Mathilde Krim 1926-2018

Dr Mathilde Krim, a pioneering geneticist and campaigner for AIDS research, has died aged 91, the New York Times reports.

Born in Italy, she studied in Geneva and worked in Israel before moving to New York. In 1958 she married entertainment lawyer Arthur B. Krim, head of United Artists (the independent studio that produced Some Like It Hot and The Misfits.)

John F. Kennedy chats with comedian Jimmy Durante at a party in the Krims’ apartment on the president’s 45th birthday, May 19 1962. (Mathilde Krim is standing behind them)

On May 19, 1962, the Krims hosted a party at their home on East 69th Street for performers and selected guests from President John F. Kennedy’s 45th birthday gala – including JFK and brother Bobby, Maria Callas, Jack Benny, Shirley MacLaine and Marilyn.

Marilyn and other guests listen to Diahann Carroll singing at the Krims’ apartment

During the 1960s, the Krims supported the civil rights movement, enlisting celebrities to the cause. They also campaigned for independence in Rhodesia and South Africa, gay rights and other civil liberties. Arthur Krim died in 1994.

In 1985, Mathilde formed the American Foundation for AIDS Research (AmfAR), with actress Elizabeth Taylor as International Chairwoman. Among their many successful programs are the promotion of needle exchanges, and encouraging condom use and other safe sex practices.

Mathilde was awarded the Presidential Medal of Freedom by Bill Clinton in 2000, and in 2014, AmfAR hosted a Marilyn-themed Cinema Against AIDS gala at the Cannes Film Festival.

Switched On: Marilyn in the Sixties

This photo of Marilyn boarding a Pan-Am flight to Mexico City at Miami International Airport on February 21, 1962 is published in a new book, Switched On: Women Who Revolutionised Style in the 60s, by David Wills, author of MM: Metamorphosis and Marilyn in the Flash.

“MM’s personal style loosened up in the last months of her life, as she played a wife and mother for the first time in the aborted Something’s Got to Give. Now paler, blonder and more refined – her features and body transformed by an extreme weight loss – she resembled a beautiful ghost. Marilyn indulged her fondness for Pucci prints, Jax slacks, and Ferragamo high-heel mules, perhaps sensing in her new home life – in the first home she ever owned – a saner existence within reach. This was not to be: a Hollywood legendary was made tragically eternal instead.”

Here are some more photos from the same day, including one of Marilyn kissing goodbye to Joe DiMaggio.

Marilyn will also feature in Wills’ next book, Hollywood Beach Beauties: Sea Sirens, Sun Goddesses, and Summer Style 1930-1970, due for release in June 2018.

Hollywood Beach Beauties highlights the sexy, carefree attitude of the summer, the elegant seaside couture, and the enchanting and alluring beauty of the female form. Included here are candid and stylish photographs featuring stars of yesterday such as Elizabeth Taylor, Rita Hayworth, Audrey Hepburn, Marilyn Monroe, Brigitte Bardot, Sharon Tate, Raquel Welch, Sophia Loren, Dorothy Dandridge, and Nancy Sinatra.”

Documentary Rehashes Marilyn UFO Rumour

Marilyn by Bert Stern, 1962

Unacknowleged, a new documentary about UFOs written and directed by Michael Mazzola, rehashes a very old rumour: that the Kennedys ordered Marilyn’s death because she threatened to tell the secrets she knew about an alleged UFO incident at Roswell, New Mexico. You can view a clip here.

This 2011 article by Nick Redfern for the Mysterious Universe website sums up an outlandish, and (in my opinion) highly improbable conspiracy theory.

“By far the most controversial piece of unauthenticated documentation pertaining to UFOs concerns none other than the late Hollywood legend, Marilyn Monroe. It was during a press conference in 1995 that Milo Speriglio – an investigative author now deceased, who wrote three books on Monroe’s death: The Marilyn Conspiracy; Marilyn Monroe: Murder Cover-Up; and Crypt 33: The Saga of Marilyn Monroe – revealed the document to the world’s press.

