Streaming the Classics With Marilyn

Marilyn in the spotlight on Filmstruck

‘Can you be a film buff in a streaming world?’ Andrew Clarke asks, in his arts column for the East Anglian Daily Times. (Clarke has written before of his admiration for Marilyn, in a 2017 article for the Ipswich Star.) Most of her major movies – and several documentaries – are available on Amazon Prime, but subscription services tend to favour contemporary films. All About Eve is the only Marilyn film currently available on Netflix, while the more specialist Filmstruck has The Prince and the Showgirl.

“The early 2000s proved to be a golden age for the film buff getting new prints of classic films by such stars as Marilyn Monroe (The Seven Year Itch and Some Like It Hot) … Streaming makes access to films easier but the companies have to make sure that those historic titles are both preserved and made available for our children and grandchilden to enjoy. Great films never go out of fashion.”

The Secret of Marilyn’s Timeless Appeal

Marilyn in  ‘River of No Return’ (1954)

In an insightful piece for the Ipswich Star, arts editor Andrew Clarke suggests that the reason for Marilyn’s enduring fame is not merely because of her beauty and dying young, but also her talent and charisma, best seen in her movies.

“The reason that Marilyn continues to be an international star, long-after her death, is a combination of good looks, striking personality and a fine actress. Once she hit her stride she also made some brilliant films, films that have become classics and still entertain audiences 60 years after they were made.

Films like Some Like It Hot and Seven Year Itch remain as bright and effervescent as the day they were made. If you research some of Marilyn’s lesser known films like Niagara or How To Marry A Millionaire with Lauren Bacall then you will find the performance and the material equally good.

Examination of her dramatic films such Bus Stop and The Misfits reveals a talented, thoughtful actress who connects with the character and with her audience. In these films, more so than her comedies, she played a character probably more akin to the real Marilyn, a vulnerable, emotionally exposed individual trying to find her place in the world.”