Actress Megan Fox has been making headlines this week after a baffling interview with writer Stephen Marche, for Esquire magazine, in which he bizarrely likened her to an ‘Aztec warrior’. The piece has since been widely lampooned across the blogosphere.
Elsewhere in the article, Megan (yet again) explained why she decided to remove her Marilyn Monroe tattoo. At this point, she brought poor Lindsay Lohan (who has already suffered enough bad press to last many lifetimes) into the discussion, and everything went pear-shaped.
“She holds out her right arm to show me her tattoo of Marilyn Monroe. All that remains of Marilyn is a few drops of black against skin that is the color the moon possesses in the thin air of northern winters. She decided to get it removed, and after a single treatment the sex symbol of another age is barely recognizable. ‘I feel like I willed it be gone,’ Fox says. ‘They told me it was going to take six sessions and it’s nearly gone in one.’
The reason is that Marilyn Monroe lost control. ‘I started reading about her and realized that her life was incredibly difficult. It’s like when you visualize something for your future. I didn’t want to visualize something so negative.’
But she was a great actress, a great icon, a figure of power.
‘She wasn’t powerful at the time. She was sort of like Lindsay. She was an actress who wasn’t reliable, who almost wasn’t insurable…. She had all the potential in the world, and it was squandered,’ she says, curled defensively on the sofa. ‘I’m not interested in following in those footsteps.’
‘Ava Gardner. She had power. She was a broad. She got what she wanted and said what she needed.’
Ava Gardner did have control, over herself and others. But even as Fox says the name, a self-aware smile plays over those ultrasymmetrical lips. Self-awareness is her most attractive feature.
It’s not like Ava Gardner ended that well, either.”
Megan responded to the article on her Facebook page:
“I attempted to draw parallels between Lindsay and Marilyn in order to illustrate my point that while Marilyn may be an icon now, sadly she was not respected and taken seriously while she was still living.
Both women were gifted actresses, whose natural talent was lost amongst the chaos and incessant media scrutiny surrounding their lifestyles and their difficulties adhering to studio schedules etc.
I intended for this to be a factual comparison of two women with similar experiences in Hollywood. Unfortunately it turned into me offering up what is really much more of an uneducated opinion.”
However, in contrast to Megan’s comments, MM was Hollywood’s most bankable star for much of her career. Her personal problems were not widely known until after her death.
Nonetheless, the comparison has been seized upon by the media, eager for any dirt on the troubled Lindsay. Another writer, Stephen Rodrick, made the Monroe comparison last week in an article about Lohan, reports the Huffington Post:
“‘There’s talent in there,’ Rodrick, who describes Lohan as ‘fragile’ and a ‘tornado’,explains to the NYT. ‘She has that undefinable It quality. You can see it at certain moments in the film. The frustrating/tragic thing, and Lindsay would be the first to admit it, is getting that talent out of her over the past few years has been nearly impossible. That’s why I called the piece The Misfits, after Marilyn Monroe’s last film, one that [Paul] Schrader and the crew were constantly talking about on set. You can’t argue that Lindsay has the talent or resume of Monroe, but there is that same feeling of talent slipping away, perhaps permanently.'”
Here’s a final word from Monroe fan Ashlee Davis:
“It bothers me to no end that these celebrities have to drag Marilyn’s character down with their loose comparisons and constant ‘channeling’ of her image. Marilyn wasn’t cheap, but her image is often sold that way, and it’s not because of her own doing – it’s because of the cheap mockery. These users take no care to respect Marilyn as a person while poorly mimicking her or even just talking about her in order to seem relevant. Lindsay Lohan, Megan Fox, Lady Gaga, Courtney Stodden – all of these women drag Marilyn’s memory through the mud when they reduce her to a visual icon, re-post fake quotes to millions of fans, and paint her as nothing more than a tragic victim of Hollywood. Any comparisons drawn between Marilyn and any of these people should be left at the fact that they are using her for visual inspiration and failing to recreate any of her natural beauty or class.”