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Marilyn Book News: The Girl, Hollywood and More

2018 is shaping up to be another great year for Marilyn’s book-loving fans. Marilyn: Lost and Forgotten, featuring 150 images from Colin Slater’s Hollywood Photo Archive, is set for publication in October. For those who can’t get enough of those classic Hollywood beauties, a companion volume – Venus in Hollywood: Portraits from the Golden Age of Glamour – is due in November.

Michelle Morgan’s latest book, The Girl: Marilyn Monroe, The Seven Year Itch, and the Birth of an Unlikely Feminist, will be published in May. For the latest updates, follow Michelle’s blog here.

Marilyn Monroe: The Private Life of a Public Icon, a full-scale biography by Charles Casillo, will follow in August.

Looking further ahead,  Amanda Konkle’s Some Kind of Mirror: Creating Marilyn Monroe, a scholarly look at her film performances, will be published in February 2019. (Only the Kindle version is available for pre-order as yet.)

In related interest, Marilyn graces the cover of Samantha Barbas’ Confidential Confidential: The Inside Story of Hollywood’s Notorious Scandal Magazine, due in September. (The notorious ‘Wrong Door Raid’ is also featured in Jim Heimann’s Dark City: The Real Los Angeles Noir, just published by Taschen.

Reno, a 2016 play by Roy Smiles about Marilyn’s conflicted relationships with husband Arthur Miller and director John Huston during the tumultuous filming of The Misfits, will be published shortly by Oberon Modern Playwrights (the Kindle version is currently available for pre-order.)

And finally, Elizabeth Winder’s Marilyn in Manhattan is now available in Turkish; and Marilyn Monroe: 1926-1962, a new study of her untimely death by Eva Enderström, has been published in Sweden.

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Marilyn on Reelz: ‘It Happened Here’

It Happened Here is a documentary series on the US Reelz channel, charting key locations in the lives of legendary icons. The most recent episode focuses on Marilyn, visiting Zuma Beach, California (where she posed for some of her earliest photo shoots); The Rainbow Bar and Grill in Hollywood (formerly the Villa Nova Restaurant, where she and Joe DiMaggio first dated); and the subway grate on Lexington and 52nd, NYC, where she filmed The Seven Year Itch. Guests include authors Lois Banner, Elizabeth Winder, and reality TV star Trisha Paytas. While it’s an interesting premise, fans tell me the show is marred by sensationalism and unfounded insinuations (which is unfortunately no big surprise, as Reelz previously aired a National Enquirer documentary on Marilyn.)

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Marilyn Book News: Directors and Co-Stars at Fox

Just published is Twentieth Century Fox: A Century of Entertainment, Michael Troyan’s mammoth study of Marilyn’s home studio. It’s 736 pages long, with 150 photos in a landscape-size hardback.

Anne Bancroft, who made her screen debut in Don’t Bother to Knock and shared a dramatic scene with Marilyn, is the subject of two new biographies: one by Peter Shelley, and another by Douglass K. Daniel.

And one of Marilyn’s favourite directors, Jean Negulesco (How to Marry a Millionaire), is given the biographical treatment in a new study by Michelangelo Capua.

Coming in September is the much-anticipated Milton Greene retrospective, The Essential Marilyn Monroe (a German version and special edition are also available.) And in November, Marilyn graces the paperback cover of Cecil Beaton: Portraits and Profiles.

Looking further ahead, two intriguing new titles will be hitting our shelves in 2018: Colin Slater’s Marilyn Lost and Forgotten: Images from the Hollywood Photo Archive, and Marilyn Monroe: The Private Life of a Public Icon, a biography by Charles Casillo. And Elizabeth Winder’s Marilyn in Manhattan will be released in paperback.

