Lady Gaga on Pain, Fame and Marilyn

Pop star Lady Gaga has often referenced Marilyn in her work, sometimes with insight and sympathy (as in her past interviews with Vanity Fair and Google, and her ‘Dance in the Dark‘ lyric, ‘Marilyn, Judy, Sylvia/Tell ’em how you feel girls!’) At other times, however, she has depicted MM in a shallow, even crass manner (her ‘Government Hooker‘ song and ‘Do What U Want‘ video.) While she has also experienced the dark side of fame at first hand, her knowledge of Marilyn’s life and character seems rather limited.

Nonetheless, her latest comments about Marilyn – and other stars who died before their time – are quite intriguing, as Olivia Truffaut-Wong reports on the new Netflix documentary, Gaga: Five Foot Two, for Bustle.

“Speaking in her new documentary, Lady Gaga reveals that her wacky fashion choices come out of a desire for control in an industry that loves to take control away from its artists … ‘What I’ve done is that when they wanted me to be sexy or they wanted me to be pop, I always f*cking put some absurd spin on it that made me feel like I’m still in control,’ she says.

In the film, Gaga opens up about how the music industry and Hollywood treats women, particularly how men in positions of power, producers for example, think that female artists are there for their entertainment. ‘That’s not why I’m here. I’m not a receptacle for your pain,’ she says. ‘I’m not just a place for you to put it.’

To counteract those expectations of what a pop star should look like Gaga explains how she decided to show ugliness in fame while performing. ‘If I’m gonna be sexy on the VMAs and sing about the paparazzi,’ she says, ‘I’m gonna do it while I’m bleeding to death and reminding you of what fame did to Marilyn Monroe, the original Norma Jean, and what it did to Anna Nicole Smith.'”

Anna Nicole: Death of a Famous Fan

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Ten years after Anna Nicole Smith’s fatal overdose, Sarah Marshall looks back at the reality TV star’s often scandalous and finally tragic life in an article for Buzzfeed. Anna was a huge fan of Marilyn, and even rented her idol’s final home in Brentwood, Los Angeles for a while. Although she frequently emulated Marilyn’s voluptuous blonde image – most notably in her retro-style ad campaign for Guess – Smith was less an icon of Hollywood than a modern-day tabloid phenomenon. Nonetheless, the parallels between their Cinderella stories are both striking and sad – and if nothing else, Anna Nicole’s untimely demise highlights the emptiness of celebrity worship.

“For the Hollywood origin stories we know to be satisfying, the heroine in question must have no idea she is worthy of such attention until she is suddenly rescued from obscurity. Especially if she is to be remade as America’s next great sex symbol — as Anna Nicole Smith was in 1993, when she suddenly saturated American media, appearing on magazine covers, billboards, and screens of all kinds, and found herself touted as her decade’s Marilyn Monroe.

She also had not just one dream home, but as many as she wanted — though she was never clear on how she was able to afford them, or why her rise to fame had been so lucrative. She moved into a new house in Houston, but city life was still an adjustment (‘When she could not sleep,’ Dan P. Lee wrote in New York magazine, ‘she’d have her favorite sheep brought there from the ranch to cuddle with’). And when Anna went to Los Angeles to meet with all the photographers and directors who suddenly wanted to work with her, she rented a house that Marilyn Monroe had once lived in.

From 1992, when she made her first appearance in Playboy, to her death on Feb. 8, 2007, Anna Nicole Smith occupied the story of the beautiful girl lifted up from the dust, and then the story of the beautiful woman destroyed, and sometimes both. ‘From the moment Anna Nicole got famous,’ reporter Mimi Swartz later wrote in Texas Monthly, ‘she told the world that her role model was Marilyn Monroe. It was a shrewd move, as it linked her image with one of the greatest American icons of all time, and it had a neat logic: one platinum-haired sex symbol taking after another, one poor, deprived child latching onto the success of another.’

‘I can just relate to her,’ Anna said of Marilyn Monroe. ‘Especially after I got my body — then I really could relate to her.’ She seemed to be following in Marilyn’s footsteps less by recreating her famous body than by realizing that a body could be created: that your physical self could be both the tool that rescued you from the world you knew and the shield that protected you from it.

The body that had been too much for the men of Houston was, in the pages of a magazine, suddenly just right. The Guess campaign also marked the moment when her new identity snapped into place, as it was Paul Marciano, Guess president, who rechristened her Anna Nicole. By emulating Marilyn Monroe, who herself seemed to embody her period’s idealized essence of feminine sexuality, Anna Nicole Smith had become, in the words of psychologist James Hollis, ‘an imitation of an imitation,’ unburdened by any troubling specificity.”

