Marilyn as Roslyn in ‘The Misfits’

“And Roslyn. What’s to say about Roslyn? She has all of the Monroe tics—her wobbly mouth, her baby-voice, her squeal, her wiggle. But all of these characteristics are made sad somehow in this performance, child-like actions that both draw and repel, weapons in her arsenal and her weaknesses. Roslyn reminds me of one aspect of Monroe’s persona that is often ignored—her manipulation of men. I don’t mean this in a negative way, but as a simple fact: men are attracted to her, almost irresistibly, and she uses this to her advantage as a way to survive—she makes her sexuality and vulnerability a performance, a captivating one that is both completely calculated and seemingly innocent. As always with Monroe, you sometimes want to slap her to snap her out of her breathy innocence and other times want to protect her from everything harsh and prickly.”

From ‘The Saddest Girl in the World’, an essay on The Misfits by Letitia Trent, posted at A Bright Wall in a Dark Room at Tumblr.

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