Marilyn’s first screen role, in Scudda Hoo! Scudda Hay! is featured in a list of movie stars who got their start as bit players and extras. Filmed in March 1947 – six months into Marilyn’s contract with Twentieth Century Fox – the film would not be released for another year. As ‘Betty’, Marilyn can be seen briefly in one scene. Leaving a church service, she says ‘Hi, Rad!’ to leading lady June Haver. Marilyn’s only other scene, where she and fellow starlet Colleen Townsend row a boat across a lake and chat with some local boys, was cut – although several stills from the production have survived.
Marilyn would play a slightly more substantial role in Dangerous Years before being dropped by Fox in July. Despite her minimal presence, Marilyn also posed for a series of ‘bathing beauty’ shots to promote the movie. More than half of her screen credits were made before she reached star status (not to mention a couple of other films which used her image without active participation), and while it has been rumored that she was also an anonymous ‘extra’ in several other movies, this remains unconfirmed.
Alongside A Ticket to Tomahawk (1950), Scudda Hoo! Scudda Hay! is the only one of her early films made in Technicolor, and a surprisingly enjoyable slice of rural Americana, with a young Natalie Wood, plus stellar character actors Walter Brennan and Anne Revere among the cast. Lon McCallister, who also appeared in Marilyn’s boating scene, later joined her during the Love Happy promotional tour.
The unusual title, referring to slang used by farm-workers to drive mules left and right, was later renamed Summer Lightning. But in the 1989 film, Driving Miss Daisy, the film’s original title can be seen on a cinema marquee.
Rare photographs showing a young Marilyn, taken from the private collection of Hollywood security guard Aviv Wardimon, will be on offer at the Entertainment Signatures sale at Heritage Auctions, ending on April 15, reports the Daily Mail. (Eagle-eyed fans will notice that the image shown above is very similar to the cover photo of Michelle Morgan’s MM: Private and Undisclosed, given by Marilyn to Bill Pursel.)
“The images show Marilyn posing alongside guard Aviv Wardimon and are believed to have been taken outside the 20th Century Fox studio some time in the late 1940s. Wardimon’s family discovered the images recently and said they had no idea their relative was friends with Monroe, who is shown embracing him in several shots. Wardimon, who later changed his last name to Blackman, emigrated to the US from Israel before working for a time as a security guard. His images are now expected to fetch $1,000 (£700) each at auction.
Margaret Barrett, Director of Entertainment Memorabilia, said: ‘We have a few lots of never before seen snapshots taken when she is between 21-22 years old. We dated it by her haircut, it is still long, down to her shoulders and a light brown that turns light strawberry blondish in certain lights.’
‘These have never been seen before, she’s standing outside on the back of 20th Century Fox, she’s with a man. It was a mystery to the man’s own family, they know he worked as a security guard at one of the studio lots and had come over from Israel with his wife and children.’
‘Marilyn is with him for most of the shots, they obviously had some sort of a friendship. She’s in three different outfits so it could be from three different days, she must have known him beyond being a passing acquaintance.’
‘There are three lots, I have a feeling he had a massive crush on her, saw her on the lot and had these early shots of her. When the family found them, they said, Oh my gosh, it’s Marilyn Monroe.’
Rare black and white signed photographs where Marilyn Monroe thanks her co-workers in similar notes – ‘It’s a pleasure to work with you’ – are estimated at $7,000 (£5,000) and $4,000 (£2,800.) Publicity shots including an unseen postcard where Marilyn and another female were hired as pin-ups for the 1947 National Postmasters Convention in Los Angeles.
A signed menu from Marilyn Monroe and Joe DiMaggio’s honeymoon in Hawaii in 1954 is estimated to go for $2,000 (£1,400). In her note, she penned ‘The food was wonderful’ before writing her name ‘Marilyn Monroe DiMaggio’. Although her marriage to the New York Yankee’s star nicknamed Joltin’ Joe would end within a year, the menu preserves a precious moment of the couple’s life.
Margaret said: ‘This is when she flew from LA to Hawaii, she was only there for a night and went to a Trader Vic’s restaurant, which was very 50s. She signed the menu with something cute, then Joe signed the next page and Joe’s friend who went on the honeymoon with them. Marilyn was obviously signing it for the waiter or owner, if it was just a fan she wouldn’t have commented on the food.’
