Marilyn Sightings in L.A., Madrid

Fans have posted their latest Monroe sightings on the Marilyn Remembered Facebook group. Firstly, ChadMichael Christian Morrissette found this mural (based on Alfred Eisenstadt’s famous 1953 photo of Marilyn) on Highland in Hollywood.

And secondly, Lorenzo Presti spotted Marilyn gracing the cover of the ironically-titled Marilyn Had Eleven Fingers On Her Feet, a book of Hollywood-themed paintings by artist Maria Herreros on sale in Madrid. This portrait was inspired by Milton Greene’s 1953 Laurel canyon series. And of course, Marilyn had no extra fingers, or toes – this rumour was debunked by Snopes.

Incidentally, another of Maria’s portraits – based on another shot of Marilyn by Eisenstadt – is featured on the cover of Autobiografía de Marilyn Monroe, a novel by Rafael Reig.

Marilyn Magazine Mania in Europe

This photo by George Barris, taken in July 1962 – often said to be the last professional photo of Marilyn – graces the cover of Polish magazine Zwierciadlo this month.

In Hungary, Marilyn (as photographed by Alfred Eisenstadt in 1953) makes the cover of July’s Meglepetes Retro, while a Sam Shaw photo covered another Hungarian magazine in June.

As well as the recent New Literary Magazine, Marilyn graced another French magazine cover in June.

And finally, Marilyn (and her favourite singer, Ella Fitzgerald) covered a Romanian magazine in May.

Alfred Eisensenstaedt Exhibit in NYC

A retrospective for Alfred Eisenstaedt – known as the ‘father of photojournalism’ – will open at New York’s Robert Mann Gallery tomorrow through April 27.

“In 1935, Eisenstaedt decided to emigrate to the United States, as magazines in Germany began to shutdown with the rise of Hitler. He settled in New York where he became one of the first four photographers hired by LIFE Magazine. Eisenstaedt’s coverage of Hollywood in the 1930’s is some of his most quintessential work, photographing stars such as Bette Davis, Katherine Hepburn and Sophia Loren, who is known to be one of his favorite subjects. He photographed Marilyn Monroe on a small patio behind her home in Hollywood in 1953, capturing her in Rembrandt-inspired light that beautifully emphasized the unparalleled Marilyn mystique—femininity, naiveté and sexuality.

‘Timeless Marilyn’ in Bury St. Edmunds

Marilyn Monroe: Timeless, a new photo exhibition, has opened at Moyse’s Hall Museum in Bury St. Edmund’s, Suffolk, following a preview performance by lookalike Suzie Kennedy last night. Among the artists featured are Alfred Eisenstadt, Frank Powolny, Philippe Halsman, Elliott Erwitt, Milton Greene, Bert Stern and George Barris. Additionally, a silver-framed triptych of portraits and text by Cecil Beaton (a wedding gift to Marilyn and Arthur Miller from Joshua and Nedda Logan in 1956), is also on display (see video here.)

Arts editor and MM fan Andrew Clarke has reviewed the exhibit for the East Anglian Daily Times.  (The lovely image below, credited in the article to Andre de Dienes, was actually taken by Joseph Jasgur in 1946.)

“Part of her enduring appeal can be put down to the fact that she is adored by women (particularly young women) as much as she is by men. This is down to the fact that she was a strong woman, who refused to bow to the studio system, went to work on her terms, and was always looking to improve herself … She loved the camera and she recognised its value and the support it gave her, even at her lowest moments. Even when she had been fired from her unfinished film Something’s Got To Give, opposite Dean Martin, she commissioned at least two photo-sessions to not only keep her name before her loyal public, but to let them know she was evolving and moving on.”

