This giant image of Marilyn, in her iconic ‘skirt-blowing’ pose from The Seven Year Itch – alongside a traditional Geisha – in a Japanese rice field is part of an annual ‘Tanbo Art’ display, reports EuroNews.
During her 1954 visit to Japan with then-husband, Joe DiMaggio, Marilyn was photographed with a group of Geishas.
After Marilyn’s death, Vogue editor Diana Vreeland said, ‘She was a geisha. She was born to give pleasure, spent her whole life doing it, and knew no other way.’
And one of Monroe’s most recent biographers, Lois Banner, has referred to Cecil Beaton‘s 1956 diptych – which Marilyn kept, framed, on her piano – as ‘the geisha photograph.’