The Van Nuys Neighborhood Council has proposed that a statue of hometown girl Marilyn be installed at Van Nuys City Hall, as Olga Grigoryants reports for Los Angeles’ Daily News. If these plans come to pass, it would be a fitting tribute to create a likeness of the young Marilyn, perhaps from her early modelling days.
“The news comes four years after Rep. Tony Cardenas, D-Panorama City, proposed a bill to name the Van Nuys Post Office after the Hollywood icon, who attended Van Nuys High School — as Norma Jeane Baker — for a short time in the early 1940s.
The plan was first proposed by the Van Nuys Neighborhood Council in 2012. Its president, George Thomas, said the actress had personal ties to the community … She attended Van Nuys High, which was near her house. She lived there with her aunt [Ana Lower] after years in foster homes.
The future movie icon was discovered at the Van Nuys Airport, where she worked on the assembly line at Radioplane Co., which manufactured drones for the U.S. Army during World War II.”
Diehard Monroe fans have noticed a little-known recording by Marilyn in Guillermo Del Toro’s new film, The Shape of Water. Set in the early 1960s, the film stars Sally Hawkins as Elisa, a laboratory assistant who develops a close bond with ‘Amphibian Man,’ the mysterious creature being held captive in a tank. This plotline is reminiscent of Creature From the Black Lagoon, the monster movie that Marilyn and Tom Ewell go to see in The Seven Year Itch. Afterward, Marilyn (as ‘The Girl’) famously declares: “He wasn’t really all bad. I think he just craved a little affection, you know? A sense of being loved and needed and wanted.”
According to fans at Marilyn Remembered, her voice can be heard in a song accompanying a scene in The Shape of Water, when Elisa’s friend Giles makes a pass at the waiter in a cafe and is asked to leave.. But while Marilyn’s singing voice may be familiar, the song is not.
‘How Wrong Can I Be’ was a song recorded by Marilyn, probably in the late 1940s (around the time Fred Karger coached her for Ladies of the Chorus), but its existence was not widely known until 1995, when it was listed for sale at Sotheby’s of London. Until now, only a 20-second snippet has been released, which you can listen to here.
Unfortunately, it’s not featured on the soundtrack to The Shape of Water, but we finally have an opportunity to listen. Fraser Penney noticed it in the final credits:
And here’s some background information from a 1995 report in the New York Times.
“‘How Wrong Can I Be,’ recorded on a 12-inch acetate disk, was never released. The anonymous seller, whose father was in the music business, was sorting through a stack of his father’s recordings three years ago and noticed one with a hand-written label that read ‘Fred Karger at the piano, Manny Klein on the trumpet, vocal by Marilyn Monroe.’
The ballad, written by Mr. Karger and Alex Gottlieb, tells a story of sorrow and regret, from the point of view of a woman who has ended a love affair out of misguided jealousy.
The Hollywood Studio Club was a home for young actresses where Marilyn lived in 1946-47 (and again in 1948.) Her roommate was Clarice Evans, and fellow residents included another star-in-waiting, Eleanor Parker. The photo shown above, taken in 1948, was published in the Greater Los Angeles Press Club brochure, and inscribed by Marilyn to Clarice’s sister, Louise Evans.
The illustrious history of Marilyn’s ‘forgotten Hollywood sorority’ is traced in a fascinating new article for the Messy Nessy Chic website. (Although Marilyn later claimed to have posed nude to pay the rent, her famous calendar shoot actually occurred in 1949, after she left the Studio Club. She needed the fifty dollars to get her car repaired. However, she had frequently posed for cheesecake artist and photographer Earl Moran during the lean years.)
“It was described as a Hollywood sorority, a chaperoned dormitory and one newspaper article in 1946 even called it a rescue home for wayward girls. The club was founded in 1916 when a Mrs. Eleanor Jones began noticing groups of young women hanging around at her library until closing time, clearly with nowhere else to go.
The Hollywood Studio Club got a fancy new home in 1926, a grand renaissance revival building designed by the same architect who did Hearst Castle. Warner Brothers, Metro Goldwyn and even Howard Hughes helped fund its construction.
The club provided residents with accommodation, two meals a day, sewing machines, hair driers, laundry equipment, typewriters, theatre literature, practice rooms, stage and sundeck. Performing arts classes were also available and the club regularly hosted industry-related events.
There was always a long waiting list for the club, but the only qualification needed was for an applicant to be seeking a career in the motion picture business. Some would make it as actresses, writers or designers, others would settle as a studio secretary.”
Marilyn’s screen time in the final Marx Brothers movie, made in 1949, adds up to less than a minute – but she certainly made the most of it!
Funding was withdrawn before shooting ended, hence a very long rooftop chase scene where the actors pass countless neon advertising signs. Despite only having a walk-on role, Marilyn was chosen to promote the film and flew to New York City – probably for the first time – in July.
It’s rather an odd film but well worth seeing if you’re a diehard Marx or Monroe fan. Available on DVD, and showing this Sunday, August 1, at 6pm, and again on Tuesday, August 3rd, at 6pm, at the Bio Orion in Helsinki.
Marilyn Monroe, as a virtually unknown 22 year-old, lived at the Hollywood Studio Club, 1215 North Lodi Place, a hostel for young actresses, between 1946-47, sharing room 307 with Clarice Evans. She returned for a second stay in 1948.
The Studio Club closed in 1975, and the building is now owned by the YMCA. Other famous alumni include Kim Novak, Ayn Rand, Peg Entwhistle and Sharon Tate.