Blogger Robert Horvat has listed his top 10 Marilyn movies on the Rearview Mirror site. With Some Like It Hot, Gentlemen Prefer Blondes and How to Marry a Millionaire heading the list, it’s a great selection – and Robert has also reviewed Niagara, Blondes and Bus Stop separately. (Personally, though, I would choose Clash By Night, Don’t Bother to Knock and The Prince and the Showgirl over The Asphalt Jungle, River Of No Return and There’s No Business Like Show Business.)
The Seven Year Itch will be screened at 7 pm on Monday, August 19 at the Naro Cinema in Norfolk, Virginia, capping off ‘Mal’s Movies’, a summer season of Hollywood classics selected by film and theatre critic Mal Vincent.
“The star, of course, is Marilyn, and that’s all that needs to be said. Based on the Broadway play, Billy Wilder’s classic comedy is devoted to the premise that husbands reportedly get an ‘itch’ after seven years of marriage. Such frenzy is encouraged by the fact that the wife is away for the summer, and Marilyn Monroe, playing a model, lives upstairs. It’s the perfect comedy for the summer. Tom Ewell is hilarious as the befuddled middle-aged husband who doesn’t quite know what to do with Marilyn. She is most avid about Rachmaninoff’s Second Piano Concerto and cooling off her underwear in the fridge. Summertime galore! Monroe’s comic gift is proven throughout.”
After the show, viewers will vote for their top four performances of the series – and Marilyn will be competing against the likes of Doris Day, Maureen O’Hara, Lana Turner and Rita Hayworth for the Best Actress title!
The Seven Year Itch is a perfect summer movie, and over at Bustle, Angelica Florio ranks it fourth among 26 Classic Rom-Coms Streaming Now That Made The Genre What It Is Today.
“There are the classics from your childhood and then there are the classics that invented the rom-com tropes that are still in play today. This Marilyn Monroe movie isn’t necessarily a feminist love story — Monroe’s character is simply called The Girl throughout — but it definitely influenced the genre.”
Streaming on Hulu.
“Boasting a Tomatometer Score of 98 percent and an Audience Score of 83 percent on Rotten Tomatoes, this 1953 release is a must-see.
The New Yorker‘s Richard Brody said, ‘Howard Hawks adds sly sexual insinuation to the blatantly sexual antics of Marilyn Monroe and Jane Russell in this scintillating 1953 adaptation of the stage musical based on Anita Loos’s novel,’ while David Fear of Time Out noted, ‘You won’t find a more elegant take on ’50s va-va-voom vulgarity or a more joyous paean to the cheesecake self-empowerment of two little girls from Little Rock.'”
On Marilyn’s 93rd birthday, Sophia Waterfield aggregates online ratings from Metacritic and Rotten Tomatoes to gauge the 10 highest scoring Monroe movies with critics and audiences today in a post for Newsweek. The results are surprising, with her dramatic roles in Don’t Bother to Knock and The Misfits tying for first place; followed by Gentlemen Prefer Blondes and The Asphalt Jungle, with perennial favourite Like It Hot coming in fifth. The ranking continues with All About Eve, Monkey Business, The Seven Year Itch, Niagara, and How to Marry a Millionaire.
Meanwhile on the Gold Derby website, Zach Laws and Chris Beachum pick their top 15, with Some Like It Hot, The Misfits and The Seven Year Itch on top. Three more of my favourites – Bus Stop, Clash By Night and The Prince and the Showgirl – occupy the 5th, 13th and 14th places respectively, with River Of No Return ranked 11th and There’s No Business Like Show Business at 15th. (Of all Marilyn’s major movies, Let’s Make Love is the only one not to make either list.)
It may not be the most prestigious honour Marilyn ever attained, but for what it’s worth (pun intended), she comes second only to fictional character Lara Croft in Invision Community’s list of the 10 Sexiest Slots Game Characters Around (with just one male entry, the Scandinavian Hunks, making the cut.)
The pearls worn by Marilyn in Richard Avedon’s publicity shots for Some Like It Hot have named as the most iconic pearl image in history, in a poll conducted by British chocolatier Thornton’s to promote their new ‘Thornton’s Pearl’ range, the Scottish Sun reports.
The BBC documentary series, Icons: The Story of the 20th Century, has concluded with viewers voting the code-breaking British scientist Alan Turing the overall winner. Marilyn came second to David Bowie in the entertainment category, but as several commentators have noted, none of the female candidates – including Marie Curie, Emmeline Pankhurst, and Virginia Woolf, among other luminaries – made it to the final round.