Incredibly, according to the document, which surfaced via a California-based researcher of UFOs named Timothy Cooper, President John F. Kennedy had guardedly informed Monroe that he had secret knowledge of the controversial incident at Roswell, New Mexico in July 1947. As a result of Kennedy’s revelations to Monroe, the CIA took keen note of any and all developments as the story progressed. Or, at least, that is what we are led to believe, and what the document implies.

The bulk of the contents of the document are focused upon telephone conversations between Howard Rothberg, the former owner of a New York-based antique store, and Dorothy Kilgallen, the well-known celebrity gossip columnist of the 1950s and 1960s, who was herself the subject of a secret 167-page FBI file.

According to Speriglio: ‘[Rothberg] also dealt with a lot of photographers who used to film Marilyn. He got a lot of information about her from them, and he would feed it to Dorothy Kilgallen.’ Interestingly, Speriglio also revealed that the document was the subject of an investigation that was being undertaken by no less than ‘two federal agencies.’ To date, however, the names of those specific agencies have not been revealed.

When the document surfaced, Vicki Ecker, then the editor of UFO Magazine, said: ‘To put it succinctly, the document suggests that on the day she died, Monroe was going to hold her own press conference, where she was planning to spill the beans about, amongst other things, JFK’s secret knowledge of UFOs and dead aliens.’

Indeed, the document, ominously dated only two days before Monroe’s controversial death on August 5, 1962, tells the whole, remarkable story. Notably, at the top of the page it clearly states: ‘References: MOON DUST, Project’ (which was a genuine U.S. operation designed to capture, understand, and exploit overseas advanced technologies, such as Soviet spy-satellites.)

But, with all that said, where are things at today with respect to this most curious and extremely controversial document? Well, Tim Cooper left the UFO scene years ago, and has utterly washed his hands of the document – as well as many other questionable documents on crashed UFOs that he secured from Deep Throat-type sources in the 1990s.

And the CIA? The Agency officially denies having any files, at all, on the Hollywood hotty – despite the ironic fact that the very first document in the FBI’s ‘Monroe File’ was copied to the CIA! As for the players in the saga, they’re all gone to their graves.”

Julian Wasser: ‘The Way We Were’

Marilyn at the Golden Globes, 1962. Photo by Julian Wasser
Marilyn at the Golden Globes, 1962. Photo by Julian Wasser

This photo of Marilyn attending the Golden Globes in 1962 – one of her final public appearances, to accept an award as ‘World Film Favourite’ – is included in The Way We Were, a new book of photos by Julian Wasser, capturing Hollywood in the 1960s. It was taken after Wasser moved to Los Angeles, working on assignment for Time and Life, reports NY Magazine. 

Marilyn (and Dorothy) at the Plaza

One of Marilyn’s favourite New York hangouts was the Plaza Hotel, where in February 1956, she held a press conference with Sir Laurence Olivier – and, much to his amazement, chaos erupted when the strap on his co-star’s dress broke!

John F. Doscher, a bartender (or ‘mixologist’) at the Plaza during the fifties, remembers Marilyn and other stars in his new book, The Back of the Housereports Hernando Today.

“Take for instance his va-va-va voom encounter with Marilyn Monroe. The starlet stayed at the hotel numerous times.

Doscher said he was awestruck by the entourage of photographers, hair stylists and makeup artists accompanying Miss Monroe each time she came in.

‘They were from Life, Look and Photoplay magazines, all there for photo opps, he said, early paparazzis, you know?’

One day Monroe was having a late breakfast in what was the Edwardian Room and sitting by the window overlooking Central Park South. A few tables away with her back to Monroe sat Plaza-regular New York newspaper columnist, Dorothy Kilgallen.

Working the bar that day in the Edwardian, Doscher mentioned to Kilgallen that Monroe was sitting by the window. Kilgallen, he said, ‘Let out a “harrumph” and said, ‘Yes. I saw her. She looks like an unmade bed.’

‘Apparently, there was some animosity there,’ Doscher observed. ‘I mean, Marilyn Monroe has been described many ways in her lifetime, but never the description Kilgallen offered.'”

Marilyn with Dorothy Kilgallen, 1960

Dorothy Kilgallen was a syndicated newspaper columnist. In 1952, she reported that journalist Robert Slatzer was a rival to Joe DiMaggio for Marilyn’s affections. (Slatzer has since become a notorious figure in Monroe history, and biographer Donald Spoto considers him a fraud.)

