Marilyn: Celebrating an American Icon – the touring exhibit focusing on the imagery that made MM go global – is due to open at MAMA Albury in Australia on February 12, with a late addition of rare photos depicting a young Marilyn, taken by Art Meyers in Chicago during the Love Happy promotional tour of 1949, and provided by a local businessman, Colin Glassborow, reports the Sydney Morning Herald.
“Mr Glassborow, 71, says he was bequeathed 12 photographs of the star by his American friend Art Meyers, a freelance photographer who was hired to follow Monroe around Chicago’s Wrigley Stadium in 1949.
Later that day Meyers also photographed the then 23-year-old starlet sitting with the actor Roddy McDowall at Chicago’s infamous Ricketts’ nightclub.
Mr Glassborow, who owns Albury Building Supplies, said he met Meyers when he visited the Playboy building in Chicago in 1974. They became friends after Meyers offered to show him and his brother around Chicago, and over the years holidayed together. Meyers also visited him in Albury in 1995.
‘There are 12 altogether,’ Mr Glassborow said of the black and white photos, prints of which he started selling online via his website marilynmonroe-photos.com to help Meyers financially before the photographer died, at the age of 90, in 2010. He loaned eight images to the museum, six of which will go on display from Friday.
‘He was a freelance photographer at the time and he happened to be there … they were having a pro celebrity match with old legends and Hollywood celebrities,’ Mr Glassborow said of the Wrigley Stadium event Meyers photographed.
‘He was asked if he would take photographs at the old Ricketts’ nightclub … Al Capone used to visit there apparently.’
‘She was there with Roddy McDowall,’ he said of Monroe. ‘She’d only been in bit parts in three small movies, but the next year she got more with it and in a couple of years she was a household name, she quickly took off.’
‘A lot of people are in awe of the photograph,’ he says of the image of Monroe with McDowall, which he has had colourised and blown up, and displays in a gold frame in his secretary’s office.”