In 2012, Marilyn was the face of Cannes – and the Champs- Élysées Film Festival uses images of her every year. Now her star will shine over the Middle East, as The 961 reports. (With an impersonator striking a classic Seven Year Itch pose, the LIFF artwork seems inspired by LIFE magazine.)
“Believing that art should have a certain message, the Lebanese International Film Festival (LIFF) chose to fight against the stigma that is attached to mental health issues by collaborating with Embrace, the leading organization that raises awareness about mental issues.
For that particular reason, LIFF opted this year for the image of the iconic renowned superstar Marilyn Monroe as she is an ideal example of a successful woman that was fighting her own battle with mental health. ”
After plans to develop the former Rockhaven Sanitarium into a park and boutique mall were scrapped earlier this year (see here), the City of Glendale are now reconsidering a proposal to turn the site into a hotel and community garden, as Lila Seidman reports for the Los Angeles Times. (Marilyn’s mother, Gladys Baker, was a resident at Rockhaven from 1953-67. You can read more about this pioneering women’s sanitarium here.)
“City officials are reconsidering an idea to turn the site of the former Rockhaven Sanitarium in north Glendale into a boutique hotel and community garden, voting this week to revive a proposal submitted by a developer nearly three years ago.
During a special meeting on Tuesday afternoon, Glendale City Council members supported entering into a six-month exclusive negotiating agreement with Avalon Investment Co. to fine-tune its vision for the property that originally opened in 1923 as a women’s mental-health facility.
It’s a departure from the present council’s decision in 2016 to work with Gangi Development and turn the property into a park and boutique commercial center. At the time, council members sidestepped a recommendation by the city staff to work with Avalon.
Friends of Rockhaven, a nonprofit dedicated to preserving the property, supported Gangi’s proposal. During the meeting on Tuesday, Friends treasurer Jo Ann Stupakis said the nonprofit now supports Avalon’s proposal. ‘We have some new friends that have come to play,’ Stupakis said of Avalon. ‘They see [Rockhaven’s] beauty, her history, her potential.’
Friends president Joanna Linkchort said she still preferred a park, but felt Avalon’s managing partner, Weston Cookler, is working hard to tailor the hotel project’s design to the community’s needs. Councilman Vartan Gharpetian said he also preferred a park, but voted to go forward with the negotiating agreement, voicing his support as a ‘soft yes.’
‘The original plan didn’t really get it,’ Linkchort said during an interview after the meeting. ‘Now, talking to [Cookler], it seems like a much better fit.’
After hearing from several stakeholder groups, including local historical societies and business organizations, Cookler said his team is considering lowering the number of hotel rooms from 45 to 30. Members of the public, not just hotel guests, would be free to roam the grounds of the planned hotel, he added.
The sanatorium, founded by nurse Agnes Richards, was put on the state’s historical resource list in 2016 … As part of Avalon’s proposal, Rockhaven’s structures and grounds would be restored and preserved to a federal standard. The decision won the support of the Glendale and Crescenta Valley historical societies.”
“An original clipping from a Mexican newspaper detailing Marilyn’s visit to the National Institute for the Protection of Children on March 1, 1962, and her donation of $1,000.00 to the institute. Also included is a document translating the article, reading in part, ‘The American actress Marilyn Monroe yesterday visited the National Institute for the Protection of Children where she greeted the president of that organization, Mrs. Eva Samano de Lopez Mateos, to whom she gave 12,500 pesos – one thousand dollars – for the needy children.'” (SOLD for $768)
“An unsigned carbon-copy of a letter, likely from May Reis, Marilyn Monroe’s secretary, to hairdresser Kenneth, dated July 16, 1958. The letter reads in part, ‘Thank you for sending on Miss Monroe’s chignon but I am sorry it has not turned out as she had ordered it so it is being returned to you under separate cover.'” (SOLD for $192)
“A one-page handwritten letter from press agent Patricia Newcomb to Marilyn, dated June 2, 1956. The letter reads in part, ‘Enclosed is a copy of your eye perscription (sic) which I got this morning from Lee Seigel. I am also sending you another bottle, in case you might be running short.’ Also, ‘I mailed your records and hair dryer today, so they should arrive by the end of the week.'” (SOLD for $1,125)
