Marilyn’s final, ‘modest’ home at 12305 Fifth Helena Drive in the Los Angeles suburb of Brentwood – bought less than a year before her death, and the only property she ever owned – is back on the market for $6.9 million, Mark David reports for Variety. (It was last sold in 2010 for $3.8 million. For the definitive account of her time at Fifth Helena, read Cursum Perficio: Marilyn Monroe’s Brentwood Hacienda by Gary Vitacco Robles.)
“The bottle blond bombshell personally searched for and purchased the 1929 Spanish hacienda style home in the coveted and star-studded Helenas district in early 1962. Some reports say she paid $67,000 and others $90,000.
Privately and securely situated at the end of an itty-bitty cul-de-sac behind a high wall, secured gate and canopy of trees on what marketing materials declare as the ‘largest parcel of all the Helena streets,’ the red tile roofed, single-story residence measures in at an extraordinarily modest by today’s celebrity standards 2,624 square feet. Renovated, updated and expanded over the years by the various owners, the residence retains a number of original architectural details such as thick white stucco walls, casement windows, some fitted with wrought iron grills, terra-cotta tile floors, Gothic arch doorways, and vaulted, exposed wood ceilings.
The Helenas, a series of 25 tiny cul-de-sacs that run from San Vicente Boulevard to just above Sunset Boulevard at the eastern edge of the posh Brentwood Park neighborhood, has long been attractive to Tinseltown types.”
Dr Rock Positano’s memoir, Dinner With DiMaggio – first announced back in 2015 – will be published in May, and is already attracting coverage in celebrity magazines and on gossip websites.
Marilyn’s relationship with Joe is the subject of a cover story in the current issue of Closer Weekly (USA only.) And Radar Online has claimed that their marriage ended because she was unable to have children. In fact, Marilyn left Joe because he was too controlling. While Marilyn certainly wanted children, she wasn’t ready during their marriage because of her burgeoning career.
“From Joe’s point of view, they didn’t stay married, because Marilyn was not able to have children. It was as simple as that,” Positano writes. “Joe wanted kids, and Marilyn could not have them.” However, when reporters at their wedding asked if they wanted children, Marilyn said “six,” only for Joe to interrupt, as if correcting her: “one.”
While Marilyn certainly wanted to be a mother – she suffered at least two miscarriages during her later marriage to Arthur Miller, and even considered adoption – I don’t believe it was a priority during her marriage to Joe. And such was Joe’s enduring devotion to Marilyn, I don’t believe he would have divorced her for that reason either.
Over at Refinery 29, Valis Vicenty investigates how Marilyn’s beauty tips hold up today – saying ‘yes’ to bedroom eyes and contoured lips, but ‘no’ to Vaseline. The article rather overestimates the influence of Max Factor – Marilyn perfected many of her unique flourishes by herself, or with Fox makeup man Allan ‘Whitey’ Snyder – but is otherwise an interesting look at how new technologies have streamlined our routines.
Plays about Marilyn are increasingly popular, though often of dubious quality. But Leonor Bethencourt scores top marks for originality, using Marilyn’s brief stopover at Shannon Airport (while flying home to New York after filming The Prince and the Showgirl in November 1956) as a starting point for a zany one-woman show, as Charlie McBride reports for the Galway Advertiser. In Marilyn Monroe Airlines: Always Late and Unreliable! she plays Marilyn-worshipping air hostess Zocorro. You can catch the play at the Cava Bodega restaurant on April 20-21, as part of the Galway Theatre Festival.
“Zoccoro is the sole crew member of an accident-prone budget airline, one who proudly perpetuates the spirit of Marilyn Monroe. Simmering with raw emotions, this is a comedy about flying and reaching for the stars. How can Zocorro, masked Spanish ingénue, sustain the teasing sensuality demanded by the aviation business? Marilyn has the answer…
‘Zocorro is like a female Zorro, she wears a mask like his,’ Bethencourt tells me. ‘She’s from a small village in Spain and finds herself in different situations. In my previous show, Zocorro – Rose of Tralee, she infiltrated that contest by pretending to have Irish roots and this show is a different adventure in which she is committed to perpetuating the memory of Monroe on a budget airline.’
