“Marilyn was one of the most important individuals in my life. She is a kind of fulcrum at gut’s level. There wasn’t a major hullabaloo after her death, as there is now. I did not even want to write about her. I was talked into it by the French Connection Press, in Paris, people there I am dearly close to. However, while a book was planned, we couldn’t come to terms and another publisher grabbed the project, and that’s how my look at her came into reality. I speak each year at her Memorial in Westwood, California, where her body is entombed, and the 50th will be up in a couple years. I might end my yearly contribution after the 50th, as actually and in a real sense, it leaves me too pained to drag it on.”
Gilmore talks to Maarten Bouw
“Catherine Hicks‘s performance in the 1980 made-for-television biography Marilyn: The Untold Story is generally regarded as the best biographical portrayal of Marilyn Monroe. Produced by Lawrence Schiller, the photographer who took the famous nude photos of Marilyn on the set of Something’s Got to Give, Marilyn: The Untold Story was based on Norman Mailer’s ‘novel biography.’
The film was enhanced by the participation of three talented directors, including Hollywood veteran Jack Arnold. The impressive roster of behind-the-scenes personnel ensured pleasant entertainment, but the three-hour drama lacks insight into Marilyn’s personality and fails to add anything new to the Monroe lore and literature.
Hicks, whose thoughtful performance is the highlight of the production, managed to capture Marilyn’s voice and mannerisms and suggest her alluring presence without resorting to caricature.
Hicks received a well-earned Emmy nomination. (In an ironic twist, Monroe ‘replacement’ Sheree North appears in this film in the role of Marilyn’s mother.)” – Susan Doll, author of Marilyn: Her Life and Legend
The opening scenes from this hard-to-find biopic are now on Youtube, with more to follow.
In March 1961, Marilyn took a holiday with ex-husband Joe DiMaggio in the area, sparking rumours of a reunion. They stayed at the Tides Motel, and spent their days in training with the Yankees, or relaxing by the sea.
At the DRKM Gallery in Santa Monica, August 7-29.
J. Randy Taraborrelli’s 2009 biography is out now in paperback. Read my review here
Ever since Madonna and Stephen Meisel’s 1990 ‘Homage to Norma Jean’ spread in Vanity Fair, celebrities have been imitating Marilyn Monroe’s style – with mixed results.
“This trend of infinite iterations starts and ends with Marilyn Monroe, the dead starlet that every living starlet wants to imitate. As Lynn Hirschberg notes in a profile of Megan Fox (who has a Marilyn tattoo on her forearm), “Monroe was her own brand before branding existed.” What better way to send a career-branding message, then, than to channel the original tortured personal branding bombshell? Or so the logic goes.
But the Marilyn kabuki act rarely works as intended. Every time I see Lindsay Lohan as Marilyn, I question the troubled starlet’s mental health. Every time I see Megan Fox as Marilyn, I wonder if she’s not just an Angelina imitator, but a LiLo imitator, too. When Nicole Kidman did Marilyn, she looked old. When Scarlett did Marilyn—well, that was actually pretty good. But when Jessica Simpson did Marilyn (via famed Marilyn lookalike Virna Lisi, making hers an imitation of an imitation) it was an unmitigated disaster, lifeless and awkward.
This is what the future will look like if we don’t kill the starlets-imitating-starlets trend now. Starlets, stylists, editors: Start cultivating your own iconic looks. Do something original! Surprise us! Otherwise we’ll all be spinning in tutus in the rain for the decades to come, and between the Monroe imitators flipping their skirts up on the sidewalk, and the Mary Tyler Moore imitators spinning with shopping bags, the streets are crowded enough with pantomimes, already.” – Gawker
Fans in the Everlasting Star community have been monitoring this trend for some time now, and you can look back at the many celebrity homages to MM – the good, the bad, and the downright bizarre – in the member’s forum.
The ‘ice-cool blonde’ immortalised in Hitchcock’s Vertigo (1958) discussed her long career with Liz Smith this week. Perhaps inevitably, the conversation turned to another screen goddess of the fifties – Marilyn Monroe…
“I ask this ultimate survivor – the blonde who got away – why she did survive, and Marilyn Monroe didn’t?
‘I think it’s family, roots. Marilyn didn’t have that. Even if there are troubles in your family, at least it’s there. It gives your life a deeper substance, especially if you are working in a business that is so much about the insubstantial. You need something to fall back on. You need to know you are more than the face or the body or the career. Without that stability, you are lost.’
Kim Novak may never make another movie, but she will be forever remembered as the star who never got lost.”
In a longer Novak profile for Q last year, Smith explored the parallels between Kim and Marilyn in greater detail. Kim was under contract to Columbia, and touted by boss Harry Cohn as a rival to Monroe. Ironically, Marilyn had signed to Columbia years earlier but was dropped (allegedly after refusing Cohn’s advances.)
Additionally, Kim’s birth name was actually Marilyn, but she decided to change it because of Monroe. Not much is known about their association, but Kim was also a guest at the Lawford beach house in 1962 where Marilyn met Bobby Kennedy.
Like many other young actresses, Novak was deeply affected by Monroe’s untimely death:
“A year later, in 1963, Novak was handed a copy of the magazine Eros, in which some of Bert Stern’s famous nudes of Monroe appeared. Kim was horrified when she saw that Stern had released shots which Monroe herself had edited and crossed out. She burst into angry tears. To her, this was an act of cruelty and betrayal.”
The Kim Novak Collection is now available on DVD in the US.
The stunning red-haired actress, best known as sexy, ambitious Joan Holloway on TV’s Mad Men, speaks to Parade about those Monroe comparisons:
“I don’t think any woman in the world could get tired of being compared to Marilyn Monroe. It is embarrassing, though, because I think that I could never hold a candle, but it is also incredibly flattering, and she’s someone I admire greatly. So it’s always a really nice thing to hear.”
