In New York’s Village Voice, film critic Michael Musto noted the irony of Oscar talk about Michelle Williams in My Week With Marilyn, when the woman she plays was never nominated:
“I guess you can get a nomination for recreating the production of a film, but not for having actually been in it…The insanity at the time was that Marilyn was just a giddy sexpot, not an actress – a point of view she herself took to heart…She had a natural magnetic appeal, deft comic timing, and heartbreaking pathos, and she knew exactly what to do whenever a camera loomed.”