“A one-page typed letter to Marilyn from Nunnally Johnson, dated February 1, no year specified (but probably sent after their 1962 meeting at the Beverly Hills Hotel, to discuss Something’s Got to Give.) The letter reads in part, ‘This is to put it on paper that I’ve rarely had a merrier evening. There’s no question about it, the only way to discuss business is over a bottle or two of champagne, with occasional reflections on sex to keep everything in balance. And if ever the occasion rises you may cite me as a bloke who also likes to sit and talk with you.’ The letter is hand-signed. A well-known screenwriter, Johnson worked on a number of projects related to Monroe, including We’re Not Married, and How to Marry a Millionaire.” (SOLD for $2,240)
“Two letters from the Actors’ Studio, dated January 10 and 12, 1961, regarding the Actors’ Studio Benefit scheduled for March 13, 1961. The January 10 letter announces, ‘Marilyn Monroe will be one of the stars who will draw the lucky tickets for our door prizes and for the Dance Contests.’ The letter is signed by Lee Strasberg, Cheryl Crawford and Elia Kazan (facsimile signatures). The second letter, sent by the benefit’s coordinator, asks Marilyn if it would be possible to take a photo of her wearing a fur coat that will be raffled as a door prize. The letter further requests that Marilyn write to executives at United Artists asking them to reserve tables at the event.” (SOLD for $768)
“Three letters, all dated in January of 1961, referencing possible film projects for Marilyn’s consideration. The January 3 letter from George Chasin is on MCA letterhead and references Touch of Mink, written by Stanley Shapiro (later filmed with Doris Day.) The January 26 letter, also on MCA letterhead, references a screenplay entitled The Notorious Lady, and is signed by Marvin Birdt with a copy to Chasin (later filmed with Kim Novak as The Notorious Landlady.) The January 31 letter is on Twentieth Century-Fox Film Corporation letterhead and references A Lost Lady, and is signed by Frank McCarthy, Director of Public Relations at the studio. (Based on one of Marilyn’s favourite novels (according to her friend and masseur, Ralph Roberts), and previously filmed as Courageous with Barbara Stanwyck in 1934, but dissatisfied with the result, author Willa Cather had banned all movies based on her work.) In this same letter McCarthy writes, ‘Congratulations again on The Misfits and I hope it will achieve the great success it deserves.'” (SOLD for $512)
“A small notecard to Marilyn from producer Buddy Adler. The notecard reads, ‘Darling, It’s wonderful having you home again. Best wishes, Buddy Adler.’ Adler was the producer of Bus Stop, released in 1956. This card is likely in reference to Marilyn’s return to Hollywood in 1956 after having spent the entirety of 1955 in New York City.” (SOLD for $640)
“A two-page typed letter on Algonquin Hotel letterhead to Marilyn from photographer John Bryson, dated August 6, 1960, in reference to the August 15, 1960 issue of LIFE magazine, in which his photos of Marilyn on the set of Let’s Make Love were published. The letter reads in part, ‘I am very happy, however, to report that we close with a larger than full page of the picture of Arthur swabbing off your back after a hard day’s rehearsal. I think the little girl look in this is the best picture I ever took of you.’ The letter goes on to read, ‘Anyway, it is done and I hope you like it. If you do or do not I would like for you to remember that I think you are one of the best women I have ever known and if you ever need a friend for anything just call day or night. I do not say such things casually.'” (SOLD for $1,280)
“A Western Union telegram from Mary Leatherbee of LIFE magazine dated June 26, 1958, regarding photos of Marilyn taken by Richard Avedon in which she recreated images of famous actresses for a spread entitled ‘Fabled Enchantresses.'” (SOLD for $640)
“A one-page typed letter to Marilyn from Emmeline Snively, dated July 31, 1958. Snively was the owner and manager of the Bluebook Modeling Agency. Marilyn, still Norma Jean at the time, signed with the agency in 1945, and Snively is believed to have assisted her in transforming into Marilyn Monroe. The letter reads in part, ‘We have been following your steady progress over the years, and our students at Blue Book Models regard your success and constant development as an inspiration.’ Included with this letter is a torn portion of the original mailing envelope with Snively’s typed mailing address. Pencil scribbles are visible on the envelope fragment, possibly written in Marilyn’s own hand. It is interesting to note that Snively attempted to stay in contact with Marilyn throughout the star’s career. In fact, she was one of a very few guests from Marilyn’s inner circle who was invited to her funeral.” (SOLD for $640)
