More details about the publication of Marilyn Monroe’s collected writings and artwork, due for release in September, from the US Macmillan website.
Fragments: Poems, Intimate Notes, Letters
By Marilyn Monroe; Edited by Stanley Buchthal and Bernard Comment
Farrar, Straus and Giroux, 9/28/2010
ISBN: 978-0-374-15835-4, ISBN10: 0-374-15835-5,
7 11/16 x 10 inches, 256 pages, 5-Color Throughout
Marilyn Monroe’s image is so universal that we can’t help but believe that we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety—and the way the camera fell helplessly in love with her.
But what of the other Marilyn? Beyond the headlines—and the too-familiar stories of heartbreak and desolation—was a woman far more curious, searching, and hopeful than the one the world got to know. Even as Hollywood studios tried to mold and suppress her, Marilyn never lost her insight, her passion, and her humor. To confront the mounting difficulties of her life, she wrote.
Now, for the first time, we can meet this private Marilyn and get to know her in a way we never have before. Fragments is an unprecedented collection of written artifacts—notes to herself, letters, even poems—in Marilyn’s own handwriting, never before published, along with rarely seen intimate photos.
These bits of text—jotted in notebooks, typed on paper, or written on hotel letterhead—reveal a woman who loved deeply and strove to perfect her craft. They show a Marilyn Monroe unsparing in her analysis of her own life, but also playful, funny, and impossibly charming. The easy grace and deceptive lightness that made her performances so memorable emerge on the page, as does the simmering tragedy that made her last appearances so heartbreaking.
Fragments is an event—an unforgettable book that will redefine one of the greatest stars of the twentieth century and which, nearly fifty years after her death, will definitively reveal Marilyn Monroe’s humanity.
RELATED POST: Commentary from Sarah Churchwell, author of The Many Lives of Marilyn Monroe
Prizewinning novelist Andrew O’Hagan’s The Life and Opinions of Maf the Dog and of His Friend Marilyn Monroe is a literary comedy full of philosophy, comedy and heartbreak.
‘The book is a miracle,’ wrote Edna O’Brien, ‘and already a classic’.
For this special event, Andrew O’Hagan leads an ensemble reading of Maf the Dog with some of Britain’s leading actors, including Ian MacDiarmid (Six Characters in Search of an Author, Star Wars) and Suzanne Bertish (Breakfast at Tiffany’s, The Hunger.)
“Considering the difficulty of Marilyn’s life, almost from the beginning, and her deep insecurities, it’s all the more remarkable to me that she never became really bitter or cynical, and that she was so brave and generous in the way she lived.”
An interview with Tara Hanks (alias Marina72, aka moi) on my novel The Mmm Girl, Marilyn and more, over at Moon in the Gutter
ES member MMcamera tells us there is a new Marilyn book in the works, similar to Jenna Glatzer’s Marilyn Monroe Treasures, which included facsimiles of original documents and memorabilia, and was released through Barnes & Noble in 2008.
Carlton Books are looking for fans who would be willing to share any items connected with Marilyn such as letters, receipts, notes, etc. Basically anything that could be reproduced.
If you or someone you know can help please contact:
Carlton Publishing Group
20 Mortimer Street
A new exhibition devoted entirely to Marilyn Monroe opened at the Hollywood Museum on June 1st, which also marked the 84th anniversary of Marilyn’s birth in Los Angeles. The exhibit combines the collections of Scott Fortner, and Greg Schreiner (president of the L.A.-based Marilyn Remembered fanclub.)
The first piece, biographical in tone, focuses on some of the popular misconceptions about Marilyn; while the latter post, intriguingly, refers to the eagerly-awaited collection of Marilyn’s writings, Fragments: Poems, Intimate Notes, Letters.
“Marilyn: Fragments is due for publication in October; I will have more to say about it then. But I will say this: many books (many books) have purported to be ‘in her own words’ since she died. This claim has been everything from highly arguable (such as her ghost-written ‘autobiography,’ My Story, which was co-authored by at least two writers, and probably ghost-revised after her death; it was certainly ghost-edited after her death) to the outright nonsensical (everything else). This book actually is Marilyn’s own words–it reproduces notebook pages, in her handwriting, and then transcribes them. That alone makes it worth reading.”