The menorah candelabra given to Marilyn by Arthur Miller’s parents Isidore and Augusta for their wedding in 1956 will be auctioned at Kestenbaum & Co. in New York next Thursday, November 7, with a guide price of $100,000 – $150,000, CNN reports. Marilyn converted to Judaism shortly before marrying Arthur, and the menorah was still in her possession when she died in 1962, almost two years after their separation.
Originally sold at Christie’s in 1999, the menorah symbolises a lamp carried by Moses during his forty years in the wilderness, as described in the Old Testament. Marilyn’s menorah is brass-plated, with a wind-up mechanism which plays the Israeli national anthem. It was featured in a 2015 exhibition at New York’s Jewish Museum. Another Judaic artefact owned by Marilyn, her siddur prayer book, was sold for $26, 000 at auction in 2018.
UPDATE: Marilyn’s menorah has been sold for $90,018.
In my latest post for the Julien’s Legends auction, coming up on June 13-14, I’m taking a look at the fan mail, plus letters and greeting cards from friends and family, received (and kept) by Marilyn over the years. (You can read my previous posts, on the How to Marry a Millionaire bathrobe and the photos of Manfred Kreiner, here.)
UPDATE: I have now added the total bids to each item.
“An invoice from Southdown Kennel in Roxbury, Connecticut, for boarding and food for Hugo, the lovable basset hound owned by Marilyn and then husband Arthur Miller. The invoice is dated from November of 1958, and is addressed to Mrs. Arthur Miller. Dates specified for boarding of Hugo are July 4-10, July 28-August 5, August 22-24, and August 27-October 30. Also listed is ‘1 case beef’ at a cost of $11.50.” (SOLD for $512)
“A handwritten letter from a young child, undated, reading, ‘Dear Marilyn, How are you? Daddy and mommy saw you. I wish I could of. I am writing you to see if you rember (sic) me. First you saw me playing on the grass at Chaire’s house and then at Patty’s. I went to East Hampton and I got a new bike. It is beautiful.’ The letter is signed Emily Hedda Liss. The letterhead reads ‘Mrs. Joseph Liss, 445 East 68th Street, New York, New York,’ indicating Emily is likely the young daughter of television writer and editor Joseph Liss.” (UNSOLD)
“Two greeting cards sent to Marilyn from fans with get well wishes. One card’s handwritten inscription reads, ‘To a wonderful actress. My best wishes to you. Palma Urso, 1958.’ The other is simply signed, ‘Judy Bawber.’ (UNSOLD)
“A two-page handwritten letter from a fan by the name of Pete Monti, dated June 1, 1959, in which Monti expresses his love and admiration for Marilyn. Passages from the letter read, ‘…every year I send you a gift with my address on the present for you to answer, and tell me if you liked it, but you never answered it. I think the reason for that was because you never received the gifts,’ ‘…I have been a fan of yours since 1950, I even have every book that ever came out with your picture in it,’ ‘there is only one thing I would like you to do for me…is to win the Academy Award for best actress of the year, to show them in Hollywood that your (sic) a real good actress. Everybody tries to imitate you, but they can’t…there is only one Marilyn Monroe, and that’s you.’ The letter is signed, ‘Yours Truly, Pete Monti.’ A photo of Monti in formal attire, together with a female companion, is stapled to the letter. Included also is a typed response to this letter, dated June 19, 1959, reading, ‘Miss Monroe has asked me to thank you most kindly for your birthday remembrance and good wishes. She appreciates your thoughtfulness very much.’ The letter is signed ‘Yours sincerely, Secretary to Marilyn Monroe.’ The letter was likely prepared by May Reis, Monroe’s secretary for several years.” (UNSOLD)
“An undated birthday card to Marilyn from Evelyn Moriarty. Moriarty was Monroe’s stand-in on three films: Let’s Make Love, The Misfits, and Something’s Got To Give.” (SOLD for $750)
“An undated birthday card to Marilyn from Allan ‘Whitey’ Snyder. Snyder was Monroe’s makeup artist from her very first screen-test in 1946 and also for most of her films and public appearances, and even photo shoots.” (SOLD for 5,760)
“An undated birthday card to Marilyn from Augusta and Isidore Miller, the parents of Marilyn’s third husband Arthur Miller. The handwritten message from the Millers reads, ‘And Lots of Mazel + Brucha, Love Mom + Dad.’ In Yiddish this phrase means ‘happiness and blessing.'” (SOLD for $640)
“An undated birthday card to Marilyn from ‘Grace + Daddy,’ the latter being Ervin ‘Doc’ Goddard. Grace’s handwritten note in the card reads, ‘We couldn’t love you more if you were our real daughter.'” (SOLD for $768)
“A handwritten letter to Marilyn and then husband Arthur Miller from Marilyn’s half-sister Berniece Miracle, postmarked April 28, 1960. The letter reads in part, ‘My! How I would love to hear from you and all about what you are doing. I see where Arthur has written a movie, The Misfits. When will the filming start? Hope it’s a big success.'” (SOLD for $1,875)
“A grouping of correspondence to Marilyn from Anne Karger, including three telegrams wishing Marilyn a happy birthday. One telegram is dated June 2, 1957. Interestingly, the other two telegrams are both from 1961, one is dated May 31, and the other is dated June 1. Also included is an undated holiday card with greetings for Christmas and the new year. Anne was the mother of Fred Karger, whom Marilyn fell deeply in love with near the start of her film career. It is widely reported that she had wanted to marry Karger. While the relationship ultimately didn’t last, Marilyn remained very close with his mother. Anne was one of a very few guests from Marilyn’s inner circle who was invited to her funeral.” (SOLD for $1,152)