Bethencourt herself is Hispano-Irish, with her mother hailing from Strabane and her father from Madrid where she grew up. She expands on the character of Zocorro: ‘As a child, Zocorro took an overdose of iron tablets and was taken to hospital. Doctors were all around her, and she realised then how to be the centre of attention which is a big factor with her. Being an air hostess everyone has to listen to her so she enjoys that attention and also the safety and comfort of the passengers depends on her.’
‘She relates different adventures that happened with Marilyn Monroe Airlines– it has a lot of security issues, there is a good chance at any time that things will go wrong. The nervousness passengers might feel on the flight is like how Marilyn Monroe was unable to leave her trailer during film shoots because of stage fright.'”
UPDATE: You can read a review of the show here.
The annual Hollywood Legends auction at Julien’s, set for April 29, features a number of Marilyn-related items, including a 1961 check book which, as UK tabloid The Mirror reports, shows she was overdrawn at the time.
Here are some of the more unusual lots…
“A Marilyn Monroe novelty game night set. The Brown & Bigelow set contains two decks of playing cards, one showing Monroe in the ‘A New Wrinkle’ pose and one of Monroe in the ‘Golden Dreams’ pose from her 1949 Red Velvet photo session with Tom Kelley, and a set of four tin coasters showing Monroe in the ‘Golden Dreams’ pose and ‘Marilyn Monroe’ printed on each. Contained in a black flocked presentation box, stamped with an image of Monroe and branded text that reads ‘Always First/ with the Best Figures/ T D F CO.’ at lower right.”
Rare photos taken by Bruce Davidson during filming of Let’s Make Love.
A number of items related to photographer John Florea, including this contact sheet from the ‘Heat Wave’ number in There’s No Business Like Show Business.
A personal note from photographer Zinn Arthur to Marilyn and Milton Greene, probably penned during filming of Bus Stop.
And an invitation to the 1961 Berlin Film Festival…
This lovely image of Marilyn performing for US troops in Korea during her morale-boosting 1954 tour, taken by photo-journalist Eddie Adams, is featured in a new book, Eddie Adams: Bigger Than the Frame, reports The Guardian.
Posing as Marilyn is becoming a rite of passage for ex-Disney starlets: following Dove Cameron’s recent lead is Bella Thorne, in a new shoot by Mona Kuhn for Harper’s Bazaar, channeling Douglas Kirkland’s legendary 1961 session. Madonna and Christina Aguilera are among earlier stars who’ve paid homage; Kirkland has himself recreated the scene with Angelina Jolie. Over at Yahoo Style, Hayley Fitzpatrick looks back on other celebrity tributes to Marilyn, both in and out of those silky sheets.
A four-page spread is devoted to Marilyn in Classic Film: Your Essential Guide to Retro Cinema, a one-off special from UK magazine Total Film. “Though she may be plastered on everything from commemorative plates to clothes, Monroe is worth checking out on celluloid,” the article begins. “An underrated comedienne, a seductive on-screen femme fatale and a mesmerising star, she left an indelible impression on cinema and popular culture. Miss Monroe, we salute you!”
Released last month, you can still buy it at good newsagents or online (I found it here.) The large-format edition looks back at more than a century of movie history, although the focus is mainly on the 1950s onwards. There are some interesting quotes about Marilyn from her directors and co-stars, as well as more recent acolytes like Michelle Williams and Naomi Watts. Unfortunately, two of the quotes attributed to Marilyn are fake – can you spot them?
Thanks to Fraser Penney
An original review of Maurice Zolotow’s 1961 biography of Marilyn – the first detailed study of her life – is republished today in The Guardian, with critic Richard West proving that highbrow condescension is nothing new. (The above dedication was penned by Zolotow for teenage superfan James Haspiel, with Marilyn adding her two cents below.)
“The British intelligentsia are suckers for the Cinderella myth. Show them a pin-up girl turned movie star and they will rush to recognise her as a ‘natural actress,’ ‘a born comedienne,’ or ‘artlessly touching.’ One can think of at least three beautiful women, with no acting capabilities whatsoever, who have been acclaimed as actresses by the serious British critics. The same critics had very probably jeered at these same girls when they were merely ‘sex symbols.'”
Marilyn Monroe: Auction of a Lifetime, a new documentary about last November’s dedicated sale at Julien’s Auctions, will be aired on Channel 4 in the UK tonight at 9pm.
UPDATE: You can read my review here.