In the same article, Clarke also interviews curator Brian White of Kudos Memorabilia…

“One of our personal favourites, however, is a bewitching black and white portrait of Marilyn, from 1953, by famed portrait photographer, Alfred Eisenstaedt (1898-1995). Marilyn, age 26, is posing informally in a simple black pullover and white slacks. Her nuanced expression is exquisite, and her warm, yet casual, intimacy, combined with an almost palpable vulnerability, memorialises an authentic Marilyn that many studio photographers failed to capture. This image was originally shot by ‘Eisie’ as a potential cover image for Life Magazine. At the time, editors considered it to be too understated to make the grade, but, every year since 1953, this image has grown in prestige amongst collectors of classic Marilyn Monroe photography. This beautiful silver gelatine print also features Eisenstaedt’s personal signature.”

British Press Goes Mad for Marilyn

British fans can expect lots of media coverage for Marilyn this month. In this week’s issue of free magazine Stylist, Rhiannon Lucy Coslett interviews gallery director Amy Thornett about Up Close With Marilyn, the exhibition of Milton Greene photos at London’s Proud Central  until June 24. You can read it here, or buy a copy (N415) for just £1 from Newsstand (shipping costs may vary outside the UK.)

And in the latest issue of The Lady (dated May 11), ‘Marilyn Monroe: An Unlikely Feminist’, a four-page article by Michelle Morgan, author of The Girl (just published in the US, and coming to our shores very soon), is accompanied by more Greene photos.

Finally, Alfred Eisenstadt’s 1953 portrait of Marilyn is featured in today’s Daily Mail, in a review of a new book by Ian Haydn Smith, The Short Story of Photography.

Thanks to Fraser, Valerie and Nicola at Marilyn Remembered

UPDATE: Here’s a few more…

From ‘Amateur Photographer’ magazine

Alexis Fraser: Marilyn in Lipstick

Artist Alexis Fraser was inspired by Marilyn to use lipsticks in her paintings, as Mary Anderson reports for Revelist.

“‘I was challenged by a client to create a larger than life portrait of Marilyn Monroe but in a non-traditional medium,’ Fraser told Revelist via email. ‘The catch however, was that the medium/technique needed to correlate with Marilyn!’

Advertisers Take Marilyn to the Superbowl

Marilyn by Alfred Eisenstadt, 1953

Following the Snickers ad featuring Marilyn and Willem Dafoe, last night’s Superbowl included two further references to MM. The first was a coda to the Snickers ad, with Eugene Levy playing the ‘fan guy’, reports Adweek. (And if you’re wondering how Marilyn made it into the original clip, Bustle has some suggestions.)

“‘You wouldn’t have Hollywood history without the fan guy,’ Levy said in a statement. ‘It was an honor to portray one of Tinsel Town’s forgotten heroes. Marilyn Monroe might’ve been looking down at him, but every guy in America was looking up to that stage hand.'”

Meanwhile, Alfred Eisenstadt’s 1953 portrait of Marilyn – representing beauty – appeared in another Superbowl commercial for Fiat Chrysler’s Jeep brand, AdAge reports. This is not a first – footage of Marilyn was used in Bob Dylan’s Chrysler ad for the Superbowl back in 2014.

“‘Portraits,” which aired during the halftime show, looks backwards, weaving in references to Jeep’s 1941 roots as a military vehicle created for Allied soldiers in World War II. The spot uses 60 images from around the world, including photos of famous people who have links to Jeep … Ms. Monroe — who also starred posthumously in a Snickers Super Bowl ad this year — is connected to Jeep via a honeymoon trip she took to Korea with Joe DiMaggio in the wake of the Korean War.”

The Secret Life of ‘LIFE’

Marilyn, as photographed by Alfred Eisenstadt (1953)

If you’re wondering why you’ve never seen this magazine cover before, that’s because it was never published. In fact, it’s one of several mock-ups featured in The Secret Life of Walter Mitty, the latest big-screen adaptation of James Thurber’s classic short story, starring Ben Stiller as the hapless daydreamer. You can view a selection of fantasy Life covers here.

Pictured below: Marilyn with Danny Kaye, who first played Mitty in 1947; and a selection of actual Life covers (the one in the middle is a special tribute issue from 2009, reviewed here.)