“Six documents referencing an agreement, and the dissolution thereof, between Marilyn Monroe and Ben Hecht regarding his authoring her life story. Included is a facsimile copy of the originally signed agreement between Monroe and Hecht, dated March 16, 1954, in which the terms of the agreement are exceedingly clear. Three unsigned carbon copies of this same agreement are included. Also included is a facsimile copy of a two-page letter sent to Hecht by Marilyn’s attorney Lloyd Wright, Jr., in which he demands that Hecht ‘surrender to us on behalf of our client, Miss Marilyn Monroe, all, and I repeat all, copies of any material concerning Miss Marilyn Monroe written by Mr. Ben Hecht, pursuant to his contract of March 16, 1954 with Marilyn Monroe, or otherwise.’ Marilyn partnered with Hecht to write her life story, stating specifically that the article could be published only in the Ladies’ Home Journal magazine.” (SOLD for $640)
“A two-page typed memo from Robert H. Montgomery, Jr. to John F. Wharton regarding ‘Proposed settlement of dispute between Milton H. Greene and Marilyn Monroe. The document clarifies that Monroe will pay Greene $50,000.00 for his stock in Marilyn Monroe Productions, Inc. in five equal annual installments, and also that she will sell to Greene her stock in Milton Greene Studios.’ The document further states, ‘all agreements existing between them are cancelled and of no further force and effect.’ A second two-page original document outlines the distribution of furniture and equipment, including paintings, rugs, a vacuum cleaner, a lamp, a chair and a sofa, typewriters, and other items.” (SOLD for $1,000)
Marilyn suffered from endometriosis throughout her life, experiencing severe menstrual pains and at least two miscarriages. She underwent numerous operations to alleviate her condition, without success, which undoubtedly contributed to her depression and drug dependency. Although treatments have improved since then, many women today still endure physical agony and high-risk pregnancies. Inspired by Marilyn, members of the Endometriosis UK charity have posed for a vintage-style calendar, which has so far raised £4,000, as Lucy Laing reports for the Daily Mail.
Blonde wigs were sold out across the state as the annual Marilyn Jetty Swim was held at Brighton Beach in Adelaide, Australia this weekend, as Lauren Ferri reports for the Daily Mail, with men participating for the first time among 270 swimmers breaking the Guinness World Record for most MM impersonators gathered in one place, raising $65,000 so far for cancer research (it’s expected to reach $100,000.)
In some ways, Rock Hudson was Marilyn’s male counterpart as a misunderstood sex symbol of 1950s Hollywood. They partied together at the How to Marry a Millionaire premiere in 1953, and in 1962 Rock would present Marilyn with her final award at the Golden Globes. Sadly they never worked together, but Rock was the initial favourite for her leading man in Bus Stop; and in 1958, she was considered for Pillow Talk before deciding to make Some Like It Hot instead. (Doris Day got the part, the beginning of a great comedy partnership with Rock.)
Until now, it has been unclear how well the two stars knew each other (although a recent hack tome made the unlikely claim that Marilyn and Rock were lovers – as we now know, Hudson was gay.) In a critically praised new biography, All That Heaven Allows, author Mark Griffin draws on interviews with Rock’s secretary, Lois Rupert, who claims they often spoke on the phone. Although the frequency of their conversations may be questioned, the obvious affection of their Golden Globes photos combined with this information could suggest that Rock was one of the few Hollywood figures trusted by Marilyn in her final months – and Griffin also reveals that Hudson generously donated his fee for narrating the 1963 documentary, Marilyn, to a cause very close to her heart.
“It was while he was on location for A Gathering Of Eagles that Rock received word that a friend had died. As Lois Rupert recalled, ‘Rock met me at his front door with the news … “Monroe is dead” is all he said.’
Only five months earlier, Rock and Marilyn Monroe had posed for photographers at the annual Golden Globes ceremonies. In images captured of the event, Monroe, who was named World Film Favourite, is beaming as Hudson enfolds her into a protective embrace. With a shared history of abuse and exploitation, it was inevitable that these two should be drawn to each other. Recognising that he posed no sexual threat to her, Monroe had latched on to Hudson and had lobbied for Rock to co-star with her in Let’s Make Love as well as her uncompleted final film, Something’s Got to Give.
