dreamily unrushed pace, with Clark’s florid vocals filling the frame and her spidery guitarwork adding detail to the background. The tempo gradually tightens until the song mutates into a breakneck jam between Clark and gospel organist Bobby Sparks. When it sounds like the song might simply snap in half, “Surgeon” fades out abruptly. Roll credits.

It’s a more vigorous and abrasive sound than expected from St. Vincent, and the lyrics prove equally strained and edgy. Rather than cinematic and critical, that voice sounds like that of someone desperate to be cut open. “I took elements of what I knew about Marilyn Monroe and superimposed them with something that I knew personally,” Clark explains. “I think it’s all fair game – whatever makes the best and most compelling story with a sturdy emotional truth to it.” ‘

St Vincent Inspired by Marilyn’s Writing

 

St Vincent – aka musician Annie Erin Clark – performed ‘Surgeon’, a song inspired by Marilyn Monroe’s writings, now available as a free download from her forthcoming album, Strange Mercy, at New York’s Metropolitan Museum of Art on Thursday, reports the Times:

‘St. Vincent ended her concert at the Metropolitan Museum of Art on Thursday night with an emotionally complicated plea. “Best, finest surgeon,” she sang coolly, fingers skittering along the neck of her guitar. “Come cut me open.”

The song was “Surgeon,” with lyrics inspired by an entry in Marilyn Monroe’s diary, and St. Vincent made its queasy hunger feel palpable, even, somehow, during the mounting vulgarity of the synth-guitar solo that she used as a coda.

Surgery isn’t a bad metaphor for the process by which St. Vincent, a k a Annie Clark, creates her music. But she’s rarely if ever the one being operated on. What she does is traumatic but controlled, unsentimental but not uncaring. She can seem clinical, but she knows what she’s doing in there.’

The song is based on a piece published in Fragments, the 2010 collection of Marilyn’s writing. It was written on Waldorf-Astoria stationary (MM lived at the hotel in 1955.)

This may be an account of a dream. It is filled with characters from Marilyn’s life at the time – Lee Strasberg, Arthur Miller, Milton Greene, Dr Hohenberg, the Rostens – and suggests Marilyn’s intense fear of not living up to their expectations.

Like many of Marilyn’s undefined pieces, it has the quality of a prose poem. The bolded parts denote spelling anomalies, while the crossings-out are her own.

Best finest surgeon – Strasberg

waits to cut me open which I don’t mind since Dr H

has prepared me – given me anesthetic

and has also diagnosed the case and

agrees with what has to be done –

an operation – to bring myself back to

life and to cure me of this terrible dis-ease

whatever the hell it is –

Arthur is the only one waiting in the outer

room – worrying and hoping operation successful

for many reasons – for myself – for his play and

for himself indirectly

Hedda – concerned – keeps calling on phone during

operation – Norman – keeps stopping by hospital to

see if I’m okay but mostly to comfort Art

who is so worried –

Milton calls from office with lots of room

and everything in good taste – and is conducting

business in a new way with style – and music

is playing and he is relaxed and enjoying himself even if he

is very worried at the same time – there’s a camera

on his desk but he doesn’t take pictures anymore except

of great paintings.

Strasberg cuts me open after Dr. H gives me

anesthesia and tries in a medical way to comfort

me – everything in the room is white in fact but I

can’t even see anyone just white objects –

they cut me open – Strasberg with Hohenberg’s ass.

and there is absolutely nothing there – Strasberg is

deeply disappointed but more even – academically amazed

that he had made such a mistake. He thought there was going

to be so much – more than he had dreamed possible in

almost anyone but

instead there was absolutely nothing – devoid of

every human living feeling thing – the only thing

that came out was so finely cut sawdust – like

out of a raggedy ann doll – and the sawdust spills

all over the floor & table and Dr. H is puzzled

because suddenly she realizes that this is a

new type case of puple. The patient (pupil – or student – I started to write) existing of complete emptiness

Strasberg’s hopes & dreams for theater are fallen.

