Filmmaker Andrew Dominik’s long-awaited adaptation of Blonde, Joyce Carol Oates’ controversial novel, has hit another roadblock, Jordan Raup reports for The Film Stage. In August 2016, Dominik announced that he would produce Blonde for Netflix – but later admitted it was ‘not a done deal.’ Although high-profile actresses like Naomi Watts and Jessica Chastain were previously mooted to play MM, Dominik still hasn’t settled on a leading lady, and he will soon direct Tom Hardy in War Party, also for Netflix.
While Blonde was a hit among the literati, some fans found Oates’ casual disregard for the facts of Marilyn’s life hard to swallow. And a 2002 TV mini-series also received mixed reviews.
Despite reports this summer that filmmaker Andrew Dominik’s long-mooted adaptation of Blonde, Joyce Carol Oates’ controversial novel about Marilyn, would be produced for Netflix in 2017, it is “not a done deal,” as Dominik admits in a new interview for Collider. (Criticised by MM fans for its factual liberties, Blonde will be available via Kindle for the first time in English next March – so if you haven’t read it yet, judge for yourself.)
“When I spoke to you for Killing Them Softly, you were going to do Blonde next, but that was back in 2012. We’ve recently heard that Netflix was going to step in and finance that, so are you finally going to go into production on that film?
DOMINIK: I don’t know. I hope so, but it’s not, in any way, a done deal.
So, you don’t have a possible production date yet?
What is it about that film and that story that’s made you stick with it all this time, and still want to get it made?
DOMINIK: I think that Blonde will be one of the ten best movies ever made. That’s why I want to do it.
Why do you think that is?
DOMINIK: It’s a film about the human condition. It tells the story of how a childhood trauma shapes an adult who’s split between a public and a private self. It’s basically the story of every human being, but it’s using a certain sense of association that we have with something very familiar, just through media exposure. It takes all of those things and turns the meanings of them inside out, according to how she feels, which is basically how we live. It’s how we all operate in the world. It just seems to me to be very resonant. I think the project has got a lot of really exciting possibilities, in terms of what can be done, cinematically.
Are you still hoping to have Jessica Chastain play Marilyn Monroe, or will you have to recast the role once you finally get a firm start date?
DOMINIK: Well, it’s a chicken and the egg type of thing. But, I don’t think it’s going to be Jessica Chastain.”
After several years of planning, acclaimed filmmaker Andrew Dominik will direct his adaptation of Blonde, Joyce Carol Oates’ controversial novel about Marilyn, for Netflix in 2017, as Jordan Raup reports for The Film Stage.
“Dominik confirms rumors that Netflix is backing the film, with New Regency Pictures and Plan B previously on board. While Jessica Chastain was previously set to star, and Naomi Watts before her, Dominik says neither are attached anymore and that he’ll cast a new actress, to be announced this January.
Based on the Joyce Carol Oates novel, he told us, ‘Blonde‘s interesting because it has very little dialogue in it. My previous three movies have relied on a lot of talking and I don’t think there’s a scene in Blonde that’s longer than two pages. I’m really excited about doing a movie that’s an avalanche of images and events. It’s just a different way. It’s a different thing for me to do. And the main character is female. My films are fairly bereft of woman and now I’m imagining what it’s like to be one.’
He adds, ‘My idea with the film is to make something a little more accessible than what I’ve done before. It moves a bit faster.'”
UPDATE: Immortal Marilyn has blogged about Blonde, outlying the potential problems of a fictional ‘biopic’.
Director Andrew Dominik is still planning to film Joyce Carol Oates’ novel, Blonde – to be produced by Brad Pitt’s Plan B company – but with a new leading lady. The Wrapreports today thatinsider sources are suggesting Naomi Watts is out of the picture, with Jessica Chastain now in the running. According to a thread on the IMDB message board, Dominik revealed his new favourite in February.
“Dominik adapted Blonde on spec and his agency, CAA, will represent the film’s domestic distribution rights.
Worldview Entertainment optioned the long-gestating project in May 2013, and will produce the film with Brad Pitt and Dede Gardner’s company Plan B — which according to the LA Times, boarded the project in June 2012.”
At first glance, Chastain is not an obvious choice to play Marilyn. However, her performance in The Help as Celia Foote, a character whom some have speculated may be based on MM, earned her an Oscar nomination.
My own misgivings about this project do not concern the actress or the director, who are both very accomplished, but the source material. While Joyce Carol Oates is one of America’s most prominent writers, Blonde is less of a biographical novel than a brand of speculative fiction. It was previously adapted for television in 2002, to mixed reviews.
The big-screen adaptation of Joyce Carol Oates‘s Blonde, which director Andrew Dominik has been talking up for a while now, has been optioned by Worldview Entertainment at this year’s Cannes Film Festival, reports Deadline.
Andrew Dominik (Killing Them Softly) confirmed his plans to direct Naomi Watts in a long-rumoured, big-screen adaptation of Joyce Carol Oates’ novel, Blonde, in a recent interview with The Playlist. (It will be produced by Brad Pitt’s Plan B company.)
While I’m impressed by the talent involved, I still wish Oates’ story was more faithful to historical fact. Like many fans I’ve spoken to, I’m concerned that this movie – however well-intended – may only add to the misunderstandings about Marilyn’s life.