“A grouping of correspondence to Marilyn from John Moore, including a Western Union telegram dated May 31, 1961, which reads, ‘Wish you were here to celebrate it. Love you.’ This message is likely in reference to Marilyn’s birthday, which was on June 1, the day after the telegram is dated. Also included, an undated, hand-signed Christmas card, and a note that likely accompanied a bouquet of flowers with a message that reads, ‘Will you be my Valentine? John Moore.’ Moore was a fashion designer, interior decorator and close friend of Marilyn’s. He worked for Talmack, and designed many of Marilyn’s clothes; including the gown she wore during the private wedding ceremony in which she married Arthur Miller. He also assisted Marilyn in redecorating the apartment she and Miller shared on East 57th Street in New York City.” (SOLD for $384)
“A one-page handwritten letter to Marilyn from poet and friend Norman Rosten, apparently while he was vacationing in the Arctic Circle. The letter reads in part, ‘This bar of chocolate and paperclip were both bought in this Eskimo village north of the Arctic Circle! Who says the world isn’t round? It’s too round!’ The actual chocolate bar wrapper is affixed to the letter using the aforementioned paperclip. Also included is the original envelope, postmarked January 27, 1959, addressed to Mr. and Mrs. Arthur Miller at 444 East 57th Street, New York, NY.” (SOLD for $640)
“An undated, handwritten note from Joseph M. Schenck to Marilyn, reading simply, ‘Dear Marilyn, I am with you. I know you are right. Joe Schenck.’ Schenck was co-founder of 20th Century Pictures in 1933. When his studio merged with Fox Film Corporation in 1935, Schenck was named chairman. He was an important figure in Marilyn’s early career.” (SOLD for $625)
In 1955, Marilyn famously told broadcaster Dave Garroway that she hoped to retire to Brooklyn. Her friend, poet Norman Rosten, lived at Brooklyn Heights. Brooklyn was also the childhood home of playwright Arthur Miller, who became her third husband in 1956. In an article for the New York Times, Helene Stapinski explores Miller’s lifelong connections to Brooklyn.
“Miller was born in Manhattan and lived as a boy in Harlem in a spacious apartment overlooking Central Park. His father, Isidore, a Jewish émigré from Poland, owned a clothing business that allowed the family a certain level of luxury: three bathrooms, a chauffeur-driven car and a summer place in Far Rockaway.
Before the stock market crash, the business began to fail, and so, in 1928, Isidore and his wife, Augusta — Izzie and Gussie — moved the family to the borough of churches and cheap rents. After a short stint at 1277 Ocean Parkway, the Millers bought for $5,000 a six-room house on East Third Street and Avenue M in the Parkville section, a couple of blocks from Gussie’s family.
After graduating and marrying his college sweetheart, Mary Slattery, Miller returned to Brooklyn in 1940 and moved in with her and her roommates in a seven-room apartment at 62 Montague Street in Brooklyn Heights, an impressive Queen-Anne-style building.
After some financial success with All My Sons, Miller, by then the father of two children, Jane and Robert, bought a four-story brownstone at 31 Grace Court in 1947. The Millers rented out the bottom two floors to the president of the Brooklyn Savings Bank.
Death of a Salesman, which traces the last day in the failed life of an aging, regretful man, was conceived and finished on Grace Court, though the first draft was written in the family’s new country house in Roxbury, Conn., in a studio Miller built himself.
While living on Grace Court, Miller took long walks over the Brooklyn Bridge and under it, to the working docks where he noticed graffiti that said, ‘Dove Pete Panto,’ Italian for ‘Where Is Pete Panto?’
Mr. Panto had been battling the International Longshoremen’s Association, and disappeared, his body eventually turning up in New Jersey. Miller read about Mr. Panto’s case in the press and tried talking to the longies, or longshoremen, on Columbia Street in Red Hook to write a screenplay.
From his waterfront research, Miller wrote The Hook, a screenplay based on Mr. Panto’s life, which he pitched in Hollywood with Elia Kazan in 1951. The screenplay was never produced, but he met Marilyn Monroe on that trip west.
That same year, Miller, tired of being a landlord, sold the Grace Court house to W.E.B. Dubois. He moved with his family to their final home together at 155 Willow Street, a Federal-style, red brick house two blocks from where Truman Capote would soon live.
In his top-floor office, Miller wrote The Crucible and an early version of A View From the Bridge. Trying to be a good husband, and guilty about his feelings for Monroe, Miller installed kitchen cabinets and a tile floor in the hallway.
According to Miller, the marriage was already floundering when he met Monroe. He moved from Brooklyn to Manhattan in 1955, where he spent time in a West Side brownstone and in Monroe’s Waldorf Tower apartment. They eventually moved to a house in Roxbury.
In the spring of 1956, he briefly took up residence in Nevada, divorced his wife and promptly married Monroe. Their marriage lasted five turbulent years, during which he wrote the screenplay for the film The Misfits for her.
Miller remained close to his children, who continued to live on Willow Street with their mother.
After he married Monroe, Miller took her to meet his parents in the house where he had grown up. His sister remembers the neighborhood children climbing on one another’s shoulders to peek through the windows for a look.
‘My mother would open the window and yell at them to go away,’ Ms. Copeland said.
Though Miller moved out of New York and lived in Roxbury for the rest of his life, his work and characters still have that accent that can be found only in Brooklyn, along with particulars of the borough: the Brooklyn Paramount, the bowling alley on Flatbush Avenue, St. Agnes Church and Red Hook, ‘the gullet of New York.'”