On the 88th anniversary of the birth of Marilyn, The Playlist selected five of her greatest movie performances yesterday (in Niagara, The Seven Year Itch, The Prince and the Showgirl, Some Like it Hot and The Misfits.) While I don’t agree with all of their comments, it’s great to see Monroe’s cinematic legacy getting proper attention.
Some of MM’s other roles were also given honourable mention, although Clash by Night and Don’t Bother to Knock have been omitted.
“But it’s easy to overlook her screen achievements with the legend, and the woman born Norma Jeane Baker in Los Angeles in 1926 was a star for a reason. Despite being slighted as a weak actress by some, she was an accomplished comic talent, and capable of far more when she was allowed.
Of those early supporting turns, it’s The Asphalt Jungle and All About Eve that make the most impact, the former as Louis Calhern’s beguiling mistress in John Huston’s excellent noir, the latter as an aspiring actress, a graduate of ‘The Copacabana School of Dramatic Art.’ Her supporting performance in Howard Hawks’ Monkey Business, with Cary Grant and Ginger Rogers, released just before she became a star, is also worth checking out.
She reteamed with Hawks, joined by Jane Russell, to far greater effect on Gentlemen Prefer Blondes, arguably the film that cemented her stardom, even if the film doesn’t hold a candle to Some Like It Hot, something doubly true of the same year’s How To Marry A Millionaire, although the central trio of Monroe, Betty Grable and Lauren Bacall is undeniable. Finally, she was nominated for a Golden Globe for Bus Stop, as a small-town singer who’s borderline-stalked by a rodeo rider. The film is a somewhat uncomfortable watch, but it’s a good showcase of Monroe’s range.”