Martin Landau on Marilyn, ‘Anna Nicole’

Agnes Bruckner in The Anna Nicole Smith Story

Actor Martin Landau, who met Marilyn at the Actors Studio – and, he says, dated her for a time (see here) – plays oil tycoon J. Howard Marshall in a Lifetime Channel movie, The Anna Nicole Smith Story, which aired on Saturday. (Anna is played by Agnes Bruckner, and the film is directed by Mary Harron, whose credits include American Psycho, I Shot Andy Warhol and The Notorious Bettie Page.)

Anna Nicole Smith – a glamour model turned reality TV star, who first found notoriety when she married the elderly Marshall – was a huge fan of MM. She emulated her blonde bombshell allure, and even lived in her last Brentwood home for a few months.

Sadly, Anna would also die young, and in mysterious circumstances. ‘Anna Nicole Smith dreamed of living large,’ writes Linda Stasi in the New York Post. ‘She dreamed of being Marilyn Monroe. What Smith probably never understood is that her tragic idol wanted to live smaller — or at least smaller than the creation she became.’

Martin Landau discussed the similarities – and differences – between the two women in an interview with Reuters.

“Q: Anna idolized and emulated Marilyn Monroe, which is shown throughout the film. Did working on this movie stir up memories of Monroe for you? I’ve heard you were romantically involved with the actress in the 1950s.

A: Marilyn was unique, which is not to say that Anna Nicole wasn’t. I got to meet Anna Nicole once. Hugh Hefner (Playboy founder) introduced me to her. She was a big girl. When I say big, I mean big. She was big-boned. Everything about her was big, but she was proportioned perfectly.

Marilyn was very complicated. There was a different arc (to their lives) although they both died tragically.

Q: How did you come to be involved with Marilyn Monroe?

A: When she came to New York to study with Lee Strasberg (former Actors Studio artistic director), I was at the Actors Studio. She was in Lee’s private classes, and was also coming to the Studio. She saw me act, and wanted to do a scene with me.

Q: And you started seeing her then? Isn’t the Actors Studio where you also met James Dean?

A: I don’t usually talk about Marilyn or James Dean. I never wanted to use either of them to pump up my career. I didn’t want to be known as ‘Jimmy Dean’s friend’ or ‘Marilyn Monroe’s boyfriend,’ but I saw her just before (she met) Arthur Miller.”

Hollywood Legends at Julien’s

Marilyn graces another auction catalogue cover this week. Julien’s Hollywood Legends sale is set for April 5-6, and includes photographs, documents and a cocktail dress that belonged to MM.

Norma Jeane by David Conover, 1945

 

Marilyn in 1949

UPDATE: Norma Jeane’s 1941 class photo from Emerson Junior High was sold for $1,280

A black velvet belt, probably worn by Marilyn in As Young As You Feel, sold for $2,432

Marilyn-themed suitcase owned by Anna Nicole Smith, sold for $1,024

A New Wrinkle‘ 1953 calendar from Tom Kelley Studio, sold for $1.375

Marilyn’s 1954 script for the unmade film, Horns for the Devil, sold for $1,375

Hairdresser Peter Leonardi’s invitation to the premiere of The Seven Year Itch, sold for $1,408

Red cotton nightshirt owned by Marilyn, sold for $15,000

Nude foundation bra from Marilyn’s ‘I Wanna Be Loved By You‘ dress, sold for $28,800

Marilyn’s 1961 bank savings book, sold for $1,920

Amateur film shot during production of The Misfits, sold for $2,560

8mm film reel showing Marilyn working on a scene with Misfits co-star Thelma Ritter, sold for $3,840

Skull cap trimmed with cabbage rose, worn by Marilyn in There’s No Business Like Show Business, sold for $8,125

Light brown wool cocktail dress from Jax, sold for $25,000

 

Lindsay Lohan’s Monroe Fantasy

Some fans and critics feel that Lindsay Lohan may have taken her Monroe fandom too far with her latest Playboy photo shoot. Margaret Cho, in the Huffington Post, offers a more sympathetic view:

“The pictures of Lindsay are beautiful, as she is a stunningly pretty girl, and all the bad publicity and jail time haven’t changed that, which is the great promise of youth, the enduring freshness that can withstand even head-on collisions with trains. Her derailment hasn’t been drugs or passing out inside hoodies in the front seats of cars or a lack of undergarments or compulsivity around necklaces, though; rather, the myth of the tragic ingénue has been her downfall, and the Playboy photos say it most eloqently.