Never before seen photographs from Marilyn Monroe’s visit to Korea, shortly after her honeymoon with soldiers and close-ups of her in a spaghetti-strapped dress on stage, are estimated at $2,000 (£1,400).”
Marilyn’s earliest radio interview, recorded for Lux Radio Theatre on February 24, 1947, is featured in a three-hour special on BBC Radio 4Extra, The Golden Age of American Radio, as Kate Chisholm reports for The Spectator. You can listen to the clip here.
“They had money for radio in those days, the big brands sponsoring long-running shows, such as the Lux Radio Theater, when Hollywood stars reprised their film roles in adaptations that were broadcast live, with an interval, just like in the cinema. We heard Marilyn Monroe being interviewed in an intermission, stumbling over her words, giggling nervously, and dropping in a plug for the sponsor (Lux soap flakes).
‘Lux helps a lot,’ says her interviewer, clumsily introducing the subject of doing the washing.
‘That’s right, Mr Kennedy,’ says Monroe. ‘It’s my standby.’
‘Thousands of girls have been telling us for years how lovely the lingerie stays with Lux care?’
‘Any girl would prefer pretty undies than faded ones,’ Monroe simpers through what sounds suspiciously like gritted teeth.”
Unacknowleged, a new documentary about UFOs written and directed by Michael Mazzola, rehashes a very old rumour: that the Kennedys ordered Marilyn’s death because she threatened to tell the secrets she knew about an alleged UFO incident at Roswell, New Mexico. You can view a clip here.
This 2011 article by Nick Redfern for the Mysterious Universe website sums up an outlandish, and (in my opinion) highly improbable conspiracy theory.
“By far the most controversial piece of unauthenticated documentation pertaining to UFOs concerns none other than the late Hollywood legend, Marilyn Monroe. It was during a press conference in 1995 that Milo Speriglio – an investigative author now deceased, who wrote three books on Monroe’s death: The Marilyn Conspiracy; Marilyn Monroe: Murder Cover-Up; and Crypt 33: The Saga of Marilyn Monroe – revealed the document to the world’s press.
Incredibly, according to the document, which surfaced via a California-based researcher of UFOs named Timothy Cooper, President John F. Kennedy had guardedly informed Monroe that he had secret knowledge of the controversial incident at Roswell, New Mexico in July 1947. As a result of Kennedy’s revelations to Monroe, the CIA took keen note of any and all developments as the story progressed. Or, at least, that is what we are led to believe, and what the document implies.
The bulk of the contents of the document are focused upon telephone conversations between Howard Rothberg, the former owner of a New York-based antique store, and Dorothy Kilgallen, the well-known celebrity gossip columnist of the 1950s and 1960s, who was herself the subject of a secret 167-page FBI file.
According to Speriglio: ‘[Rothberg] also dealt with a lot of photographers who used to film Marilyn. He got a lot of information about her from them, and he would feed it to Dorothy Kilgallen.’ Interestingly, Speriglio also revealed that the document was the subject of an investigation that was being undertaken by no less than ‘two federal agencies.’ To date, however, the names of those specific agencies have not been revealed.
When the document surfaced, Vicki Ecker, then the editor of UFO Magazine, said: ‘To put it succinctly, the document suggests that on the day she died, Monroe was going to hold her own press conference, where she was planning to spill the beans about, amongst other things, JFK’s secret knowledge of UFOs and dead aliens.’
Indeed, the document, ominously dated only two days before Monroe’s controversial death on August 5, 1962, tells the whole, remarkable story. Notably, at the top of the page it clearly states: ‘References: MOON DUST, Project’ (which was a genuine U.S. operation designed to capture, understand, and exploit overseas advanced technologies, such as Soviet spy-satellites.)
But, with all that said, where are things at today with respect to this most curious and extremely controversial document? Well, Tim Cooper left the UFO scene years ago, and has utterly washed his hands of the document – as well as many other questionable documents on crashed UFOs that he secured from Deep Throat-type sources in the 1990s.