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Marilyn’s Secret Career Genius

Marilyn in Manhattan author Elizabeth Winder has written an excellent article for Marie-Claire about Marilyn’s escape to New York and triumphant battle with Hollywood. It’s well worth reading, and a great preview of the book. (However, as MM: A Day in the Life author April VeVea points out, Marilyn wasn’t, as is sometimes claimed, the first woman in Hollywood to start her own production company – the Talmadge Sisters, Rita Hayworth and Ida Lupino all preceded her.)

“Years ahead of her time, and dead at the age of 36 in 1962, Monroe wouldn’t live to see the changes she made possible. But her reach went far beyond the machinations of Hollywood and shifted the way women around the world viewed themselves: Bra-less and never in girdles, Monroe didn’t apologize for her raw sensuality and frankly admitted to posing nude in the past; she’d been a penniless starlet and whose business was it anyway? At the same time, she wasn’t afraid to appear ‘unsexy.’ She loved being photographed in grimy boas and ripped fishnets, or puffy-eyed and makeup free, hair tangled from hours of fitful sleep. Monroe wanted to express herself, no matter the risk.”

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Marilyn (and Truman) in Manhattan

Over at The History Reader today, Marilyn in Manhattan author Elizabeth Winder writes about Marilyn’s friendship with Truman Capote, and how she inspired his 1958 novella, Breakfast at Tiffany’s. (Marilyn was one of several muses for his heroine, Holly Golightly; more details here.)

“Where Truman shrank from his backwoods pedigree, Marilyn wore hers like a badge. She was rightly proud of overcoming her obstacles- the foster homes, the orphanage, the abuse that began as a child and continued into her starlet years. And when Truman longed to be ‘terribly rich’ Marilyn ‘just wanted to be wonderful.’

She was wonderful, and Truman knew it. Between dancing and lunching and knocking back cocktails, he spent most of that summer glued to his typewriter clanging out a novella. The inspiration—a black frocked girl with a ‘soap and lemon cleanness,’ a curvy mouth, upturned nose and saucer eyes of green-flecked blue. Her tussled hair cut like a boy’s, dyed in ‘ragbag’ shades of light with ‘tawny streaks’ and ‘strands of albino-blond and yellow.’

She scamped around the city in sunglasses and slips, full of nerves and insomnia and a stamped-out past. She drank bourbon to fight off the ‘mean reds,’ she believed in self-improvement, she read horoscopes and Hemingway and William Somerset Maughn. She was Holly Golightly—Truman’s love letter to hope, New York City, and Marilyn Monroe.”

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Elizabeth Winder on ‘Marilyn in Manhattan’

Elizabeth Winder, author of Marilyn in Manhattan: Her Year of Joy – published today – has spoken to Immortal Marilyn about the different side of MM that she hopes her readers will discover.

“I wish they knew that Marilyn was funny– I don’t mean the witty media quips but that warm-hearted kind of funny that makes you smile and want to hug someone. I wish they knew that Marilyn actually read Ulysses and didn’t just pose with it. I wish they knew that as a starving model she spent her money on books instead of food. I could go on and on– that’s why I wrote Marilyn in Manhattan– I totally fell in love with her!”

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Marilyn’s ‘Radical Anti-Fashion’

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An extract from Elizabeth Winder’s new book, Marilyn in Manhattan: Her Year of Joy, looking at her natural sense of style, has been published on the NY Magazine website.

“In an age where women’s hair skewed complex and baroque, Marilyn showed up to movie premieres looking fluffed-up and windblown, in platinum pompadours more tousled than James Dean’s. Friends begged her to brush out her bedhead, which she did rarely, and then only with a gold-plated hairbrush given to her by Frank Sinatra. She hated anything fussy or prissy, refused to wear jewelry, and stuck to a neutral palette — an invisible backdrop to her own pearly beauty. In the wasp-waisted, Dior-dominated ‘50s, Marilyn went back to basics: she went braless, skipped girdles, and commissioned custom-made, simple black slips from a beloved tailor in New York City. She found a template she liked and ordered copies by the dozen, in identical forms and varying fabrics, some matte, some faille, some velveteen, all in black.”