The sadness I feel about Lindsay has more to do with the media’s casting her as Marilyn Monroe, swaddled in red velvet, sad eyes and vermillion lips, and framing her story as if it has already ended. These magazines constantly show her as if she is already dead, and I feel scared and freaked out and mad, like why can’t they just give this kid a fucking chance?

It is a revival of the terrible trajectory played out by Anna Nicole Smith, an eventuality that I hated seeing and could do nothing to stop, and now it happens again with another beauty, and yet we stand by and just watch as a purse gets stolen and a life gets stolen, and in the face of all this burglary we are witnessing on the world’s stage, we are distracted as our humanity gets stolen right out from under us.”

Variations on Marilyn

The Munsters and their niece, Marilyn

The myriad imitators of Marilyn Monroe have been much-discussed of late. Perhaps the most interesting analysis comes from The AV Club, considering past film portrayals in The Goddess, The Sex Symbol, Insignificance, and Mister Lonely; Marilyn-inspired characters in The Munsters and Gilligan’s Island; famous fans like Anna Nicole Smith and Lindsay Lohan; the music of Marilyn Manson; fictionalisations by Arthur Miller, Norman Mailer, and John Varley’s Gaea trilogy; recreations of Marilyn’s birthday song for President Kennedy, by Madonna and Jennifer Lopez; and the forthcoming NBC series, Smash.

Beauty Culture: The Marilyn Syndrome

Photo by Joe Shere

‘Beauty Culture’, a new exhibition at the Annenberg Space for Photography in Los Angeles, includes a sub-section devoted to Marilyn Monroe and her many imitators.

Photographers Bert Stern, Bob Willoughby, and Joe Shere, who all worked with Marilyn, are listed among the contributors.

“Marilyn Monroe has been awarded her own subtopic — ‘The Marilyn Syndrome’ — in which images of Kate Moss, Lindsey Lohan and Anna Nicole Smith, all channeling Monroe, are displayed with several pictures of the actress. A quote from Gloria Steinem seems to sum up the mystique and status of the late movie star: ‘The woman who died too soon became the woman who would not die.'”

Los Angeles Times

Marilyn’s Ceil Chapman Dress in Las Vegas

Photo by Ethan Miller

Marilyn Monroe’s Ceil Chapman evening gown is displayed next to Anna Nicole Smith’s custom painted Marilyn Monroe dresser at Julien’s Auctions annual summer sale at the Planet Hollywood Resort & Casino June 24-27, 2010, in Las Vegas,Nevada.

Scott Fortner has noted on his blog that while beautiful, the gown is partially damaged due to neglect over the years since Marilyn died. Sadly, this is true of many of Monroe’s former possessions – but still, they continue to sell at high prices. Another Chapman gown belonging to the star sold at Christie’s for $100,000 in 1999.

Some info on Ceil Chapman from Vintage Bulletin:

“Ceil Chapman began her career in New York, her first company was ‘Her Ladyship Gowns’ started in 1940 with partner Gloria [Morgan] Vanderbilt. The she went on to another company labeled ‘A Chapman Original’ which later became simply ‘Ceil Chapman’. She was a popular, talented designer through the early 1960’s. Known for her exquisite draping that enhanced the female form, she became a favorite among many stars of the era, such as Deborah Kerr and Elizabeth Taylor. Rumor has it she was the favorite designer of Marilyn Monroe.

Her specialty was evening, formal wear, done in silks, taffeta, chiffon and organdy, embellished with beading and lace. She designed a great deal for movies and television.”

Julien’s Auctions

Julien’s Auctions are offering property from the personal and professional life of Marilyn Monroe to be auctioned on June 26th and 27th at the Planet Hollywood Resort and Casino, Las Vegas.

A collection of items from the estate of Dr Ralph Greenson, Monroe’s psychiatrist in the last two years of her life, are featured, including a therapy couch from Greenson’s Beverly Hills office, and a chest X-Ray of his famous patient from the early 1950s.

(Some Monroe fans, myself included, may find this more than a little morbid…)

Also on offer are handwritten correspondence between Marilyn and Dr Greenson’s daughter, Joan, then a teenager; and a pink Pucci blouse given by Marilyn to Joan: additionally, there is a chair from Marilyn’s home, a Chanel No. 5 bottle owned by the star, an early portrait by David Conover, and snaps taken by servicemen during Monroe’s 1954 trip to Korea.

An interesting sidenote: items from the personal estate of Anna Nicole Smith are also up for auction. Smith, a glamour model and tabloid favourite until her tragic death in 2007, was an ardent Monroe fan and even lived in the star’s last home for a while.

For those unable to attend the auction in person, bids will also be taken online (in real time) and by telephone. Alternatively, interested parties can order a full ‘Hollywood Legends’ catalogue for the rather grand price of $100.

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