“Michelle Williams’ performance is really quite extraordinary. And as you could hear even in the clip that you played there, she gets the voice unbelievably well. And she also gets Monroe’s in trademark mannerisms. But she resists the temptation to fall into the stereotype of the breathy whisper. She lets her speak like a human being and yet, it sounds and looks like Marilyn. So, that part I think they do really well.
Overall, however, the problem is, is what they’ve chosen to do is to film a story that is only very broadly based in fact. And a lot of its claims, I think most people who know about Marilyn’s life and work are pretty skeptical of the claims of the author of this book to have had some kind of a fling with her.
I mean, look, the basic facts of it are perfectly true. He was the third assistant director on “The Prince and the Showgirl,” which was made in 1956. He certainly met Marilyn and worked with her…(But) he does claim that she told him all kinds of intimate details, which coincidentally appear in virtually every biography of her.
So, there’s nothing in these books specifically about Marilyn that he couldn’t had found out. And more importantly, he waited some 40 years after the fact to publish them, which does make one think, you know, having read all of these biographies, that he capitalized on her fame and her familiarity and wrote a couple of books claiming a little bit more than happened.”