Architectural Digest has republished biographer Donald Spoto’s 1994 article about Marilyn’s many homes, from the bungalow she shared with the Bolender family as a child, to the modest retreat where she spent her final days.
“She was the most photographed woman in America, and very likely the most peripatetic. There was something of the pilgrim about her, for she was a ceaseless wanderer in search of herself. And even after 20th Century-Fox had rechristened her Marilyn Monroe, she briefly took the name Journey Evers, as if to signify the continuous motion of her life.
In 1951 and 1952, swiftly attaining stardom, Marilyn had nine films in release—and added no less than three addresses to her biography. She paid little attention to her surroundings and lived in a sparsely furnished apartment on Hilldale Avenue in West Hollywood and, two blocks from that, in a small one-bedroom at 882 North Doheny Drive, at the corner of Cynthia Street. There she began her romance with Joe DiMaggio in 1952. ‘Almost any place would have done for me,’ she told a friend, ‘but I tried to make it homey for Joe.’ “
This year marks the centenary of another man in Marilyn’s life: Frank Sinatra. The anniversary is being marked by a slew of publications, including Sinatra: The Chairman. Second in a biographical series by James Kaplan, this tome is 992 pages long, and has been previewed in the New York Daily News.
“During Sinatra’s dalliance with Monroe, there are conflicting reports as to who wanted it more. Kaplan sides with Milt Ebbins, a talent manager, who claimed, ‘There was no doubt that Frank was in love with Marilyn.’
‘Yeah, Frank wanted to marry the broad,’ Jilly Rizzo, Sinatra’s chief henchman, said. ‘He asked her and she said no.'”
However, Kaplan’s claim that Frank wanted to marry MM – ‘to save her from herself’ – is nothing new. J. Randy Taraborrelli previously suggested this in his 1997 book, Sinatra: The Man Behind the Myth. Kaplan also speculates that others believed the opposite – that it was Marilyn who pursued Frank – but the sources for this allegation are not named in the article.
In his 1992 biography of MM, Donald Spoto argues that Frank was ‘apparently the more smitten’ in their on-off romance. Milton Ebbins told Spoto that in 1961, Sinatra failed to show up for lunch with President Kennedy at Peter Lawford’s home, because Marilyn – who was briefly Sinatra’s house-guest in Los Angeles – had gone out without telling him.
‘It wasn’t worry for her safety,’ Ebbins recalled, ‘he was just that jealous of her whereabouts! To hell with the president’s lunch!’
In Sinatra: The Chairman, Kaplan repeats the long-held assertion that the romance ended after Marilyn grew closer to her ex-husband, Joe DiMaggio. This led to a rift between Joe and Frank, ending a long friendship. However, Marilyn told reporters that there was ‘no spark to be rekindled’ with DiMaggio.
After Marilyn died, Frank was furious that Joe did not invite him to the funeral. Kaplan reiterates the long-held rumour that Sinatra – along with the Lawfords, Ella Fitzgerald, and even Mitzi Gaynor – were turned away from the ceremony. However, contemporary news reports did not mention this at all.
So did Sinatra propose to Marilyn? Based on all available evidence, I think not. Although Frank may have entertained thoughts of marriage, I don’t believe Marilyn was ready to commit herself. And after his failed marriage to another Hollywood beauty – Ava Gardner – I suspect he wasn’t about to risk more heartache.
Perhaps the last word should go to legendary columnist Liz Smith, who knew Sinatra well:
“I would take issue with some of Kaplan’s observations about Ava Gardner and particularly Marilyn Monroe — believe me, if Sinatra really proposed to MM and she refused him, it wasn’t because she was ‘saving’ herself for re-marriage to Joe DiMaggio. But in the face of the rest of this compelling book, that’s real nit-picking.”
In honour of International Women’s Day, Flavorwire’s Emily Temple placed Donald Spoto’s Marilyn Monroe: The Biography 23rd on her list of 50 Great Books About 50 Inspiring Women. (While Spoto’s book is a good choice, I would nominate Michelle Morgan’s Marilyn Monroe: Private andUndisclosed as the best biography of Marilyn written by a woman.)
Over at Papermag, Michael Musto shares his choices for The 10 Best Celebrity Memoirs, including Marilyn’s own My Story. “Far from a giddy bombshell, Monroe was a keenly perceptive observer of the human condition,” Musto comments. “In this unfinished book — released years after her death — the sex symbol talks about her unhappy childhood and her adult stardom, revealing a mind full of illumination and curves. Who knew she was an intellectual, in her own way?”