And the CIA? The Agency officially denies having any files, at all, on the Hollywood hotty – despite the ironic fact that the very first document in the FBI’s ‘Monroe File’ was copied to the CIA! As for the players in the saga, they’re all gone to their graves.”
So many rare photos of Marilyn have resurfaced over the years, and it’s impossible to cover them all. However, Everlasting Star members have uncovered a series of photos relating to an early public appearance that was hitherto unknown.
On April 15, 1947, Marilyn attended the annual ceremony and presentation of Honorary Colonels at the Hollywood Legion Stadium, wearing the same dress that she had also worn for colour and sound tests at Twentieth Century-Fox that month.
Click to enlarge the photos below for more details…
Writing for the Malibu Times, Colin Newton explores the history of Cypress Sea Cove, a hangout for surfers since the 1940s:
“The story of Cypress Sea Cove begins in the 1940s with its original owner George “Cap” Watkins, a Bunyon-esque character who would eventually turn the place into his own private Shangri-La.
Between the palm trees, hammocks were strung up, and five-gallon plastic jugs were filled with rum drinks. Guests as varied as then-California Governor—and later Supreme Court Justice— Earl Warren and blond bombshell Marilyn Monroe showed up, as well as pioneer surfers and many of Watkins’ lifeguard friends.”
The article states that Marilyn was then the girlfriend of lifeguard Tommy Zahn. This would place her visits around 1946-7, during her first year as a Hollywood actress.
Zahn was signed to Fox at around the same time – mainly because studio chief Darryl F Zanuck‘s daughter, Darrylin, had taken a shine to him. It was while working as a contract player that Tommy met the 20 year-old Marilyn.
“‘[MM] was in prime condition,’ says Tommy Zahn, ‘tremendously fit. I used to take her surfing up at Malibu…She was really good in the water, very robust, so healthy, a really fine attitude towards life.'”
This echoes other recollections of a young, sporty Marilyn. In later years, however, she was less confident in water.
Zahn recalled that Marilyn was the most hard-working of all the young actors. They often worked together on dance, which they both found challenging.
After talking to Zahn, Summers formed an interesting theory as to why Marilyn was dropped by the studio in 1947, which may also partly explain why – even after she became a star – Zanuck was never a strong supporter of MM.
“Tommy Zahn, Marilyn’s lifeguard boyfriend, thinks he knows what happened, not least because he was fired at the same time. Zahn believes that he was only hired in the first place because Zanuck wished to groom him for marriage to one of his daughters. Zahn’s dalliance with Marilyn was noted and disapproved from on high, and both were fired. Zahn shipped out to Honolulu. Marilyn was adrift, professionally and emotionally.”
By the time Tommy Zahn died in 1991, he was a sporting hero, with a distinguished career behind him. You can read a recollection of his life by Craig Lockwood at EatonSurf.com. A biography of Zahn – including a chapter entitled ‘Hollywood & Marilyn’ – is downloadable from the Legendary Surfers website.
My Lunches With Orsonis a new book featuring filmmaker Henry Jaglom‘s conversations with the maverick Hollywood actor-director, Orson Welles. In it, Welles mentions dating Marilyn before she was famous, during a discussion about Darryl F. Zanuck, reports the Huffington Post:
The way Welles depicts Zanuck is quite believable, as he never really respected Marilyn (even after she became his biggest star.) Another story linking Welles to MM is mentioned in a Guardianarticle from 2003, so their alleged affair pre-dates this book.
Made The Lady from Shanghai with Hayworth. A brief fling with unknown starlet Marilyn Monroe ended with an angry husband (not hers), wrongly convinced that Welles was with his wife, bursting in on Welles and Monroe and thumping the filmmaker in the jaw.
What is strange, though, is that The Guardian places Welles’s encounter with Marilyn in 1947. Success, for her, didn’t come ‘six months later’ – it took several years. And even in 1955, when she was a worldwide star, she had to fight for better pay. So I don’t know where his figure of $400,000, as told to Jaglom, comes from.
Exaggerations aside, though, his story may be true – Marilyn was certainly attracted to strong, intellectual men. And Welles was a well-known ladies’ man, on the rebound from his marriage to another beautiful actress, Rita Hayworth.