“‘I’m going to do this movie called Blonde,’ which is about Marilyn Monroe,’ Dominik said.
As to the scope of Blonde, don’t expect a Lincoln-like sliver of the troubled star’s life. ‘It’s about her whole life,’ Dominik said, definitively. ‘It starts when she’s seven and it ends when she dies.’ Dominik acknowledged that it will be based on the Pulitzer Prize and National Book Award nominated novel by Joyce Carol Oates, then clarified his approach to the material. ‘It’s sort of a Polanski descent-into-madness-type movie,’ Dominik explained. ‘It’s about this orphan girl who gets lost in the woods.’
Those comments echo his earlier description of the movie as an ’emotional nightmare fairy tale,’ and Dominik sounds genuinely excited about the project. ‘I love it,’ he said. ‘It’s my dream project and I’ve been working on it for years and years and years.’
When we asked Dominik if he was going to push, visually, into the realm of what-is-reality-what-is-fantasy, Dominik said yes. ‘It’s very pseudo-Freudian,’ he said. ‘The lines between fantasy and reality become very blurred in the story.’ About when the film will actually shoot, Dominik optimistically says, ‘I’d like to do it next year.’ He says he hasn’t hired a cinematographer yet, but that Naomi Watts— who was attached early on, but over the summer seemed like she might have to bow out — is still on board, although, as he said, ‘Anything can happen.’
We wondered though, if he has another project ready to go, should Blonde face another delay). Dominik says no. ‘It’s pretty much all about Marilyn at the moment,’ he said.”
Collider reports that Brad Pitt’s Plan B company will produce Andrew Dominik’s forthcoming film of Blonde, based on the novel by Joyce Carol Oates about Marilyn’s life. Filming will probably begin early next year. But it is unclear whether Naomi Watts – who is about to play Princess Diana in another movie – is still attached to the project.
This Bert Stern-inspired photo of Naomi Watts, published in the latest issue of Russian Vogue, suggests that the Australian-born actress hasn’t given up on her long-held dream of playing Marilyn.
Director Andrew Dominik spoke of his hope to bring Joyce Carol Oates’s novel, Blonde, to the big screen at Cannes this week:
‘”I really want to do [‘Blonde’],” he said. “It’s not something I can talk about, ’cause we’re trying to work some stuff out, but hopefully that’s going to be the next picture.” And when we asked about possible Cormac McCarthy adaptation “Cities of the Plain,” Dominik replied that the Monroe biopic has the advantage: “I like that one, but my heart belongs to Marilyn. I’d like to start shooting it next year, that’s what I’d like to do. It’s a really sprawling, emotional nightmare fairy-tale type movie, and I really want to do it real bad… It’s a story about an abandoned orphan who gets lost in the woods.”‘ – IndieWire
Andrew Dominik‘s big-screen adaptation of Blonde, previously said to start shooting in January 2011, may be postponed, after Casey Affleck confirmed he will be working with Dominik on a crime movie at that date, according to the Film School Rejects blog.
Blondewill be based on Joyce Carol Oates‘ 2000 novel of the same name, about the life of Marilyn Monroe. It was generally well-received by critics, with some even calling it Oates’ masterpiece. However, its reception among Monroe fans has been more mixed, because of its fairly loose relation to the facts of Marilyn’s life.
In 2001, Blonde was adapted for television, with Poppy Montgomery (Without a Trace) as Monroe. While her performance was good, the mini-series was widely considered to be a disappointment.
Last May, Dominik’s more ambitious plans to remake Blonde were outlined in Screen Daily:
“Dominik, who last directed The Assassination of Jesse James by the Coward Robert Ford, explains his desire to make Blonde: ‘Why is Marilyn Monroe the great female icon of the 20th Century? For men she is an object of sexual desire that is desperately in need of rescue. For women, she embodies all the injustices visited upon the feminine, a sister, a Cinderella, consigned to live among the ashes.’
He added, ‘I want to tell the story of Norma Jean as a central figure in a fairytale; an orphan child lost in the woods of Hollywood, being consumed by that great icon of the twentieth century.’
Wild Bunch’s Vincent Maraval told Screen, ‘We are delighted to finally be working with Andrew Dominik who is one of the most talented young directors in world cinema today. We trust his vision to deliver us a Marilyn biopic which will not be a classic one but a modern Raging Bull which will explore one of the most iconic figures of this century. Whilst the tabloid press has grown in popularity by taking advantage of such tragedies, we at Wild Bunch are seduced by the humanity, the emotion and the tragic destiny of such a powerful character.’”
Dominik’s last film as writer/director, The Assassination of Jesse James by the Coward Robert Ford (2007) was highly praised, showing dramatic flair and a keen understanding of American mythology. And Oates’ Blonde is certainly a novel written on a grand scale.
Naomi Watts is slated to star as Marilyn, and though she is a little on the ‘waiflike’ side, her earlier performances in Mulholland Drive and The Painted Veil suggest that Watts has the acting chops to evoke Monroe’s unique combination of mystique and vulnerability.
Like My Week With Marilyn, also due to be filmed shortly, Blonde boasts a gifted actress and director, but the source material is more contentious. Monroe herself is such a fabled figure in the history of cinema that the reality of her life and character is too often over-simplified.
‘It’s scary, playing someone so iconic, whom everyone feels they know,’ Watts has admitted, reports Start Movie News.