Set in the New York advertising world at the dawn of the sixties, Season 2 of Mad Men references MM’s life and impact in depth. In Episode 6, ‘Maidenform’, the creatives devise a campaign slogan for Playtex bras, ‘Are you a Jackie or a Marilyn?’
And episode 9, ‘Six Months Leave’, explores the differing reactions of the characters to Monroe’s death. In a pivotal scene, Joan’s sadness reveals a hitherto unseen vulnerability behind her glamorous persona.
This so-called ‘last weekend’ (actually, Marilyn died on the following weekend) remains one of the most controversial aspects of Marilyn’s days, and Greco’s memories are bittersweet:
“Buddy Greco recalls of her demeanour later that weekend: ‘She was fragile, very fragile – well, she’d gone.’ Many blamed the Kennedys.
Of course, she could still shine when she wanted to. But by now her gloss was too often just a thin veneer.
Despite her depression, she initially appeared in good shape when she arrived at Cal-Neva, after flying there on Sinatra’s private plane.
‘When she arrived that Saturday, you’d never believe that she had a care in the world,’ recalls Buddy Greco. ‘I was sitting with Frank [Sinatra], Peter Lawford and a bunch of other people, outside Frank’s bungalow, when a limousine pulls up and this gorgeous woman in dark glasses steps out,’ he says.
‘She’s dressed all in green – everything green: coat, skirt and scarf. Before I realised who it was, I thought: “My God, what a beautiful woman. No taste in clothes, but what a beautiful woman!”
‘I knew that she’d been to my concerts and shows. She was a regular at the Crescendo club in Hollywood where I often played.
‘We’d said hello a few times, but were never properly introduced. When Frank introduced us, I said: “You won’t remember me, but I was the piano player when you auditioned for the Benny Goodman band in 1948.”
‘She got emotional at that and hugged me. She had such warmth – and I was moved. Somebody took some wonderful shots of that moment, of us hugging.’
But by the end of the first evening, a darker Monroe was beginning to emerge. Greco had finished his first performance in the hotel’s lounge and had joined Sinatra and the other guests at Sinatra’s regular table.
‘It was a wonderful time, a magical weekend. It is so hard to describe now but it was maybe the best time of my life.
‘Then suddenly the room went silent and very still. It was surreal. As if somebody had turned the sound off. I looked at Frank. I could immediately tell he was furious. His eyes were like blue ice cubes.
‘He was looking at the doorway where Marilyn was stood, swaying ever so slightly.’
‘She was still in the same green outfit she’d worn all day,’ says Greco. ‘But the woman I’d met that afternoon – smart , funny, intelligent, fragile – had gone.
‘Now she looked drunk and, well, defiant. She was clearly angry and I think I heard her say: “Who the f*** are they all staring at?”‘
Sinatra – who was obviously irritated by her erratic behaviour – acted fast.
‘It was clear Sinatra was worried. She was in a state where she could have said anything,’ says Greco.
This would have been a major concern for many of those around the table. Monroe, after all, knew an awful lot of secrets – and, in her condition, might have been prepared to share them.
‘Sinatra motioned to his bodyguard – Coochie – to get her out of there. Coochie, a big guy, escorted her out. Actually, he picked her up and carried her out. It wasn’t the star we were used to seeing.’
The incident upset Buddy Greco. He had felt such warmth and vulnerability in her only a few hours earlier and could not understand how she had changed so terribly and suddenly.
‘She was on my mind,’ he says. ‘I was worried about her. I went outside to find out whether she was okay. I knew that she had taken accidental overdoses in the past.
‘I found her by the pool. There was nobody around. It was late and the pool was deserted.
‘Maybe it was the moon but she had a ghostly pallor. It still didn’t occur to me that she might be a woman not long for this world.
‘She was distressed, out of it, but that was all. Maybe her friends were used to seeing her like that but it worried me. Anyway, we talked.
‘I walked her back to her bungalow in the complex reserved for the guests of Frank and Giancana where we all stayed.
‘I thought that the next morning I could put her with Pat Lawford [the Kennedys’ sister], who was her companion, and make sure she got back to L.A. safely.
‘But the next day when I called, she had already left. That was the last time I saw her.’ So does he think that Sinatra had finally lost patience with Monroe and by abandoning her had left her to her fate?
‘That’s a possible scenario,’ Greco answered thoughtfully. ‘After she had created that problem, he certainly wanted her out of there. He could be quite firm with her.'”
The article is very speculative, but nonetheless, Greco’s memories are fascinating, as veteran showbiz columnist Liz Smith has noted:
“IT WAS 48 years ago today that Marilyn Monroe died. On the evening of Saturday, August 4, 1962, or the wee hours of Sunday, the fifth. (Talking to her therapist earlier in the day, she exclaimed, “Here I am. I am supposed to be the most glamorous woman in the world, and I don’t have a date on Saturday night!”)
Sinatra, by every account, was totally undone, devastated when word came of Marilyn’s death. (Sinatra’s valet, George Jacobs, believes Sinatra would have married Monroe, if for no other reason than to ‘save her.’) In any case Frank certainly never spoke of what really happened at the Cal Neva Lodge.”
Say Goodbye to the President: Marilyn Monroe and the Lawfords, a new article by me for the ‘Twilight’ section at Immortal Marilyn, has been posted to mark the 48th anniversary of her passing.
(The picture above shows Marilyn with Peter Lawford at Frank Sinatra’s Cal-Neva Lodge, a week before her death. It is one of the last photographs ever taken of the actress.)