Over at Film School Rejects, an interesting review of Nicolas Roeg’s 1985 fantasy, Insignificance:
“We may be introduced to Monroe in a staging of the famous upskirt moment from The Seven Year Itch (1955), but this moment is de-authenticated and deconstructed as we’re shown the complex process of staging a deliberately career-defining moment. Later, Monroe explicates the Theory of Relativity to Einstein using some balloons, flashlights, and model trains. Insignificance poses that neither of these manifestations of Monroe are more ‘authentic’ than the other. That the film also co-stars Curtis – who famously co-starred with Monroe in Some Like It Hot (1959) and whose character attempted to comically seduce Monroe’s – acting here as McCarthy trying to seduce Monroe further confounds the line between the authentic and the artificial in the construction of the star image.
In creating a fantastic scenario based on these star icons, Insignificance makes the case that the ubiquitous image of the public figure does not belong to the person who embodies them, but to the public, for by entering the public and articulating a constructed persona, the star has already entered the realm of fiction.”