Canadian-American musician Meghan Remy aka U.S. Girls is about to release her sixth studio album. In an interview for The Ringer, Meghan takes Lindsay Zoladz on a sightseeing tour of New York, including the subway grate on Lexington and 52nd Street where Marilyn shot an iconic movie scene, while her marriage fell apart.
“The night that iconic photo of Marilyn Monroe was taken—you know the one: stilettos on a subway grate, billowing white dress—Monroe and her husband Joe DiMaggio got into a screaming match. The fight was partially about the photo itself: While shooting The Seven Year Itch, the studio had savvily leaked Monroe’s whereabouts to the press, and by the time Billy Wilder was ready to roll camera on what would become the most notorious scene in the movie, several thousand onlookers had shown up to watch. (They were almost all men, but I hardly need to tell you that.) DiMaggio was there, and he wasn’t too keen on what he took to be his wife’s public exhibitionism. When she showed up to set the next morning, Monroe’s hairdresser applied foundation to hide fresh bruises. She filed for divorce from DiMaggio before The Seven Year Itch wrapped.
‘We’re constantly presented with this smiling Marilyn,’ says Meg Remy, the singer and eccentric creative mastermind behind the band U.S. Girls. ‘But for some reason, when you have all the information, it just feels so heavy.’
I should mention that Remy is speaking into a headset, as she drives a rented, 15-seat van deftly through the streets of Manhattan. In anticipation of the release of U.S. Girls’ new album In a Poem Unlimited—the most ambitious and, as it happens, best album of Remy’s decade-long career—her label suggested a listening party for fans and members of the press. Remy asked around enough to learn what a listening party was, and, ever the DIY-minded eccentric, then decided it just wasn’t her style. What she came up with instead was this: a van tour of ‘sites of injustices in New York City,’ written and narrated by Remy herself, while we listen to the new album in the background.”