Lois Rupert remembered that in the early 1960s, Rock regularly received late-night distress calls from Monroe as well as another troubled superstar. ‘If it wasn’t Marilyn Monroe crying on his shoulder, then it was Judy Garland,’ Rupert recalled. ‘It was almost like they took turns. Marilyn would call one night and Judy the next. He was always very patient, very understanding with both of them, even though he wasn’t getting much sleep. I think he liked playing the big brother who comes to the rescue.’
Within ten months of Monroe’s death, 20th Century-Fox would release a hastily assembled documentary entitled Marilyn. Fox had initially approached Frank Sinatra about narrating, but when the studio wasn’t able to come to terms with the singer Hudson stepped in. Hudson not only provided poignant commentary – both on and off camera – he donated his salary to help establish the Marilyn Monroe Memorial Fund at the Actors Studio.”
Hollygrove, the family service centre offering help to Los Angeles children suffering from trauma – and formerly the orphanage where Marilyn stayed as a child – hosted its annual Norma Jean Gala this weekend, raised over $400,000.00 for Uplift Family Services at Camp Hollygrove programs for at-risk youth. The gala was attended by celebrities including Busy Philips and Colin Hanks, and items of Marilyn’s wardrobe from the collections of Greg Schreiner and Scott Fortner were also on display. You can read more about the event at the Marilyn Remembered Facebook group.
Jewellery designer Yunjo Lee is launching a new Marilyn-inspired collection, ‘M.Monroe‘, as Anthony DeMarco reports for Forbes.
“In her new role, she said she did a great deal of research into all aspects of Marilyn Monroe’s life, her mystique and the real person, and came up with four collections that reflect the star’s essence: Whisper, Aura, Stellar, and a high jewelry collection. Prices begin at $350 with most of the jewels are priced in the $2,000 to $4,000 range. The high jewelry items are far more expensive, as one would expect.
The Aura collection speaks to Monroe’s ‘inner strength and the power of emotion using colors that Monroe uses to describe her dreams,’ such as ‘scarlet and gold and shining white, greens and blues,’ Lee said. ‘Maybe she was thinking of a rainbow so I wanted to evoke the same feeling you get when you see a rainbow. It’s the color of the light. It’s the color of your emotion. I literally hinted at pastel colors that are accentuated with boldness.'”
The Stellar range is based on a slight misquote: Marilyn did not say, ‘We are all stars and deserve to twinkle.’ The exact wording (from a telegram declining an invitation during her battle with Fox in 1962) is ‘All we demanded was our right to twinkle.‘
Whatever you may think of the designs, a quick glance at the M.Monroe Facebook page suggests the presentation will be quite tasteful. On April 13, it was announced that M.Monroe has partnered with Girls Write Now, a New York-based writing and mentorship organisation for high-school girls, ‘the next generation of Modern Marilyns making their own mark on the world.’
The movie costume collection of Marilyn Remembered president Greg Schreiner – around 500 garments in total, including this red dress originally designed by Oleg Cassini and worn by his former wife, Gene Tierney, in On the Riviera (1951) , and by Marilyn a year later in promotional shots and at the premiere of Monkey Business – returns to the spotlight in HollywoodRevisited, a musical extravaganza at the Annenberg Theater in Palm Springs on February 22, the DesertSun reports.
“‘It began with Marilyn,’ Schreiner beams. ‘She was always my No. 1 star.’ In those early days of collecting, he says he could fetch a vintage garb from $200 to $500. ‘It was one of the first times [auction houses] had done something like it; nobody had thought the costumes would ever be worth anything.’ As prices for movie costumes shot north over the years, especially Monroe-related items, Schreiner fell deeper in love with collecting all kinds of movie wardrobe items.
In 1987, Schreiner formalized the genesis for what is now Hollywood Revisited in a very small way — in nursing and retirement homes. Things snowballed after that. This year, Schreiner has shows booked in major theatrical houses around the country — from West Palm Beach and Santa Monica to Chicago. He is now heralded for being one of the most well-known collectors of classic movie costumes worn by Monroe, Davis, Elizabeth Taylor, Julie Andrews, Katherine Hepburn, Mae West, Judy Garland, and countless others. In fact, 30 of Schreiner’s costumes are on display in the Hollywood Museum.”
UPDATE: Hollywood Revisited will be staged again at the Colony Theatre in Burbank, Los Angeles on Match 26, to benefit the Musical Theatre Guild’s extensive youth outreach programs.