Margaret Atwood’s ‘Marilyn Monroe-Bot’

rare13One of the world’s leading authors, Margaret Atwood, has referenced Marilyn in her latest sci-fi novel, The Heart Goes Last. “Elvis really put it out there,” she told Toronto Metro. “I was also a Marilyn fan. It’s my little homage to the Elvises and the Marilyns.”

Atwood, who is Canadian, begins the chapter entitled ‘Black Suit’ with a reference to MM’s sultry performance in Niagara. In another chapter, ‘Dressups’, a character transforms into a Marilyn-style robot. (A ‘Monroebot’ previously featured in a 2001 episode of the animated series, Futurama.)

Here’s a sneak preview of The Heart Goes Last, which first appeared as an online serial…

“Black flatters me, thinks Charmaine, checking herself in the powder room mirror. Aurora had known where to take her shopping, and though black has never been her colour, Charmaine’s not negative about the results. The black suit, the black hat, the blond hair – it’s like a white chocolate truffle with dark chocolate truffles all around it; or like, who was that? Marilyn Monroe in Niagara, in the scene right before she gets strangled, with the white scarf she never should have worn, because women in danger of being strangled should avoid any fashion accessories that tie around the neck. They’ve shown that movie a bunch of times on Positron TV and Charmaine watched it every time. Sex in the movies used to be so much more sexy than it became after you could actually have sex in the movies. It was languorous and melting, with sighing and surrender and half-closed eyes. Not just a lot of bouncy athletics.

Of course, she thinks, Marilyn’s mouth was fuller than her own, and you could use very thick red lipstick back then. Does she herself have that innocence, that surprised look? Oh! Goodness me! Big doll eyes. Not that Marilyn’s innocence was much in evidence in Niagara. But it was, later.”

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