After Gentlemen Prefer Blondes was released in 1953, a sceptical Kilgallen wrote to Darryl F. Zanuck, asking him to confirm that Marilyn’s singing was her own voice, which he did.

Needless to say, none of this endeared her to Marilyn, and in his essay, A Beautiful Child, Truman Capote wrote that MM had described Kilgallen as a drunk who hated her.

Kilgallen lived near the summer house where Marilyn and Arthur Miller stayed in 1957. In 1960, she was photographed with Marilyn at a press conference for Let’s Make Love.

Just days before Marilyn died, Kilgallen alluded to the star’s affair with a prominent man in her column. In the following weeks, she tried to investigate the circumstances behind Monroe’s death – particularly her alleged links to the Kennedy brothers.

In 1965, 53 year-old Kilgallen was found dead in her New York apartment, having overdosed on alcohol and barbiturates, and also having possibly suffered a heart attack.

However, some conspiracy theorists think Kilgallen was murdered, because of her critical comments about the US government.

 

Spanish Authors Remember Marilyn

Marilyn Monroe’s native city, Los Angeles, was once part of Mexico, and her final home in the city was built, and decorated, in the style of an authentic villa. In 1962, a few months before her death, Marilyn visited Mexico and fell in love with its art and culture instantly.

The Spanish have always had a soft spot for Marilyn. Artist and writer Frederic Cabanas has published several books about his muse, including Marilyn in Spain.

Perhaps it’s not surprising, then, that some of the best, non-English books on MM have come from Spanish-speaking countries. In the last year, My Story has been published in Spanish; and two intriguing titles, Vintage ’62: Marilyn y Otros Monstruos, and Por el Cielo, Norma Jeane: El deseo concedido de Marilyn Monroe.

Por Cielo, Norma Jeane loosely translates as Norma Jeane in Heaven.  Francisco Catena Fernandez describes his novel as a meditation on life after death, and a love story.

Vintage ’62 is an anthology of short stories by various authors, and its subtitle translates as Marilyn and Other Monsters. Its remit encompasses not just MM, but a selection of famous people who died in 1962, including Charles Laughton and Isak Dinesen, who both knew Monroe.

The stories featured include Marilyn and the Invasion of the Body-Snatchers‘, by Mario Escobar; and ‘River of No Return‘, by Rafael Marin.

 

Dean Chance Remembers Marilyn

 

Dean Chance, ‘perhaps the greatest high school pitcher ever’, was at the Dodger Stadium on Marilyn’s last birthday, when she attended a benefit match for Muscular Dystrophy, reports the Washington Examiner.

‘”In 1962, we’re playing a game in Dodger Stadium on June 1. They put up on the big scoreboard, ‘Today a special happy birthday!'” he said. “I was thinking it was mine. But who was it? Marilyn Monroe. The only time I ever met her.”‘

Nick Ray’s Long Goodbye

 The final extract from Patrick McGilligan’s Nicholas Ray: The Glorious Failure of an American Director concerns Ray’s reaction to Marilyn’s death.

Ray was filming 55 Days at Peking in Spain when he heard the news. (The magazine cover above shows a rather gossipy Confidential article about Marilyn and Ray from 1956, available to read at Everlasting Star.)

“The first week of August brought the bulletin that Ray’s old flame Marilyn Monroe had been found dead in the bedroom of her Brentwood home. More than Humphrey Bogart’s death, Monroe’s sudden passing, at thirty-six, seemed a personal augury to Ray. He had loved the blond sex symbol, for her obvious qualities but all the more for her elusiveness; now he would never have the chance to direct her in a motion picture. Monroe’s death left Ray ‘deeply shocked and grieved,’ according to news accounts, but the director could not leave the high-pressure filming in Spain and had to content himself with sending a floral display to her funeral.”

In later years, Ray criticised John Huston’s direction of The Misfits:

“In interviews, Ray himself tended to denigrate certain filmmakers by name. Though, for example, he praised Marilyn Monroe’s last picture, ‘The Misfits’, directed by John Huston, Ray said it was ‘not as good as The Lusty Men,’ his rodeo film.”