Another Warholian take on Marilyn, first exhibited in 1986, goes under the hammer at Christie’s Post-War and Contemporary Art Sale, on May 15, with an estimated price of $5,500,000 – $6,500,000.
After a troubled second season, Smash will not be renewed by NBC, it has been confirmed. The final episode will air on May 26. Katharine McPhee told the Hollywood Reporter:
“Sure, I wish that it could have five more seasons, but we had two great seasons and all I can say is I loved every moment of it. I loved getting to the set, I loved the people, I loved my crew. We did amazing things on the show in two years.
With this business, you can never predict what people are going to like or love or hate. All I know is that when the show started and people were so excited about the pilot, I was excited to finally be a part of something that could showcase me. Everyone has perceptions about what you’re capable of and what you can do and this show was a huge gift.”
The DiMaggios: Three Brothers, a new book by Tom Clavin, explores the family dynamic of Joe, Dom, and Vince DiMaggio, all legends in the world of baseball. It’s available to order now in hardback, and published on May 14 via Kindle.
“Paul Simon famously asked: ‘Where have you gone Joe DiMaggio?’ Clavin — author of bios on Roger Maris and Gil Hodges — also wonders about Joe’s older brother, Vince, and younger brother, Dominic. Vince, a two-time all-star, paved the way by going against their fisherman father’s wishes by ‘wasting time’ playing ball. He had difficulty making ends meet after baseball. Superstar Joe, who had difficulty adjusting to his ill-fated marriage to Marilyn Monroe, was famously private. Dom, a seven-time all-star center fielder for the Red Sox, became a successful businessman and family man, and was the best adjusted of the brothers — whom Sox teammate and friend Ted Williams always said belonged in the Hall of Fame.”
Love, Marilyn begins a limited theatrical release in Hong Kong on May 16, reports Time Out.
Spanish director Pedro Almodovar – who paid homage to Marilyn in his 2009 film, Broken Embraces – has praised her again in a recent interview for the Yorkshire Post, describing MM as one of the few method actors who could play comedy:
‘”To me, Saturday Night Live seems like cabaret, the cradle for decades of the best American comics. The Actor’s Studio, however, with all the respect and admiration it deserves, seems just the opposite to me,’ he explained. ‘Brando, a comedy actor? No. And he tried it. He even sang and danced in Guys and Dolls, stiff as a board, but Brando was too self-aware. I don’t know if Montgomery Clift ever actually tried it but I can’t imagine him. Or James Dean. Or Daniel Day-Lewis.”‘I don’t debate his greatness but no matter how thin he is, Daniel Day-Lewis can’t manage to give the slightest sensation of lightness,’ Almodovar candidly stated. But surely, there must be someone who bucks the rule? Someone who managed to get the highest dramatic training, yet could still be effortlessly light and funny? Well, there is: ‘Marilyn Monroe is still the exception. Adopted by the Strasbergs, she managed to overcome the weight of the Method.'”
“Like a film, you’re telling the story visually in a comic book so first I would highlight any information that I thought was especially interesting and that we haven’t all heard a million times. I loved that she and Shelley Winters were roommates and that they got drunk with the poet Dylan Thomas one night, which ended with him crashing a car into Charlie Chaplin’s tennis court. To me that’s more fun and worthwhile than rehashing the conspiracy theories about her death or talking about her affair with JFK. You can’t fit it all in, so you set the tone, find out what really moves you about this person and their life, and hope other people agree.
I think after My Week With Marilyn and all the new books about her, people understand that Marilyn Monroe wasn’t some vacant bombshell. She seemed incredibly smart, complicated, and passionate about acting and books and art in general. There’s no question she was vulnerable, but that doesn’t mean she was weak. She was also such a talented actress; her “wiggle” and her kind of air-headed persona were a creation. She didn’t just walk onto a set and act natural. In Gentlemen Prefer Blondes she’s as hilarious as Amy Poehler, Kristen Wiig, or Tina Fey are today. Her comedic timing was pretty impressive.”