After launching a limited edition Marilyn figurine in their Hollywood store last year (see here), Funko Pop have announced a new model inspired by The Seven Year Itch to be launched this Spring as Sean Fallon reports for the Comic Book website. The black-and-white version, due in May, is also limited edition (pre-order here), but the colour doll will be mass-produced, and is available in April (pre-order here.)
Marilyn never met Bob Dylan, but he’s a fan of hers (see here.) Now Bert Stern’s photos of Marilyn meet Jerry Schatzberg’s shots of Dylan in Bob and Marilyn, on display at the Galerie Dina Vierny in Paris until March 31.
As Shelby Rowe Moyer notes in her ‘History of the Polka Dot’ for South Sound magazine, Marilyn wore a number of polka-dot dresses (and a bikini) to great effect. Originally known as Dotted Swiss, the print took off during the Industrial Revolution and later renamed after the Polka, a Czech peasant dance popularised in the 1830s.
In 1926, the year Marilyn was born, Norma Smallwood seized victory in the Miss America contest wearing a polka-dot bathing suit, and launched a fashion craze. In 1952, Marilyn wore an ivory rayon Ceil Chapman dress with oversized red polka dots while visiting Atlantic City, where she greeted contestants in that year’s Miss America pageant. A year prior, she had caused sensation on the Love Nest set by sporting a bikini with hot pink polka-dots designed by Renié, and considered daring for the era.
The white cotton halter-neck sheath dress that Marilyn wore to Grauman’s Chinese Theatre in 1953, designed by Dorothy Jeakins, wasn’t quite ‘polka-dot’ but spotted with eyelets. Marilyn makes her first entrance in The Seven Year Itch (1955) wearing a polka-dot dress, one of Travilla’s spectacular designs for the film. And finally, she wore a blue polka-dot sundress for a photo shoot with Sam Shaw in 1957.
LIFE magazine photographer Bill Ray, who got the scoop of a lifetime when he captured Marilyn’s singing ‘Happy Birthday Mr. President’ at Madison Square Garden in 1962, has died aged 83, the New York Post reports.
Born in Shelby, Nebraska, Bill joined the Omaha Camera Club aged eleven and built a professional darkroom in his family home. At seventeen, he got his first newspaper job in Lincoln; and in 1957, after excelling in a photographic workshop in Hannibal, Missouri, he moved to New York to work for LIFE. During the 1960s, he worked extensively in Paris and Hollywood.
Bill and his wife of 62 years, Marlys Ray, lived in an apartment overlooking Central Park in Manhattan. He died of a heart attack on January 8, 2020.
“‘It had been a noisy night, a very ‘rah rah rah’ kind of atmosphere. Then boom, on comes this spotlight. There was no sound. No sound at all. It was like we were in outer space. [Marilyn’s dress] was skin-colored, and it was skin-tight. It was sewn on, covered with brilliant crystals. There was this long, long pause … and finally, she comes out with this unbelievably breathy, ‘Happy biiiiirthday to youuuu,’ and everybody just went into a swoon. I was praying [that I could get the shot] because I had to guess at the exposure. It was a very long lens, and I had no tripod, so I had to rest the lens itself on the railing, and tried very, very hard not to breathe … If you got a picture from the front, everybody else would have it on the front page the next day and it wouldn’t be good for LIFE. You always needed something different. I had this idea that if I got way up I could shoot over Marilyn’s shoulder and have Kennedy in the picture. There was one slightly before that’s a little blurry because of the 300 mm lens. Shortly thereafter the lights went out and she disappeared, and the next thing I knew JFK was up on the stage. If I’d been luckier, there would have been a tiny bit of light that would have spilled onto Kennedy, who was over her shoulder between the podium and her head. ”
Rapper Eminem’s surprise new ‘horrorcore’ album, Music to Be Murdered By, is supposedly influenced by Alfred Hitchcock, but its violent, misogynistic themes are nothing new. In a post cataloguing the album’s cinematic references, Screen Rant‘s Q.V. Hough notes that among the new tracks, ‘Little Engine‘ includes a sampled intro from Hitch himself, plus a nod to murdered actress Sharon Tate and a drug-fuelled allusion to Marilyn (‘I’m losin’ control / Heroin and blow, Marilyn Monroe …’) Neither is very accurate, as Tate was stabbed to death, not shot as Eminem claims; and Marilyn never used heroin or cocaine (blow.) Both women deserve better.
When pin-up queens Marilyn and Jane Russell teamed up for Gentlemen Prefer Blondes, reporters predicted a mighty feud – but they quickly struck up a close bond, onscreen and off, and many fans consider Jane the best co-star Marilyn ever had. As the Northern Light reports, at the Semiahmoo Resort near Blaine, Washington State on January 29 from 7-9 pm, Ron Miller, author of Conversations With Classic Film Stars, will consider their pairing in the second part of his free film series ‘When Rivals Meet’, alongside Fred Astaire vs Gene Kelly, Bette Davis vs Joan Crawford, and others.
A souvenir album featuring images from the star-studded gala for John F. Kennedy’s 45th birthday at Madison Square Garden in 1962 will soon go under the hammer at RR Auctions as part of an extensive archive of memorabilia relating to the former president. The sale ends on January 23, with a starting bid of $1,000 for the album, although auctioneer Robert Livingston hopes that this private collection, with an estimated value of $1.5 million, will be sold as a single lot.