While Marilyn never mentioned an affair with Welles publicly, this is not all that surprising, as she was generally a very discreet person. It may not even have been a very long, or significant relationship for her, despite Welles’s fame. During her single days, and like many other pretty starlets, Marilyn would often be dating several men at any given time – but this is not to imply that she slept with every man she went out with.
In If This Was Happiness, Barbara Leaming‘s 1989 biography of Rita Hayworth, the Welles-Monroe rumour is also firmly placed in 1947. Leaming interviewed Welles; she had published a biography of Welles in 1988, and of course, would later write about MM.
“When Rita returned home to California that September, there was one last matter to be taken care of before she went back to work at Columbia: in October she officially filed for divorce. Not a word of protest came from Welles, who, meanwhile, had been hurriedly shooting a low-budget Macbeth at Republic Studios, enjoying a fling with Marilyn Monroe, and preparing to decamp for Italy to star in a film about Cagliostro. By the time of the divorce hearing in November, he was already out of the country.”
1947 was a shadowy year in Marilyn’s life, and it remains little-documented. The Cursum Perficio website notes that Marilyn’s contract with Twentieth Century Fox (Zanuck’s studio) lapsed in July. From September to November – the most likely time-span of the alleged fling with Welles – Marilyn was also in Los Angeles, playing a role in a stage production called Glamour Preferred, at the Bliss-Hayden Theatre.
The only known photo of Welles with Marilyn was taken eight years later, in January 1956, when she received the award from the ‘Women’s Division of the Jewish Philanthropies of New York City.’ Since her arrival in New York a year before, Marilyn had done a great deal of charitable work; and she would convert to Judaism a few months later, just before marrying Arthur Miller.
Welles also won an award that day; behind them is Victor Borge, the comedian, conductor and pianist dubbed ‘the Clown prince of Denmark.’
Black Dahlia & White Rose, a new short story collection by Joyce Carol Oates, will be published next month. The title story imagines an encounter between Elizabeth Short – the young woman murdered in Los Angeles in 1947, and known as The Black Dahlia – and a young Marilyn. It first appeared in a 2011 e-anthology,LA Noire, and you can read the story here. (My review is here.)
Oates, author of the Marilyn-inspired novel, Blonde, spoke to the New York Timesabout her latest publication.
“The title story in your new collection, Black Dahlia & White Rose, was first published in conjunction with a bloody video game, L.A. Noire, which was noted for its narrative sophistication. Did you get a chance to play it?
No, but it sounds very imaginative and interesting, like you’re in a waking dream. I just don’t have the apparatus to see it. But we were all — the creators of the video game and I — inspired by the idea of Los Angeles in a certain period of time.
The ‘Black Dahlia’ here refers to Elizabeth Short, an aspiring actress who was gruesomely murdered in Los Angeles in 1947.
Yes, and if you’re interested in hard-boiled mystery, the Black Dahlia is like the Virgin Mary.
She was mutilated, her body cut in half. In your story, you assume her voice from beyond the grave.
Well, I’m very interested in voices. I also had my novel Blonde about Norma Jeane Baker, who becomes Marilyn Monroe, narrated by the posthumous Norma Jeane Baker.
Marilyn is also in this story; you imagine her as the Black Dahlia’s roommate. There have already been eight new books about Monroe just this year. Why do you think she endures?
After having had a high-profile but not necessarily successful career and then a disastrous ending, she became what we might call ‘iconic’, a sort of awkward word that means that people relate to the icon without any historical sense or intellectual comprehension of what it means.”
Elizabeth Short, aka ‘the Black Dahlia’, was brutally murdered in Los Angeles, 1947. Marilyn was just beginning her career in Hollywood at the same time, and there has been much speculation as to whether she knew Elizabeth (although there is no evidence that she did.)
Now Joyce Carol Oates, author of Blonde, has completed a new short story, ‘Black Dahlia and White Rose’, which imagines the two women sharing an apartment at the time of the murder. It will be included in LA Noire: The Collected Stories, an E-book anthology inspired by the video game of the same name.
LA Noire will be published on June 6, according to The Guardian.