When Norm Met Marilyn

This rare candid photo has a ‘meet-cute’ story behind it, as explained by blogger Posh Todd

“Never-before-seen photo of Marilyn Monroe, taken in Banff, Alberta, in 1953 when she was filming Otto Preminger’s River of No Return. The gentlemen in the photo is Norm Charach, the beloved late father of my jeweler, Marty Charach, of Broadway Jewelers, 943 West Broadway. Norm was waiting to use a pay phone to phone his wife Evelyn, who was then pregnant with Marty. Marilyn was waiting her turn to use the pay phone to call Joe DiMaggio, and Norm and Marilyn struck up a conversation, and voila, history was made.”

Another scan…

This colour candid may have been taken on the same day, with another fan…

UPDATE: The man in the photo seen above has been identified as Sandy Robinson, a resident of Jasper (more info here.)

Jasper Remembers Marilyn

Photo by Ray O’Neill, August 1953

River of No Return will be screened today at 5pm in Jasper Museum, in Alberta, Canada, where scenes from the movie were filmed. There will also be a Marilyn Merlot tasting – and if you buy tickets for both events, you’ll also be entered into a draw for a train ride from Jasper to Edmonton, passing the Snake Indian River.

‘His Summer With Marilyn’

Over at Chicago Now, an article about the painter Phillip Renaud, who was working as a night clerk at the Jasper Park Lodge in Alberta, Canada in 1953, while Marilyn was filming River of No Return:

‘Phil saw Marilyn every day, although he recalled she didn’t mingle much with the rest of the cast or the crew. He was struck by her youth (late 20s), beauty, and a kind of vulnerability that made everyone want to protect her. But, unlike the other males on the set (and later Colin Clark), Phil did not fall madly in love with Marilyn. He was already captivated by a secretary to the hotel manager—an older woman of 31—whom he described as “really something”…

…But back to Marilyn. Phil recalled a night when he saw her walking forlornly to her quarters away from the main lodge. Seems she had been denied admittance to the formal dining room by a haughty maitre’d  because she was unescorted and she was wearing pants. In those days, respectable women (with the possible exception of Katherine Hepburn, who may or may not have been so respectable) did not wear slacks in public restaurants. Marilyn did not pull a “do you know who I am” act. Nor did she change into a dress and go back to the dining room. And Phil did not follow her to offer comfort or companionship. He stayed on duty, and she chose to order room service and eat alone.

If Phil were with us today, I’m sure he’d chuckle at the cinematic depiction of Clark’s lifelong obsession with Marilyn. And he would remember the time when he could easily have been in that young man’s shoes, but chose, instead, to walk away. Phil went on to art school and became one of the great painters of our time.’