“The glamour of the 1950s came to White Waltham on Friday as Hollywood actors descended on the airfield.
Dawson’s Creek actress Michelle Williams will play Marilyn Monroe in the film My Week with Marilyn, now in production at Pinewood Studios.
On Friday, White Waltham airfield near Maidenhead was transformed into a 1950s airport, to film Marilyn’s arrival to the UK.
Extras were dressed as 1950s air stewards and stewardesses.
Jim Munro, who is a member of the West London Aero Club at White Waltham, said the airfield had been taken over on Thursday and Friday.
‘There was a huge encampment of marquees and luxury caravans. When I arrived there were a load of extras in 1950s outfits,’ he said.
‘Marilyn walked past me at close range.'”
“The way Marilyn explored her own despair. It often leaves you reeling, and it is always touching. She was very generous, endlessly giving of herself. What also struck me was the poetic brilliance of some of the writing, although the style is never affected. We know that she got her friends to read these texts, especially the writer Norman Rosten. But they weren’t designed for publication. They are intimate, but always very chaste. I was never in the slightest embarrassed as I read them. I can tell you that there are no revelations about her sex life, or about the Kennedys.”
are you the janitors wife
caught a Greyhound
Bus from Monterey to Salinas. On the
Bus I was the person
woman with about
sixty Italian fishermen
and I’ve never met
sixty such charming gentlemen—they
were wonderful. Some
company was sending them
downstate where their boats
and (they hoped) fish were
waiting for them. Some
could hardly speak english
not only do I love Greeks
[illegible] I love Italians.
they’re warm, lusty and friendly
as hell—I’d love to go to
From a 1951 notebook, written by Marilyn during filming of Love Nest. The first line is from the script; the second may have been written during filming of Clash by Night in Monterey less than a year later, shortly after her love affair with Italian-American baseball star Joe DiMaggio began.
This and other excerpts from Fragments: Poems, Intimate Notes, Letters are featured in ‘Marilyn and her Monsters’, an article for November’s Vanity Fair. A complementary piece, ‘The Writing on the Wall’, analyses Marilyn’s large, extravagantly looped handwriting (which I have often seen as a reflection of her open, generous yet somehow elusive spirit.)
This month’s updates include Fraser Penney’s review of Keith Badman’s new book, The Final Years of Marilyn Monroe; a profile of photographer Cecil Beaton, by Betsy Brett; and Tony Plant shares a 1961 interview with Marilyn by famed Hollywood columnist Louella Parsons, discussing life after divorce.
“6 August 1962, 21 York Road, Loughborough, Leics.
“[. . .] Isn’t it a sad shock about Marilyn Monroe? ‘The People’ (a British tabloid newspaper) made her sound very dopey, but I was shocked all the same. ‘The Mirror’ said her fan mail had shrunk from 8,000 to 80 a week! I’m sure Hollywood is a ghastly place to work in for anyone like her, everyone wanting to screw you and get a cut for doing it, nobody really helping you.”
Extract from Letters to Monica, a collection of correspondence between the English poet, Philip Larkin, and his longtime companion, the literary professor Monica Jones, which will be published later this month.
“I am tired. I am searching for a way to play this role. My whole life has always depressed me. How can I play such a gay girl, young and full of hope?”
A quote from Fragments: Poems, Intimate Notes, Letters by Marilyn Monroe
SYNOPSIS: There is no more recognized actress of the twentieth century than Marilyn Monroe. She starred in some of the greatest films ever made and had relationships with some of the most famous men in the world. Even after death she has continued to be surrounded by interest and controversy. Through over 170 beautiful photographs and approximately 20 rare and removable facsimile documents, “Marilyn Monroe: The Personal Archive” will uncover the private life of the star, revealing her crippling stage fright, insecurity, difficult childhood and her ambition to be the greatest actress the world had ever known.
CONTENTS: A Child at Heart; War Bride; Goodbye Norma Jeane; The Talk of Hollywood; Gentlemen Prefer “Dumb” Blondes; A Guy Named Joe; The Eight-Year Itch; The Egghead and the Hourglass; Some Like it Hot; The Misfit; Something Had to Give; A Bright Future Ended.
Cindy De La Hoz is a film historian who has written extensively on cinema and legendary cinematic figures. Her books include ‘Lucy at the Movies’; ‘A Touch of Grace: How to Be a Princess, the Grace Kelly Way’ and ‘Lana: The Memories, the Myths, the Movies’, which Leonard Maltin called “one of the best books about a star I have ever read”. Cindy also wrote Marilyn Monroe: Platinum Fox.
“In a few clips about Arthur Miller and Marilyn Monroe, the narrator states that Mailer had visited the Miller home, but Marilyn was not there. It turned out she was upstairs sequestered in a bedroom because she did not want to meet Mailer.”
Carole Mallory’s review of a new documentary, Norman Mailer: The American, alludes to Mailer’s fruitless pursuit of Marilyn Monroe, then married to his literary foe, Arthur Miller. After her death, Mailer would make Monroe the subject of two bestselling, if controversial books: the ‘factoid’ biography, Marilyn, and a fictional memoir, Of Women and their Elegance, both lavishly illustrated; and finally an off-Broadway play, Strawhead, in which Mailer’s daughter, Kate, played Marilyn.