“The gender-challenged outcome came despite efforts from a range of experts to push women in their field. This, incidentally, is a tactic favoured by the authors of a Harvard Business School (HBS) report about the pitfalls of consumer voting: namely, using a ‘curated list’ to ensure choices aren’t biased in the first instance.
Viewers, however, were not to be swayed … although actress Kathleen Turner suggested either Marilyn Monroe or Billie Holiday could triumph over Charlie Chaplin or David Bowie, it was the man from Brixton who won the entertainers’ subset.
Does this mean TV executives should halt the public vote in an attempt to save face? Roger Mosey, who has held many top jobs at the BBC, including editorial director and director of sport, thinks not. ‘Programmers like interactivity and think it’s great to get people involved.’ But he warns that it’s ‘very, very hard to control a vote’, especially in the age of social media because the temptation to ‘have a laugh and subvert votes even more’ can be too great to resist.
In the case of BBC Icons, it isn’t clear whether more men voted than women; a spokesperson declined to reveal a gender split – or, indeed, any further details about the poll. Which isn’t to suggest that women would automatically vote for a female candidate … Mosey suggests that, perhaps, the show was simply flawed.
‘The problem with Icons is that it’s a not very good remake of Great Britons, made when Jane Root was the controller of BBC Two. The problem with Icons is you’re comparing lots of people who aren’t very alike really. They should have spotted that the whole series was a little bit on thin ice.'” – Susie Mesure, The Independent
“‘I wasn’t surprised,’ Clare [Balding] said when asked by host, Strictly Come Dancing‘s Claudia Winkleman, about the lack of women. ‘I’m a bit disappointed, but not surprised because I think you can’t be an icon unless you are allowed to have the limelight. I think the 20th century largely was the history of men, told by men and women have started to find their voice and started to find their feet so that if we did this programme all of us back again in 50 years’ time, we’d be looking at people like Oprah Winfrey or J.K. Rowling. We’d be looking at Madonna or Beyoncé or Lady Gaga. We’d be looking at Serena Williams or Malala, Michelle Obama. I think there are so many women who have an influence in their sphere and outside it and they’re beginning to have an impact now, but almost the 20th century was too short. We need to be knocking into the 21st.'” – Digital Spy
“All of these women were disregarded in one way or another during their career, so it’s unbelievably disappointing to see a repeat pattern all these years later … The accolades of most of the women included in the BBC longlist are known to the majority of modern day people. Voters made a choice to ignore these women once again.
But blaming the average person isn’t the solution. Society is still clearly receiving the message that women’s achievements are nothing in comparison to men’s. Although a select group of people recognise this isn’t true, it’s the unconverted that need to be preached to. The people who still say female sports players aren’t as good as men. The young people who still grow up unable to name five prominent historical women off the top of their heads. The people who display everyday sexism without even realising.
The BBC’s programme may have started out with the best intentions, but the outcome was a sad reflection of society’s views. Changing those views isn’t going to be a quick process. It’s going to take months, maybe years, of government-funded campaigns, of media organisations bringing women to the forefront, and of average people pushing back against inequality.” – Lauren Sharkey, Bustle
Last night, Marilyn was featured alongside Charlie Chaplin, Billie Holiday and David Bowie in the entertainment segment of the BBC series, Icons: The Story of the 20th Century. The episode was presented by actress Kathleen Turner, with biographer Sarah Churchwell and photographer Douglas Kirkland among the guests. Marilyn was nominated as an icon of glamour; or in Turner’s words, ‘the sex symbol who took on Hollywood.’
Her frank admission to having posed for a nude calendar, and later on her triumphant battle with Twentieth Century Fox and setting up her own production company, were cited as exemplifying her refusal to be bound by the limitations imposed on her by an industry which failed to recognise that she could have both brains and beauty. Sarah Churchwell praised her ability to spoof feminine stereotypes, with clips from Gentlemen Prefer Blondes showcasing her comedic skill.
The public vote was won by David Bowie, who will now be featured in the series finale. As noted in Mixmag, Marilyn came in second. Viewers in the UK (with a current TV licence) can watch the full episode here.
Thanks to Fraser Penney
Marilyn is one of just 28 people nominated by an expert panel for the new BBC TV series, Icons: The Story of the 20th Century. This 8-parter invites viewers to vote for the greatest icon of them all. Also in the entertainment category are Charlie Chaplin, Billie Holiday and David Bowie. All four will be featured in the second episode, on BBC2 at 9 pm on Tuesday, January 15, with actress Kathleen Turner among the advocates; and the result will be announced the following day on The One Show (on BBC1 at 7 pm.) The live final is scheduled for February 5 at 9 pm on BBC2.