Pure Cinema: Revisiting ‘Gentlemen Prefer Blondes’

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Writing for the Chicago Reader, Ben Sachs reviews Gentlemen Prefer Blondes, recently screened in the city. Though he focuses more on Howard Hawks’ direction than Marilyn’s performance, it’s an interesting read. He examines Jane Russell’s ‘Ain’t There Anyone Here For Love?’ setpiece in depth, though as a comment below the article notes, this was actually choreographed by Jack Cole, and that by choice, Hawks had comparatively little input on the musical numbers.

“What I want to address here is how¬†Gentlemen Prefer Blondes¬†approaches what Alfred Hitchcock called ‘pure cinema’, the conveyance of meaning through the harmonious interplay of all aspects of filmmaking. The presentation of Marilyn Monroe and Jane Russell in front of single-tone backdrops is one example of this. Against the bold color, they seem, literally, like jewels, and this underscores the Monroe character’s materialism as well as the overpowering charisma of both women.”

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