Dr H’s dreams and hopes for a permanent psychiatric cure

is given up – Arthur is disappointed – let down +

 

Often Imitated, Never Equalled

1976 biopic starring Misty Rowe

Maureen Dowd writes in the New York Times about why movies about great stars like Monroe, Elizabeth Taylor etc are so often disappointing:

‘The many actresses who have resurrected Marilyn Monroe can’t hold a candle in the wind to Hollywood’s most luminescent, evanescent siren.

Ashley Judd and Mira Sorvino played two sides of her in the 1996 HBO film “Norma Jean and Marilyn,” which amounted to double trouble. Catherine Hicks tried in the 1980 ABC movie “Marilyn: The Untold Story,” which should have remained untold.

Still we must suffer through a new raft of impertinent impersonators. Michelle Williams stars in “My Week With Marilyn,” about her friction with Laurence Olivier during the making of “The Prince and the Showgirl” in 1957. Then comes Naomi Watts in “Blonde,” based on the Joyce Carol Oates novel.’

Maureen Dowd also reviewed Fragments last year.

Marilyn in Salinas, 1948

A newspaper clipping from an appearance by Marilyn at Carlyle’s Jeweler’s in Salinas, California, in 1948 (during her trip she was also crowned ‘Artichoke Queen’  in nearby Castroville.)

“In 1948, she came here to help promote a diamond sale at Carlyle’s Jewelers, 362 Main St. The store had hired a starlet named Noreen Nash, but Nash had to cancel.

So Monroe filled in.

On that trip, she checked into a room at the Jeffrey Hotel in the 200 block of Main Street.

Before her abrupt arrival, she’d been baking in the sun in Palm Springs. Her nose had burned. It had begun to peel. Still, Marilyn showed up. She stood behind the counter at Carlyle’s.

Patrons squeezed in. Marilyn flashed her brilliant smile. She chatted in an amiable way and autographed pictures of herself.

That day, the jewelry store sold lots of diamonds.”

The Californian

Last year’s collection of Marilyn’s writings, Fragments, includes a diary entry recording a bus journey to Salinas (though not necessarily at the same time.)

CMG Sue After MM Rights Sold

Photo by John Florea

CMG Worldwide, who held the licensing rights to Marilyn’s estate for 20 years, have filed suit in Indianapolis after Lee Strasberg’s widow, Anna, dropped them recently in favour of ABG (Authentic Brands Group.)

‘CMG is asking in the suit for unspecified fees believed to be in the millions of dollars from royalties and other expenses the agency says were agreed upon during the split.

Strasberg reportedly received more than $20 million for the Monroe materials from Authentic Brands, a Canadian company with offices in New York.

CMG’s website continues to show Monroe, along with James Dean and dozens of other dead celebrities, among major clients. Authentic Brands claims to represent her, too.

“We’re still in the Marilyn business,” said Mark Roesler, chairman and chief executive of CMG.

The company negotiated nearly 2,000 product licensing agreements worth millions for her estate and still represents photographers and others who have Monroe pictures or other items.

“Parties change, and the Strasberg group sold to the group from Canada. CMG remains in the intellectual property business, representing the estates of our clients, just not the Strasbergs anymore,” Roesler said.

The latest suit was filed in April in Hamilton Superior Court and then moved last week to the U.S. District Court for Southern Indiana in Indianapolis.

CMG is suing Authentic Brands Group, the Anna Freud Center, Anna Strasberg and her son David, and book editor Stanley Buchthal, plus two limited liability companies created by the defendants.

Roesler and New York attorney Terri Dipaolo, representing Authentic Brands, said the two companies have reached a private agreement, so Authentic Brands may be dropped from the suit. CMG claimed in the suit that at least $1.6 million was owed by Authentic Brands.

The Strasbergs, Buchthal and the Freud Center in London, founded by one of Monroe’s psychiatrists who was named an heir in her will, are accused of fraud and breach of contract in the breakup of CMG’s long-running representation of the estate. Their attorneys could not be reached for comment.’

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