Musto’s list also includes two other books in which Marilyn features prominently: Susan Strasberg’s Bittersweet, and Just Outside the Spotlight: Growing Up With Eileen Heckart, a tribute to Marilyn’s Bus Stop co-star penned by her son, Luke Yankee.
Varietyhas reviewed Love, Marilyn, giving us a fuller picture of the cast and materials. (David Strathairn as Arthur Miller is surely inspired casting!)
“With: F. Murray Abraham, Elizabeth Banks, Adrien Brody, Ellen Burstyn, Glenn Close, Hope Davis, Viola Davis, Jennifer Ehle, Ben Foster, Paul Giamatti, Jack Huston, Stephen Lang, Lindsay Lohan, Janet McTeer, Jeremy Piven, Oliver Platt, David Strathairn, Marisa Tomei, Lili Taylor, Uma Thurman, Evan Rachel Wood, Lois Banner, George Barris, Patricia Bosworth, Sarah Churchwell, Amy Greene, Molly Haskell, Jay Kanter, Richard Meryman, Thomas Schatz, Donald Spoto.
Two unearthed boxes of diary entries, letters and whatnot (some of which were published in 2010 as Fragments: Poems, Intimate Notes, Letters by Marilyn Monroe) provide the novelty and appeal to what would otherwise be a standard life-overview. The erstwhile Norma Jean Baker’s awful childhood, her stormy marriages to Joe DiMaggio and Arthur Miller, the paralyzing effects of her insecurities on film shoots, her problematic alliance with the Actors Studio, her pill consumption, et al., all constitute familiar terrain that makes Love, Marilyn seem redundant at times.
The first-person testimonies are more interesting, from archival clips of Susan Strasberg, John Huston, Joshua Logan, Jane Russell, Laurence Olivier and others to excerpts from memoirs and other writings by one of her many shrinks (read by F. Murray Abraham), Miller (David Strathairn), and analysts Gloria Steinem (Hope Davis) and Norman Mailer (Ben Foster), among others. Particularly flavorful are Oliver Platt and Paul Giamatti as Billy Wilder and George Cukor, respectively, both recalling their exasperation working with the hypersensitive box office sensation. There are also present-tense interviews with biographers, critics, Actors Studio contemporary Ellen Burstyn, and close non-celebrity friend Amy Greene (who shares some salty thoughts on Marilyn’s husbands).
While there’s no question Garbus has recruited first-rate talent to pay homage here, some of the most impressive names prove heavy-handed or simply miscast in attempting to channel the love goddess’s fragile spirit; moreover, having them act against green-screened archival materials has a tacky, pop-up televisual feel. Probably most effective in their straightforward readings are Jennifer Ehle, who gets a fair amount of screentime, and (perhaps surprisingly) Lindsay Lohan, who does not.
Limiting clips from predictable movie highlights, and skipping over several well-known titles entirely, the pic tries to emphasize lesser-known materials, including numerous candid photos, behind-the-scenes footage, and one uncomfortable live appearance on TV’s Person to Person.”
In her latest review, Elizabeth Periale takes a look back at Marilyn Monroe: The Biography, Donald Spoto’s 1992 book which remains a fan favourite.
“The best part of Marilyn Monroe: The Bigraphy is Spoto’s detailed recounting of just how hard Marilyn worked to become Marilyn. Once she became a star, we all know that things got even tougher for her, but Marilyn stayed strong and did things that no one would have ever expected of her — she started her own production company, married and divorced two very different American icons, worked hard to be taken seriously as an actress. Her death is tragic, and others certainly had a hand in helping her find the crutches that eventually killed her. But however she died, what really resonates from Spoto’s book was how she lived — always questing, reaching, trying to improve herself, trying to grow. That’s a new and valuable image of Marilyn.”
Among the many MM-related book releases this year are a few you may have seen before. Andrew Hansford’s Dressing Marilyn has been translated into French, while Marilyn by Magnum is now available in Italian.
A 50th anniversary edition of Adam Victor’s Marilyn Encylopediais due in July, while Keith Badman’s The Final Years of Marilyn Monroe is due out in paperback in the UK (June), and in hardback in the US (July.)
“Twenty years ago, for example, I began research for a life of Marilyn Monroe–the first such project authorized by her Estate, with no strings attached and unhindered access to a massive array of materials never before consulted. After conducting more than a hundred interviews and surveying an astonishing cache of primary material, something unexpected became clear. Monroe was not a dimwitted woman of easy virtue who spiraled downward into suicidal depression. She was something very different indeed from that popular misconception.”