A one-off benefit performance of the Bombshell musical, by the cast of TV’s Smash – set for June 8 at New York’s Minskoff Theatre – has become the most successful theatre campaign to date on crowd-sourcing website Kickstarter, raising over $300,000 for the Actors Fund, with a large number of donations coming from fans of the axed TV show, reports Vulture.com.
“It’s Smash‘s music that seems to be the selling point — even fans acknowledge the plot’s shortcomings. ‘The show itself maybe faltered a bit with the story,’ [Mike] Taylor said, ‘but the music and performances were solid. Jennifer Hudson sang a song from Smash at the Oscars this year — I would have never expected that. And why did it happen? Because it’s great music.’ Amy Poe, a 31-year-old public-school-theater teacher in the Washington, D.C., area, was an early donor who heard about the concert on Twitter. ‘Glee to my kids was like an after-school special; they’re like, That doesn’t really happen in high school. But showing the slow progression of theater like Smash did, that’s real to them.’
Though rumors circulated during Smash’s run that Bombshell could potentially make a Broadway transfer, that was never the plan. The songs for Bombshell had to serve both the needs of the musical within the show and what was going on in the characters’ lives. As such, Bombshell never had a real book, and Shaiman and Wittman [songwriters] still don’t consider it viable as a stand-alone musical.
The Broadway benefit will include most of the Bombshell songs — Shaiman notes they will likely axe three songs to cut down on length. Scott Wittman and Josh Bergasse — who choreographed Smash — are directing the concert; [Will] Chase, [Megan] Hilty, Katharine McPhee, Christian Borle, and Debra Messing are all confirmed to appear. ‘A lot of the talented people who worked on Smash had roles that didn’t require any singing, but we’re going to try to involve them,’ Shaiman says. ‘There might end up being a Marilyn song sung by men. Also to give Megan and Kat a chance to catch their breaths. We don’t want either of them to die. Or for their throats to start bleeding.'”