The final extract from Patrick McGilligan’s Nicholas Ray: The Glorious Failure of an American Director concerns Ray’s reaction to Marilyn’s death.
Ray was filming 55 Days at Peking in Spain when he heard the news. (The magazine cover above shows a rather gossipy Confidential article about Marilyn and Ray from 1956, available to read at Everlasting Star.)
“The first week of August brought the bulletin that Ray’s old flame Marilyn Monroe had been found dead in the bedroom of her Brentwood home. More than Humphrey Bogart’s death, Monroe’s sudden passing, at thirty-six, seemed a personal augury to Ray. He had loved the blond sex symbol, for her obvious qualities but all the more for her elusiveness; now he would never have the chance to direct her in a motion picture. Monroe’s death left Ray ‘deeply shocked and grieved,’ according to news accounts, but the director could not leave the high-pressure filming in Spain and had to content himself with sending a floral display to her funeral.”
In later years, Ray criticised John Huston’s direction of The Misfits:
“In interviews, Ray himself tended to denigrate certain filmmakers by name. Though, for example, he praised Marilyn Monroe’s last picture, ‘The Misfits’, directed by John Huston, Ray said it was ‘not as good as The Lusty Men,’ his rodeo film.”